Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October. Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Saturday, August 09, 2014

CD Review: Grand Fatilla - Global Shuffle

Roberto Cassan (accordion); Matt Glover (electric mandolin); Fabio Pirozzolo (percussion, voice); Mike Rivard (double bass, sintir); also Claudio Ragazzi (acoustic and 12 string guitars, cuatro puertorriqueno); Christian Cassan (additional percussion)
(Review by Ann Alex).
Lance said ‘You’ll love this CD’ and he certainly wasn’t wrong, though I still don’t know what a ‘cuatro puertorrqueno’ is.  It sounds like a Spanish medicine.  The sintir is apparently a 3-stringed bass lute, so think Medieval for that one.  Anyway this is a humdinger of great listening, a whirl of world sounds, encompassing Bulgarian dance song, Moroccan chaabi grooves, Italian folk ballads and slinky tango rhythms.  Not jazz as such, but some tracks have what sound like improvised solos, so why worry about classifying it, the music is superb.
It begins with a lively Cigansko Oro, a Balkan dance tune with percussion, rousing accordion, shifting time signatures, ending with accordion playing in 7/8 time, then comes Five Of Swords, featuring the sintir.  Alla Carpinese  starts with a bass solo, followed by mandolin and a traditional song with  Castanets.  Bebe features a melody with descending riffs and (I think) improvised solos from the band; Sandansko Oro, a Bulgarian dance, gradually builds tension and speed; Milonga Para Lucia is a sort of slow tango where chimes of music are overlaid by an accordion tune, with whistling to round off the track.  Fracanapa is another tango, this time with a ‘dragging’ effect in the music.  (A fracanapa is a Venetian mask.)  My favourite track 11 Southern Italian Medley is a combination of 2 songs, a haunting shepherd’s song sung over a drone, and a fast song which is meant to cure the listener of the effects of a bite from the tarantella spider.  I’m not sure if the cure worked but the music does, with effective percussion. 12 tracks in all, many lasting more than 7 minutes, providing good value.
Although Grand Fatilla have been performing for over 6 years, this is their debut album, which was recorded live in an old church which is now used as a studio.  You can see the band at the CD release party on September 4 but you will have to go to Cambridge MA, USA. See also www.grandfatilla.com 
Ann Alex.

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