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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, August 23, 2014

CD Review: Larry Fuller.

Larry Fuller (pno); Hassan Shakur (bs); Greg Hutchinson (dms).
(Review by Dave Brownlow).
Larry Fuller’s second piano trio album as a leader showcases his formidable technique in the mainstream tradition. Fuller, pianist in bassist Ray Brown’s last trio, also worked with Ernestine Anderson and John Pizzarelli among others. There is no doubt that Oscar Peterson is a huge influence on Larry’s style together with other forceful players like Gene Harris and Monty Alexander. The material is all very familiar – three songs from the GASbook, eight jazz classics plus a more contemporary item.
The first three tracks – Porter’s At Long Last Love, Ray Brown’s Parking Lot Blues and Clifford Brown’s Daahoud are uptempo blues-drenched pieces full of “Peterson-like” licks, devices and phrases.
Joni Mitchell’s Both Sides Now is a gently flowing version in which Fuller reveals much more originality – as he also does on track 5, a moving interpretation of John Lewis’s Django. Peterson’s Hymn To Freedom follows. Here the pianist suggests he has a “direct line” to OP with lots of “blue notes” and clichés.
Three items from Duke Ellington - a thoughtful Reflections In D/Prelude To A Kiss and a rumbustious C Jam Blues. A pensive Old Folks (Willard Robison) subtly changes the mood and is one of the more successful tracks. Burton Lane’s That Old Devil Moon is thoughtfully arranged with excellent support from bass and drums. Here, tension builds to a suitable release (in musical terms of course !)
Johnny Mandel’s Close Enough For Love gives us another example of Fuller’s good taste in handling a ballad – expressive harmonies decorate this fine song - with discreet accompaniment from bass and drums enhancing the performance. Finally, Powell’s Celia is taken at a tempo even Bud himself might balk at. Nonetheless, Larry Fuller’s prodigious technique carries this through with aplomb – clean note-articulation and two handed octave runs being quite striking.. Greg Hutchinson at the drums and Hassan Shakur on bass give excellent support overall.
The CD will be available from Sept. 16 go to caprirecords.com.
Dave B.

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