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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

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Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, September 22, 2014

Jazz North East & Splinter @ the Bridge present The Dors. Sunday Sept. 22

Christophe de Bezenac (sax & electronics); Chris Sharkey (guitar); Eve Risser (keyboards & vocals); Yuko Oshima (drums); Paul Miller (audiovisual projections).
(Review by Steve H/photo courtesy of Ken Drew.)
A jazz hating friend of mine has just visited New Orleans where he encountered the music in its birth place and seemed to thoroughly enjoy the experience. I patronizingly informed him that the sort of Jazz he was listening to belonged  in a museum. Quite where Sunday night’s performance at The Bridge Hotel ‘belonged’ to was anybody’s guess.
The upstairs room was kitted out in such a way as to resemble a cross between Miss Haversham’s  dining room and a venue for an early Halloween party. The room was in darkness and suspended from the ceiling in various strategic places were white drapes which were used as multiple screens to display the  dazzling audiovisual  art of Paul Miller. The stage itself looked like a section of the control room at  the Cern Hadron Collider  littered  with   computers, keyboards and miles of cables. The band took the stage and proceeded to perform an unbroken set of manic electronic experimental music accompanied by a kaleidoscopic interactive light show. Keyboards, vocals, saxophone and guitar were all embedded in a constant computerized whirlpool of beats and sci fi effects. The brutal and ferocious drumming of Oshima was a particular highlight. Personally, I feel this type of music would be far more appropriate if staged at somewhere like The Tusk  festival (held next month at The Star and Shadow in Newcastle http://tuskfestival.com/). It was an exhilarating experience but I am not entirely convinced that I was attending a jazz gig. Do four musicians frantically improvising primarily with electricity constitute jazz no matter what the eventual output sounds like ? As a piece of modern performance art it was commendable but for those attending with no prior knowledge of what to expect it may have left them at best bemused and at worst misled. This gig really did push the boundaries even of this most eclectic  art form.  Perhaps if it had been billed as Frankensteinian Punk Jazz meets Kraftwerk Electronica no one could have complained if it didn’t quite transport them form Newcastle  to New Orleans 
Steve H.

1 comment :

Russell said...

Great review Steve. One thing rankles...your suggestion that New Orleans jazz resides in museums. No it doesn't, it is alive and well, played all over the world from Preservation Hall to the Oxbridge Hotel in Stockton on Tees (the New Orleans Preservation Jazz Band, Thursday nights). Is swing dead? Nope - you should have been at Hoochie Coochie on Sunday. Is bop dead? Nope - Jazz Café last Friday. Is free jazz dead. Nope - it just smells funny. Jazz Lives!

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