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Bebop Spoken There

JD Allen: "...art in itself is now a luxury that you need a lot of finances to do." - (DownBeat October 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,822 (and counting) posts since we started blogging 13 years ago. 1239 of them this year alone and, so far, 66 this month (Oct. 18).

From This Moment On ...

October

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: NUJO Jazz Jam @ Bar Loco, Newcastle. 7:00pm. Newcastle University Jazz Orchestra.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Monday, September 22, 2014

Jazz North East & Splinter @ the Bridge present The Dors. Sunday Sept. 22

Christophe de Bezenac (sax & electronics); Chris Sharkey (guitar); Eve Risser (keyboards & vocals); Yuko Oshima (drums); Paul Miller (audiovisual projections).
(Review by Steve H/photo courtesy of Ken Drew.)
A jazz hating friend of mine has just visited New Orleans where he encountered the music in its birth place and seemed to thoroughly enjoy the experience. I patronizingly informed him that the sort of Jazz he was listening to belonged  in a museum. Quite where Sunday night’s performance at The Bridge Hotel ‘belonged’ to was anybody’s guess.
The upstairs room was kitted out in such a way as to resemble a cross between Miss Haversham’s  dining room and a venue for an early Halloween party. The room was in darkness and suspended from the ceiling in various strategic places were white drapes which were used as multiple screens to display the  dazzling audiovisual  art of Paul Miller. The stage itself looked like a section of the control room at  the Cern Hadron Collider  littered  with   computers, keyboards and miles of cables. The band took the stage and proceeded to perform an unbroken set of manic electronic experimental music accompanied by a kaleidoscopic interactive light show. Keyboards, vocals, saxophone and guitar were all embedded in a constant computerized whirlpool of beats and sci fi effects. The brutal and ferocious drumming of Oshima was a particular highlight. Personally, I feel this type of music would be far more appropriate if staged at somewhere like The Tusk  festival (held next month at The Star and Shadow in Newcastle http://tuskfestival.com/). It was an exhilarating experience but I am not entirely convinced that I was attending a jazz gig. Do four musicians frantically improvising primarily with electricity constitute jazz no matter what the eventual output sounds like ? As a piece of modern performance art it was commendable but for those attending with no prior knowledge of what to expect it may have left them at best bemused and at worst misled. This gig really did push the boundaries even of this most eclectic  art form.  Perhaps if it had been billed as Frankensteinian Punk Jazz meets Kraftwerk Electronica no one could have complained if it didn’t quite transport them form Newcastle  to New Orleans 
Steve H.

2 comments :

Lance said...

Ah shit! I missed it!

Russell said...

Great review Steve. One thing rankles...your suggestion that New Orleans jazz resides in museums. No it doesn't, it is alive and well, played all over the world from Preservation Hall to the Oxbridge Hotel in Stockton on Tees (the New Orleans Preservation Jazz Band, Thursday nights). Is swing dead? Nope - you should have been at Hoochie Coochie on Sunday. Is bop dead? Nope - Jazz Café last Friday. Is free jazz dead. Nope - it just smells funny. Jazz Lives!

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