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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14454 (and counting) posts since we started blogging 14 years ago. 732 of them this year alone and, so far, 30 this month (August 11).

From This Moment On ...

August

Thu 11: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 11: Baghdaddies @ Cumberland Arms, Newcastle. Time TBC.
Thu 11: Indigo Jazz Voices: Little Big Band Special @ The Globe, Newcastle. 7:45pm. POSTPONED!
Thu 11: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests Donna Hewitt (sax) Josh Bentham (sax) Garry Hadfield (keys).

Fri 12: Ben Gilbert Trio @ Bishop Auckland Town Hall. 1:00pm.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 12: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.

Sun 14: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 14: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm.
Sun 14: Vieux Carré Jazzmen @ West Park, South Shields. 2:00pm.
Sun 14: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 14: Anth Purdy @ Blues & Bourbon, Newcastle. 4:00pm. Free.
Sun 14: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Sun 14: Sunday Night Am Jam Special @ The Globe, Newcastle. 7:30pm. Note start time.

Mon 15: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 15: Stu Collingwood Organ Trio @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 17: 4B @ The Exchange, North Shields. 7:00pm.
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Saturday, August 23, 2014

CD Review: Larry Fuller.

Larry Fuller (pno); Hassan Shakur (bs); Greg Hutchinson (dms).
(Review by Dave Brownlow).
Larry Fuller’s second piano trio album as a leader showcases his formidable technique in the mainstream tradition. Fuller, pianist in bassist Ray Brown’s last trio, also worked with Ernestine Anderson and John Pizzarelli among others. There is no doubt that Oscar Peterson is a huge influence on Larry’s style together with other forceful players like Gene Harris and Monty Alexander. The material is all very familiar – three songs from the GASbook, eight jazz classics plus a more contemporary item.
The first three tracks – Porter’s At Long Last Love, Ray Brown’s Parking Lot Blues and Clifford Brown’s Daahoud are uptempo blues-drenched pieces full of “Peterson-like” licks, devices and phrases.
Joni Mitchell’s Both Sides Now is a gently flowing version in which Fuller reveals much more originality – as he also does on track 5, a moving interpretation of John Lewis’s Django. Peterson’s Hymn To Freedom follows. Here the pianist suggests he has a “direct line” to OP with lots of “blue notes” and clichés.
Three items from Duke Ellington - a thoughtful Reflections In D/Prelude To A Kiss and a rumbustious C Jam Blues. A pensive Old Folks (Willard Robison) subtly changes the mood and is one of the more successful tracks. Burton Lane’s That Old Devil Moon is thoughtfully arranged with excellent support from bass and drums. Here, tension builds to a suitable release (in musical terms of course !)
Johnny Mandel’s Close Enough For Love gives us another example of Fuller’s good taste in handling a ballad – expressive harmonies decorate this fine song - with discreet accompaniment from bass and drums enhancing the performance. Finally, Powell’s Celia is taken at a tempo even Bud himself might balk at. Nonetheless, Larry Fuller’s prodigious technique carries this through with aplomb – clean note-articulation and two handed octave runs being quite striking.. Greg Hutchinson at the drums and Hassan Shakur on bass give excellent support overall.
The CD will be available from Sept. 16 go to caprirecords.com.
Dave B.

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