Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18585 (and counting) posts since we started blogging 18 years ago. 449 of them this year alone and, so far this month (May 31) 103

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Wed 03: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 04: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 04: Postmodern Jukebox @ Glasshouse, Gateshead. 7:30pm.
Thu 04: Webster’s Ragtime Trio @ The Witham, Barnard Castle. 7:30pm. £17.00. Trio from Texas, USA.
Thu 04: King Bees @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Chicago blues excellence!
Thu 04: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 04: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 05: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 05: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 05: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 05: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 3:20pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Fri 05: House of the Black Gardenia: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). House of the Black Gardenia evening performance. Day 1/3.
Fri 05: Strictly Smokin’ Big Band + IKS Big Band @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). £24.00. Big band double bill. IKS Big Band (Germany).
Fri 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Saltburn Community Hall. 7:30pm. £15.00

Sat 06: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 2:40pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Sat 06: Struggle Buggy @ Billy Bootleggers, Ouseburn, Newcastle. 3:00pm. Free. Blues.
Sat 06: Teresa Watson Band @ Billy Bootleggers, Ouseburn, Newcastle. 6:00pm. Free. Blues.
Sat 06: Lindsay Hannon: Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm (6:30pm doors). £15.00.
Sat 06: IKS Big Band: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). IKS Big Band evening performance. Day 2/3.
Sat 06: Tyne Valley Big Band @ Northumbrian Revival, West Benridge Farm, nr. Morpeth NE61 3RZ. 7:30-9:30pm. £21.47 (£2.77. child). 82nd D-Day anniversary event.
Sat 06: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 06: FILM: The Magic City: Birmingham According to Sun Ra @ The Burnlaw Centre, Hexham NE47 8HF. A weekend event in association with Star & Shadow Cinema. Film screening at 9:30pm. £28.02. Dir. Guillaume Maupin & Pablo Guarise.

Sun 07: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 11:00am. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Sun 07: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 07: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Steve Walker (trumpet).
Sun 07: Joe Steels: Celebrating Wes @ Central Bar, Gateshead. 2:00pm. £10.00. Trio: Joe Steels, Mick Shoulder, Abbie Finn.
Sun 07: Sax Choir @ The Globe, Newcastle. 2:00pm. Free. Sun 07: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 07: Eddie Gripper Trio @ Queen’s Hall, Hexham. 3:00pm. Gripper (piano); Clem Saynor (double bass); Patrick Barrett-Donlon (drums). Americana album tour.
Sun 07: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 07: Magpies of Swing: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 4:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). Magpies of Swing afternoon performance. Day 3/3.
Sun 07: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 5:40pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Sun 07: Webster’s Ragtime Trio @ The Ship Inn, Low Newton. 7:00pm. £12.50. Trio from Texas, USA.
Sun 07: Salty Dog @ Alnwick Playhouse. 7:00pm. £5.00. Performance in the Studio venue.
Sun 07: Ian Millar & Dominic Spencer @ Riding Mill Village Hall. 7:30pm. £12.00.
Sun 07: Swing Manouche @ The Globe, Newcastle. 8:00pm. Feat. Steve McGarvie (clarinet).

Mon 08: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 11:50am. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Mon 08: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 08: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 5:15pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Mon 08: Dave Bristow Quintet @ Cluny 2, Newcastle. 7:30pm (doors). £22.00., £11.00., £5.50. Bristow (piano); Christian Altehülshorst (trumpet); Félix Hardouin (alto sax); Gabriel Pierre (double bass); Guillaume Prévost (drums).

Tue 09: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 3:00pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Tue 09: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.
Tue 09: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 8:10pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.

Monday, August 04, 2014

Joshua Redman @ Jazz en la Costa, Almunecar, Spain, July 21

Joshua Redman (sax) , Aaron Goldberg (piano), Reuben Rogers (bass) and Gregory Hutchinson (drums).
(Review by JC). 
Almunecar is a very pretty coastal town on the Costa Tropical in Southern Spain. One thing it's famous for is being the town where Laurie Lee ended up after his epic walk through the length of the country in 1936 with just a fiddle and a loaf of bread in a knotted handkerchief on the end of a stick as luggage. Unfortunately, he arrived in the middle of the Spanish civil war and things were a bit dangerous as the next town along was on a different side to Almunecar, so eventually he had to be rescued by the British navy. He later wrote about his adventures in his book As I walked Out One Midsummer Morning.
Although it is not reported whether Lee played jazz on his fiddle, Almunecar's other claim to fame is that it has hosted a stylish and quirky jazz festival for over 25 years. The location of the concerts must be one of the coolest and most idyllic around as they take place in wonderful tropical gardens beneath an old floodlit castle. The gardens are full of palms and banana trees and there are pieces of interesting sculpture dotted here and there. The open stage sits underneath the castle in front of much tropical greenery and the musicians are sometimes accompanied by squawky scat from cockatoos and parrots as they fly by. And it wouldn't be a total surprise if a ring-tailed lemur was to swing down from the trees and have a quick thrash on the drums ('Yo! lemur' as a recent visiting American musician might say, hopefully not too many times).
There are rows of seats in front of the stage for people who just want to listen to the music, while further back there are tables with red lights (like an old style al fresco Ronnie Scott's) for those who want to drink, talk and also listen. It all works perfectly.
As well as the Joshua Redman Quartet, this year's programme offered Tord Gustavsen from Norway, Dave Holland, singer and composer Zara McFarlane and Charles Lloyd, amongst others. Not a bad selection.
Redman and his colleagues were in great form going straight into one of his own tunes played at full volume and pace. Surprisingly the second tune was Summertime ('but not as you know it, Lance'). This one included a brilliant, fifteen minute piano solo from Aaron Goldberg which crossed summertime with wintertime, Greenwich Mean Time, time after time and the space/time continuum to dismantle and reconstruct the original tune. The drummer had something to say about this as well. When Redman came back in for his second solo he played a number of beautiful Coltranesque phrases to return to the original tune, as well as managing some exuberant leg kicks.
Impressively, Redman did his best to make his announcements in Spanish although sometimes it drifted into Spanglish and bits of French but the local crowd appreciated it, even if it meant I couldn't understand most of it. So, picking up on the few words I could hear, it appeared that the next tune was written by a rock band from New York, but turned out to be another fiery jazz piece with no discernable rock features as far as I could tell. A number of what seemed to be classical inspired pieces followed with incredibly elegant solos from both Redman and Goldberg on piano. As the night went on the pieces became more musically complex with one number having a long and intricate bass intro before the rest of the band took on the theme and developed it further. For one tune the piano player retired from view and Redman played an extended solo intro, which included both more leg kicks but also, in amongst the torrent of notes, what sounded like double bass sounds. I looked at Reuben Rogers to see if his hands were moving but they were still resting on top of the bass, so they had to be coming from the saxophone.
This was one of those red-hot, but at the same time, cool bands who play with what appears to be such effortless technique yet still seem to be really enjoying themselves. The crowd (and the cockatoos) loved it and the band played an encore to a standing ovation. The happy crowd then drifted off quietly into the balmy night for a glass of wine and some tapas at a bar down by the beach. Nice.
JC

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