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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17444 (and counting) posts since we started blogging 16 years ago. 718 of them this year alone and, so far, 100 this month (Oct. 10).

From This Moment On ...

October

Thu 10: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 10: Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. ‘Collaborations - it happened all the time’.
Thu 10: Indigo Jazz Voices w. the Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 10: Side Cafe Orkestar @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
The 10: Classic Swing @ Carlisle Rugby Club, Warwick Rd., Carlisle. 8:30pm. £9.
Thu 10: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. With guests Donna Hewitt (sax); Bill Watson (trumpet); Graham Thompson (keys); Ron Smith (bass). Free.

Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: Dulcie May Moreno @ The Old Library, Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 11: The Jazz Quartet + Stratosphonic @ Tynedale Rugby Club, Corbridge. 7:00pm. £15.00. A Rotary Club of Hexham event. The Jazz Quartet (Jude Murphy & co), Stratosphonic (blues/rock). CANCELLED!
Fri 11: Joe Steels Trio @ The Pele, Market Place, Corbridge NE45 5AW. 7:30pm. Free.
Fri 11: Crooners @ Tyne Theatre, Newcastle. 7:30pm.
Fri 11: Mo Scott Band @ Blues Underground, Nelson St., Newcastle. 9:00pm. Free.

Sat 12: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. £12.00. (£10.00. adv.). Country blues guitar & vocals.
Sat 12: Nauta @ Cobalt Studios, Newcastle. 7:00pm. £13.28, £11.16, £9.04. A two-track recording launch gig.
Sat 12: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Rockabilly, rhythm & blues etc. A ‘Jar on the Bar’ gig.
Sat 12: Lapwing Jazz Trio @ The Ship Inn, Low Newton. 8:00pm. Free. New trio: Paula Whitty, Richard Herdman, Jude Murphy.

Sun 13: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 13: Emma Wilson @ Tyne Bar, Newcastle. 4:00pm. Free. Blues.
Sun 13: Catfish Keith @ The Cluny. 7:00pm. Country blues.
Sun 13: Cath Stephens & Paul Grainger @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Stephens & Grainger, one third of a triple bill.
Sun 13: Dulcie May Moreno Quartet @ The Globe, Newcastle. 8:00pm.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Black is the Color of My Voice @ Hippodrome, Darlington. 7:30pm. Apphia Campbell’s one-woman show inspired by Nina Simone, performed by Nicholle Cherrie.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano), Paul Grainger (double bass), Bailey Rudd (drums).

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Cath Stephens’ improvisation workshop @ Prohibition Bar, Newcastle. 4:30-6:00pm. Collaborative group focusing on vocal improvisations.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, August 04, 2014

Joshua Redman @ Jazz en la Costa, Almunecar, Spain, July 21

Joshua Redman (sax) , Aaron Goldberg (piano), Reuben Rogers (bass) and Gregory Hutchinson (drums).
(Review by JC). 
Almunecar is a very pretty coastal town on the Costa Tropical in Southern Spain. One thing it's famous for is being the town where Laurie Lee ended up after his epic walk through the length of the country in 1936 with just a fiddle and a loaf of bread in a knotted handkerchief on the end of a stick as luggage. Unfortunately, he arrived in the middle of the Spanish civil war and things were a bit dangerous as the next town along was on a different side to Almunecar, so eventually he had to be rescued by the British navy. He later wrote about his adventures in his book As I walked Out One Midsummer Morning.
Although it is not reported whether Lee played jazz on his fiddle, Almunecar's other claim to fame is that it has hosted a stylish and quirky jazz festival for over 25 years. The location of the concerts must be one of the coolest and most idyllic around as they take place in wonderful tropical gardens beneath an old floodlit castle. The gardens are full of palms and banana trees and there are pieces of interesting sculpture dotted here and there. The open stage sits underneath the castle in front of much tropical greenery and the musicians are sometimes accompanied by squawky scat from cockatoos and parrots as they fly by. And it wouldn't be a total surprise if a ring-tailed lemur was to swing down from the trees and have a quick thrash on the drums ('Yo! lemur' as a recent visiting American musician might say, hopefully not too many times).
There are rows of seats in front of the stage for people who just want to listen to the music, while further back there are tables with red lights (like an old style al fresco Ronnie Scott's) for those who want to drink, talk and also listen. It all works perfectly.
As well as the Joshua Redman Quartet, this year's programme offered Tord Gustavsen from Norway, Dave Holland, singer and composer Zara McFarlane and Charles Lloyd, amongst others. Not a bad selection.
Redman and his colleagues were in great form going straight into one of his own tunes played at full volume and pace. Surprisingly the second tune was Summertime ('but not as you know it, Lance'). This one included a brilliant, fifteen minute piano solo from Aaron Goldberg which crossed summertime with wintertime, Greenwich Mean Time, time after time and the space/time continuum to dismantle and reconstruct the original tune. The drummer had something to say about this as well. When Redman came back in for his second solo he played a number of beautiful Coltranesque phrases to return to the original tune, as well as managing some exuberant leg kicks.
Impressively, Redman did his best to make his announcements in Spanish although sometimes it drifted into Spanglish and bits of French but the local crowd appreciated it, even if it meant I couldn't understand most of it. So, picking up on the few words I could hear, it appeared that the next tune was written by a rock band from New York, but turned out to be another fiery jazz piece with no discernable rock features as far as I could tell. A number of what seemed to be classical inspired pieces followed with incredibly elegant solos from both Redman and Goldberg on piano. As the night went on the pieces became more musically complex with one number having a long and intricate bass intro before the rest of the band took on the theme and developed it further. For one tune the piano player retired from view and Redman played an extended solo intro, which included both more leg kicks but also, in amongst the torrent of notes, what sounded like double bass sounds. I looked at Reuben Rogers to see if his hands were moving but they were still resting on top of the bass, so they had to be coming from the saxophone.
This was one of those red-hot, but at the same time, cool bands who play with what appears to be such effortless technique yet still seem to be really enjoying themselves. The crowd (and the cockatoos) loved it and the band played an encore to a standing ovation. The happy crowd then drifted off quietly into the balmy night for a glass of wine and some tapas at a bar down by the beach. Nice.
JC

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