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Bebop Spoken There

Binker Golding: "The purest jazz was often the most danceable. Somewhere along the way, we exchanged danceability for complexity, and I see a lot of what I do as a way of giving that back to people." - (Jazziz, Winter 2020).
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Archive

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Today Saturday February 22

Afternoon

Jazz

Electric Guitar Masterclass – The Music of Robben Ford - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 10:00am. £15.00. Jamie Mackay conducts a masterclass looking at the work of former Miles Davis’ sideman Robben Ford.

Evening

Daniel John Martin w Swing Manouche - Core Music, 14a/b Gilesgate, Hexham NE46 3NJ. Tel: 01434 601993. 8:00pm. Donations (suggested donation £10.00.). DJM w Mick Shoulder (guitar); Giles Strong (guitar); Ian Paterson (double bass).

Blues/Funk/Soul

Half Hand Hoodoo Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Boys of Brass - Brandling Villa, Haddricks Mill Road, South Gosforth, Newcastle NE3 1QL. Tel: 0191 284 0490. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, August 09, 2014

CD Review: Grand Fatilla - Global Shuffle

Roberto Cassan (accordion); Matt Glover (electric mandolin); Fabio Pirozzolo (percussion, voice); Mike Rivard (double bass, sintir); also Claudio Ragazzi (acoustic and 12 string guitars, cuatro puertorriqueno); Christian Cassan (additional percussion)
(Review by Ann Alex).
Lance said ‘You’ll love this CD’ and he certainly wasn’t wrong, though I still don’t know what a ‘cuatro puertorrqueno’ is.  It sounds like a Spanish medicine.  The sintir is apparently a 3-stringed bass lute, so think Medieval for that one.  Anyway this is a humdinger of great listening, a whirl of world sounds, encompassing Bulgarian dance song, Moroccan chaabi grooves, Italian folk ballads and slinky tango rhythms.  Not jazz as such, but some tracks have what sound like improvised solos, so why worry about classifying it, the music is superb.
It begins with a lively Cigansko Oro, a Balkan dance tune with percussion, rousing accordion, shifting time signatures, ending with accordion playing in 7/8 time, then comes Five Of Swords, featuring the sintir.  Alla Carpinese  starts with a bass solo, followed by mandolin and a traditional song with  Castanets.  Bebe features a melody with descending riffs and (I think) improvised solos from the band; Sandansko Oro, a Bulgarian dance, gradually builds tension and speed; Milonga Para Lucia is a sort of slow tango where chimes of music are overlaid by an accordion tune, with whistling to round off the track.  Fracanapa is another tango, this time with a ‘dragging’ effect in the music.  (A fracanapa is a Venetian mask.)  My favourite track 11 Southern Italian Medley is a combination of 2 songs, a haunting shepherd’s song sung over a drone, and a fast song which is meant to cure the listener of the effects of a bite from the tarantella spider.  I’m not sure if the cure worked but the music does, with effective percussion. 12 tracks in all, many lasting more than 7 minutes, providing good value.
Although Grand Fatilla have been performing for over 6 years, this is their debut album, which was recorded live in an old church which is now used as a studio.  You can see the band at the CD release party on September 4 but you will have to go to Cambridge MA, USA. See also www.grandfatilla.com 
Ann Alex.

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