September
Thu 21: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 21: La Malbec Orchestra @ The Globe, Newcastle. 8:00pm.
Thu 21: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A 'Jar on the Bar' gig.
Thu 21: Linsday Hannon: Tom Waits for No Man @ Harbour View, Sunderland. 8:00pm. Free.
Thu 21: Ray Stubbs R & B All Stars @ The Schooner, Gateshead. 8:30pm. Free.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 22: Brief Encounter @ Bardon Mill Village Hall, Northumberland. 7:00pm. Tickets: £10.00. adv from 07885 303166; £12.00. on the door. Chris & Veronica Perrin improvising to a screening of the 1929 'Jazz Age' silent film Piccadilly (Dir. Ewald André Dupont).
Fri 22: Paul Edis & Graeme Wilson + Three Tsuru Origami @ Jesmond United Reformed Church, Newcastle. 7:30pm. A Newcastle Festival of Jazz & Improvised Music event.
Fri 22: Crooners @ Tyne Theatre, Newcastle. 7:30pm.
Fri 22: Abbie Finn's Finntet @ Traveller's Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Sat 23: Tyne Valley Big Band @ Tanfield Railway, Gateshead. 2:00-4:00pm. Free. A '1940s Weekend' event.
Sat 23: Jason Isaacs @ Stack, Seaburn. 3:30-5:30pm. Free.
Sat 23: Andrew Porritt & Keith Barrett @ Cullercoats Watch House, Front St., Cullercoats NE30 4QB. 7:00pm.
Sat 23: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. Free. A 'Jar on the Bar' gig. Country blues.
Sun 24: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Free.
Sun 24: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Mon 25: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 25: Michael Young Trio @ The Engine Room, Sunderland. 7:00pm.
Tue 26: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
[Getz's reply]: "Technically speaking, yes. I
suppose it's the easiest from that point of view. Just to play the saxophone - well, that's not so hard to
learn. But mere playing isn't enough. To be any good you have to play the
saxophone properly, as you would any other instrument; you have to get a good musical
sound and that is not so easy at all. The saxophone is - well, you might call
it a b******d instrument. It's not pure, like the violin or the piano or the
trumpet. You don't see any saxophones in symphony orchestras, you'll notice.
The tenor, especially, is out of tune, in a sense, and a musician can pretty
much make of the tenor saxophone what he will. That's one reason why there are
so many tenor styles - or noises...To anyone just starting out who wants to
study the tenor I'd suggest he first study piano, first learn what music itself
is all about; the first thing is to become a musician, then a tenor saxophone player..."
4 comments :
Good job I learned piano first then eh?
Jude Murphy You hear the same questions about recorders, which are the easiest instrument in the world to play really, really badly.
so why didn't they teach us how to play piano in school first?
And also the tin whistle, it's a very accessible instrument, but it's easy to play badly by blowing too hard. Vin Garbutt and Joey Oliver are both good (folk tunes). And as for the banjo or the bodhran ...
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