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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Wednesday September 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Alexys de Alfaro - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

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CANCELLED

Archipelago + Freese Trio - Bobik's, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. Tel: 0191 284 0490. 7:30pm. £5.00.

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Levee Ramblers NOJB w. Jim McBriarty (clarinet) & Bob Wade (trumpet) - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm. £3.00.

Blues/Folk

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, August 08, 2014

[To Stan Getz] "Isn't the saxophone the easiest instrument of all to play?"

[Getz's reply]: "Technically speaking, yes. I suppose it's the easiest from that point of view. Just to play the saxophone - well, that's not so hard to learn. But mere playing isn't enough. To be any good you have to play the saxophone properly, as you would any other instrument; you have to get a good musical sound and that is not so easy at all. The saxophone is - well, you might call it a b******d instrument. It's not pure, like the violin or the piano or the trumpet. You don't see any saxophones in symphony orchestras, you'll notice. The tenor, especially, is out of tune, in a sense, and a musician can pretty much make of the tenor saxophone what he will. That's one reason why there are so many tenor styles - or noises...To anyone just starting out who wants to study the tenor I'd suggest he first study piano, first learn what music itself is all about; the first thing is to become a musician, then a tenor saxophone player..."
From the sleeve notes to the above album. Thanks to Simon Spillett for sharing this quote which is very true.
Lance.

4 comments :

Paul Gowland (on f/b). said...

Good job I learned piano first then eh?

Jude Murphy (on f/b). said...

Jude Murphy You hear the same questions about recorders, which are the easiest instrument in the world to play really, really badly.

Fiona Finden (on f/b). said...

so why didn't they teach us how to play piano in school first?

Ann Alex said...

And also the tin whistle, it's a very accessible instrument, but it's easy to play badly by blowing too hard. Vin Garbutt and Joey Oliver are both good (folk tunes). And as for the banjo or the bodhran ...

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance