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Bebop Spoken There

James Carter: "We played around with 'Nuages' and FUNKED it up, basically." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday August 20

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Will Earl - Band Room, Music Studios, Newcastle University NE1 7RU. 12 noon. Free. Earl (drums) Postgraduate Recital. ‘Solo and groove: innovation in contemporary drumming practices’.

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Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 12:00pm - 2:00pm. Free.

NOTE EARLIER TIME THIS WEEK ONLY.

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Joe Reid - Band Room, Music Studios, Newcastle University NE1 7RU. 1:40pm. Free. Reid (drums) Postgraduate Recital. ‘Progressive Drumming & Polyrhythms of the Modern Drummer’.

Evening

Jazz

Jam session - Black Swan Bar, Newcastle Arts Centre, 59 Westgate Rd., Newcastle NE1 7RU. Tel: 0191 222 9882. 8:00pm. Free. House trio: Giles Strong (guitar), Paul Grainger (double bass), Paul Wight (drums).

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:30pm. £4.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, August 06, 2014

Jazz Café Jam. August 5.

Peter Gilligan (pno); Paul Grainger (bs); Paul Wight (dms) + Bradley Johnston (gtr); Ray Burns (hca); Cormack Loane (alt); Nick Gould (ten); James Creswick (bs); Jordan Alfonso (alt); Eric Stutt (dms); A.N. Others on guitar/flute/keys.
(Review by Lance).
This week's jam was jam-packed - the joint jumped!
The house trio set the bar level high on Bouncing With Bud and Wave. Bradley Johnston kept it there Meeting Miss Jones in the process. Ray Burns gave us Body and Soul. All the Things You Are, There Will Never be Another You and Cantaloupe Island followed bringing a new bass player on stage. Wearing a jauntily angled baseball cap I pigeon-holed him as a rapper or a hiphopper - how wrong can you get? James Creswick, of the musically notable Creswick family, proved to be as adept a jazz bassist as his father is a violinist and conductor.
Eric Stutt took his place behind the kit alongside a guitarist and flautist whose names I didn't catch. The fluter would have benefited from using the mic. Time Remembered meandered along but Anthropology and Straight No Chaser didn't hang about. 
Cormack Loane, a friend from way back and now based at Birmingham Conservatoire, was in town for a few days and, fortunately, had his alto with him. Cormack had travelled north to be here, Nick Gould, a habitué of Edinburgh's famous Jazz Bar, had travelled south and the two saxes blended well on Chaser, Satin Doll and Now's The Time both dishing out gutsy solos.
Gould stayed on board for Green Dolphin Street then was joined by yet another saxist - alto player Jordan Alfonso who acquitted himself admirably on a couple of Autumns (New York and Leaves).
Night in Tunisia brought Cormack back into the fray before the final Mercy, Mercy, Mercy.
One of the best jams since the Café re-opened.
Lance.

1 comment :

Bradley Johnston (on F/b) said...

A great night it was indeed!

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance