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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Wednesday October 18

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Evening
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

New Orleans Jazz at the Village Hall - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

Glowrogues - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ. 8:00pm. Line-up Sam Healey (alto), Aaron Diaz (trumpet & electronics), Richard Foote (trombone), Ben Watte (keyboards), Dan Brew (guitar), Jamie Brewster (bass) & Jim Molyneux (drums)

Shannon McNally & Friends + Little Mo (Mo Scott) - Live Theatre Studio, Broad Chare, Newcastle NE1 3DQ. Tel: 0191 232 1232. 8:00pm. £10.00. Jumpin’ Hot Club gig.

Tees Hot Club - Cleveland Bay, 718 Yarm Rd., Eaglescliffe TS16 0JE. 9pm. Free.

Emma Fisk & Paul Edis - Ushaw College. 7:30pm. £7.00. Classical, jazz & tango. (CANCELLED)
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, August 09, 2014

The Mark Williams Trio @ The Cherry Tree, August 4

Mark Williams (guitar); Andy Champion (double bass); Rob Walker (drums). (Review by JC).
By my reckoning the Cherry Tree has been running its free Monday night jazz sessions for at least five years and as far as I am aware, the sessions have taken place every Monday regardless of summer holidays and other events. This probably makes it the most consistent jazz session in the North East, which is no mean achievement. As I live just a couple of drumbeats away I have been there on quite a few occasions and have always had a good time both musically and gastronomically. I have heard all the best local and regional musicians in a variety of different bands some longstanding formations, others creatively brought together for the occasion. Also, musicians and singers from further afield pass through and often present a feast of great jazz.
So, bearing in mind the quality of the music, I have often mused to myself why more of the local jazz audience don't drop in from time to time. Although entrance is free, admittedly there is an expectation that people will eat and drink something while they are there. But with two courses for £16 and a couple of drinks it should be possible to keep the bill to about 25 quid. Then again maybe jazz enthusiasts figure that a restaurant with jazz equals bland, background music. Nothing could be further from the truth and the group tonight illustrated this beautifully.
The flyer said the Mark Williams Trio but the MW Super Trio would have been more like it. What a line-up! Any of these musicians can (and do) play free improv, scorching modern jazz, jazz prog-rock, beautiful lyrical ballads and their own compositions, and at least two had recently returned from performing at the Manchester Jazz Festival and other concerts further south. From the off it seemed clear that the tunes were carefully chosen for their melodic qualities and the opportunities they allowed for each of the band to explore their possibilities. Williams' guitar work had a beautiful bell-like tone with gently assertive runs and sweet chord sequences. Rob Walker sat in his usual pleasantly sphinx-style pose, which belies the intricate rhythms on the drums produced by his hands. On double bass, as always, Andy Champion wove intricate patterns around the basic bass notes. On one tune he played a long solo introduction, setting out and extending the tune's melody almost like the lead instrument. Some of the tunes were familiarly unfamiliar to me but that didn't matter, as it was the sound and the interplay between the musicians that was sumptuous. Others I could put a name to, like My One and Only Love, a fabulous version of My Favourite Things with a brilliantly subtle solo from Rob Walker. But the standout was Smoke Gets In Your Eyes, as it happens my parents 'special song', which was exquisitely played with Williams delicately bending the strings to send wisps of sound into the air.
Jazz fans give yourselves a treat, get along to the Cherry Tree.
JC

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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