Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18799 (and counting) posts since we started blogging 18 years ago. 663 of them this year alone and, so far this month (Aug. 12) 32.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Thu 13: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 13: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 13: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free. CANCELLED! Back on Aug. 27.
Thu 13: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: John Settle Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. John Settle (vibes); Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 14: Bold Big Band @ Pilgrim, Newcastle. 8:00pm. £8.00 + bf.

Sat 15: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 15: Jake Leg Jug Band @ The White Room, Stanley. 7:45pm. £16.26.

Sun 16: Vintage Explosion @ Cliffe Park, Roker, Sunderland SR6 8DB. 5:00-10:30pm. £44.00 (inc. bf).

Mon 17: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Friday, March 14, 2014

Celebrating Roy @ The Bridge Hotel. March 11

Nick Malcolm (trumpet) & Roger Turner (percussion)
(Review by Russell/Photo courtesy of Ken Drew.)
Late last year Jazz North East secured a return visit in 2014 by American free jazz trumpeter Roy Campbell to perform in a duo with British drummer Roger Turner. In January Campbell died at the age of sixty one. The Tyneside promoters had a decision to make – scrap the date altogether or attempt to stage something in memory of the man. An invitation extended to young British trumpeter Nick Malcolm was readily accepted and the pairing of Malcolm and Roger Turner would, it was hoped, be a fitting tribute to Roy Campbell.
Drummer Roger Turner had played on Tyneside on many occasions, his pedigree not in doubt. Nick Malcolm was known to the select few who had heard him a little over a year ago leading his own quartet at the Bridge Hotel. A fabulous player, would those unaware of his abilities turn out to hear him on this auspicious occasion? In the event, most stayed away. They missed a great performance by Malcolm and nothing short of a master class from Turner. A brass player suffering from a heavy cold doesn’t bode well, the more so in the exposed duo format. Fearless, if nothing else, Nick Malcolm went for it. Roger Turner didn’t make allowances for his ailing partner – play up, play on.
The nature of free jazz found Malcolm working hard for forty five minutes, the only respite came as Turner played unaccompanied for a period. Malcolm didn’t shirk but he did cough and splutter, guttural gestures triggering a coughing fit, similarly, full on blowing leaving him gasping for breath. Turner’s technique, honed over the years, is an audio-visual treat. Great sound, great feel, watching him do it is an education. Drummers were thin on the ground, perhaps they were gigging, perhaps not. If in the latter category then they should have been at the Bridge.
The second set proved to be a shorter affair; one piece, ending as it did with neither musician having anything further to say. Such is the form, there is no set list, no preconceptions, simply start playing then cease playing. A really good gig for those interested in the music. Roy Campbell would surely have approved.        
Russell.      

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