Bebop Spoken There

John Donegan: ''What you take in through your ears can come out through your fingers.'' (Notes to Which Direction October, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,030 (and counting) posts since we started blogging 18 years ago. 894 of them this year alone and, so far this month (Oct. 22) 73.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sat 24: Marvin Muoneké w. Strictly Smokin’ Big Band @ Gala Theatre, Durham. 7:30pm. Durham Jazz Festival.
Sat 24: Knats @ Fabio’s Bar, Durham. 9:00pm. Durham Jazz Festival. SOLD OUT!
Sat 24: Kind of Blu Jazz Jam @ Radisson Blue Hotel, Durham. 10:30pm. House rhythm section: Paul Edis, Ken Marley & Steve Hanley. Durham Jazz Festival.

Sun 25: Paul Edis workshop: Another Week, Another Composition - How I Compose @ Mark Hillery Arts Centre, Collingwood College, Durham. 10:30am. £16.00. Durham Jazz Festival. CANCELLED!
Sun 25: Jo Harrop workshop: From Chester-le-Street to LA: A Singer’s Journey @ Claypath Deli, Durham. 11:00am. £8.50. Durham Jazz Festival. CANCELLED!
Sun 25: Janette Mason workshop: The Art of Arranging @ Mark Hillery Arts Centre, Collingwood College, Durham. 12:30pm. £16.00. Durham Jazz Festival.
Sun 25: Dean Stockdale Quartet: Celebrating Oscar Peterson @ Durham University Music School. 1:00pm. Line-up: Dean Stockdale (piano); Jamie Taylor (guitar); Gavin Barras (double bass); Gaz Hughes (drums). Durham Jazz Festival. SOLD OUT!
Sun 25: Tom Atkinson’s Electric Miles: Celebrating Jack Johnson @ Sir Thomas Allen Assembly Rooms Theatre, Durham. 2:00-3:15pm. Durham Jazz Festival.
Sun 25: SULA @ St Chad’s College, Durham. 2:30pm. Kezia Abouma (piano), Aleks Dimitrova (bass), Miranda Radford (drums). Durham Jazz Festival. NOTE NEW TIME (2.30pm).
Sun 25: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 25: Swing into Sunday @ St Oswald’s Institute, Durham. 2:30pm. Lindy Jazz. Durham Jazz Festival.
Sun 25: Sara Oschlag w. Arnie Somogyi Trio @ Queen’s Hall, Hexham. 3:00pm. Sara Oschlag (vocals); Richard Wetherall (keyboards); Arnie Somogyi (double bass); John Hirst (drums).
Sun 25: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 25: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free. Ruth Lambert (vocals); Alan Law (keyboards); Paul Grainger (double bass). RESCHEDULED to NOV. 1
Sun 25: Marvin Muoneké Quartet @ St Chad’s College, Durham. 4:00pm. Line-up: Dean Stockdale (piano); TBC (double bass); Abbie Finn (drums). Durham Jazz Festival.
Sun 25: Janette Mason Rewired @ Sir Thomas Allen Assembly Rooms Theatre, Durham. 4:30pm. Line-up: Janette Mason (piano); Jakub Cywiński (double bass); Eric Ford (drums). Durham Jazz Festival.
Sun 25: Lindsay Hannon: Tom Waits for No Man @ Old Cinema Launderette, Durham. 5:00pm. Durham Jazz Festival. SOLD OUT!
Sun 25: Zoë Gilby & Andy Champion @ Redhills Durham Miners’ Hall, Durham. 6:00pm. Durham Jazz Festival.
Sun 25: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. £3.00.
Sun 25: Sara Oschlag w. Arnie Somogyi Trio @ The Globe, Newcastle. 8:00pm. Sara Oschlag (vocals); Richard Wetherall (piano); Arnie Somogyi (double bass); John Hirst (drums).
Sun 25: Durham University Jazz Society - Jazz Jam @ Fabio’s Bar, Durham. 8:00pm. Durham Jazz Festival.
Sun 25: Olivia Cuttill Quintet + King Pleasure & the Biscuit Boys @ Redhills Durham Miners’ Hall, Durham. 8:00pm. Durham Jazz Festival.

Mon 26: Sue Ferris Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 26: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. guest Ruth Lambert.
Tue 27: Eva Fox & the Sound Hounds @ Newcastle Arts Centre. 7:30pm. Free (donations).

Wed 28: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 29: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 29: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 29: Simon Taylor Band @ Newcastle Arts Centre. 7:30pm. £8.00.
Thu 29: King Bees @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Superb Chicago blues band.

Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 30: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 31: Saltburn Big Band + Durham Alumni Big Band @ Saltburn Community Hall. 7:30pm.
Sat 31: East Coast Swing Band @ Cramlington Village Club, Park View, Cramlington NE23 6QJ. 7:30pm. £10.00. (from venue).

Monday, August 04, 2014

Joshua Redman @ Jazz en la Costa, Almunecar, Spain, July 21

Joshua Redman (sax) , Aaron Goldberg (piano), Reuben Rogers (bass) and Gregory Hutchinson (drums).
(Review by JC). 
Almunecar is a very pretty coastal town on the Costa Tropical in Southern Spain. One thing it's famous for is being the town where Laurie Lee ended up after his epic walk through the length of the country in 1936 with just a fiddle and a loaf of bread in a knotted handkerchief on the end of a stick as luggage. Unfortunately, he arrived in the middle of the Spanish civil war and things were a bit dangerous as the next town along was on a different side to Almunecar, so eventually he had to be rescued by the British navy. He later wrote about his adventures in his book As I walked Out One Midsummer Morning.
Although it is not reported whether Lee played jazz on his fiddle, Almunecar's other claim to fame is that it has hosted a stylish and quirky jazz festival for over 25 years. The location of the concerts must be one of the coolest and most idyllic around as they take place in wonderful tropical gardens beneath an old floodlit castle. The gardens are full of palms and banana trees and there are pieces of interesting sculpture dotted here and there. The open stage sits underneath the castle in front of much tropical greenery and the musicians are sometimes accompanied by squawky scat from cockatoos and parrots as they fly by. And it wouldn't be a total surprise if a ring-tailed lemur was to swing down from the trees and have a quick thrash on the drums ('Yo! lemur' as a recent visiting American musician might say, hopefully not too many times).
There are rows of seats in front of the stage for people who just want to listen to the music, while further back there are tables with red lights (like an old style al fresco Ronnie Scott's) for those who want to drink, talk and also listen. It all works perfectly.
As well as the Joshua Redman Quartet, this year's programme offered Tord Gustavsen from Norway, Dave Holland, singer and composer Zara McFarlane and Charles Lloyd, amongst others. Not a bad selection.
Redman and his colleagues were in great form going straight into one of his own tunes played at full volume and pace. Surprisingly the second tune was Summertime ('but not as you know it, Lance'). This one included a brilliant, fifteen minute piano solo from Aaron Goldberg which crossed summertime with wintertime, Greenwich Mean Time, time after time and the space/time continuum to dismantle and reconstruct the original tune. The drummer had something to say about this as well. When Redman came back in for his second solo he played a number of beautiful Coltranesque phrases to return to the original tune, as well as managing some exuberant leg kicks.
Impressively, Redman did his best to make his announcements in Spanish although sometimes it drifted into Spanglish and bits of French but the local crowd appreciated it, even if it meant I couldn't understand most of it. So, picking up on the few words I could hear, it appeared that the next tune was written by a rock band from New York, but turned out to be another fiery jazz piece with no discernable rock features as far as I could tell. A number of what seemed to be classical inspired pieces followed with incredibly elegant solos from both Redman and Goldberg on piano. As the night went on the pieces became more musically complex with one number having a long and intricate bass intro before the rest of the band took on the theme and developed it further. For one tune the piano player retired from view and Redman played an extended solo intro, which included both more leg kicks but also, in amongst the torrent of notes, what sounded like double bass sounds. I looked at Reuben Rogers to see if his hands were moving but they were still resting on top of the bass, so they had to be coming from the saxophone.
This was one of those red-hot, but at the same time, cool bands who play with what appears to be such effortless technique yet still seem to be really enjoying themselves. The crowd (and the cockatoos) loved it and the band played an encore to a standing ovation. The happy crowd then drifted off quietly into the balmy night for a glass of wine and some tapas at a bar down by the beach. Nice.
JC

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