Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18395 (and counting) posts since we started blogging 18 years ago. 259 of them this year alone and, so far this month (Mar. 30 ), 69

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: King Bees @ Billy Bootleggers, Newcastle. 7:00pm (doors). Free. Chicago blues.

Monday, August 19, 2013

LP Review: Michael Garrick Sextet - Prelude to Heart is a Lotus.

Michael Garrick (pno/harpsichord/celeste); Ian Carr (tpt); Don Rendell (alt/sop/fl); Jim Phillips (fl/ten?); Coleridge Goode (bs); Trevor Tompkins (perc.) - 1968.
(Review by Lance)
Gearbox records are a class act presenting previously unheard recordings on quality vinyl. This has to be one of the most precious.
The Michael Garrick Sextet have long held a justifiably revered position in the annals of British jazz and this release goes a long way to explaining the reason why.
In 1970 Garrick recorded The Heart is a Lotus with Norma Winstone, it was released on Argo. Prelude to Heart is a Lotus, recorded two years earlier for a BBC radio broadcast, has never been available until now,
All compositions are by Garrick who sadly died in November 2011.
They are cracking pieces and show everyone off to advantage including the mystery tenor man on Sweet and Sugary Candy. He's not listed on the sleeve and it's not Don Rendell as the tenor can be heard riffing behind Rendell's soprano. I guess it's Jim Phillip although the album details only list him as being on flute.
Carr shines throughout, mainly muted, with suggestions of Miles. Goode does his Slam Stewart bowed vocal impression and the leader plays two fisted piano. Oh yes and Tompkins kicks it along like a contemporary George Wettling.
On Webster's Mood - Rendell is listed as playing alto although it does have a tenor sound. He switches to flute for Song by the Sea. Temple Dancer has some exotic wailing by the horns and suitably Asian sounds come from the rhythm section.
Little Girl is quite beautiful painting a rich tapestry of harmonic colour. Carr is at his most Milesian here. Rendell lyricises  on soprano over Goode's bass.
I'm not sure if something recorded in 1968 qualifies as my record of the year but if it does it's a front runner.
The analogue vinyl sound is far superior to the average CD and isn't it wonderful to be able to read album notes without a magnifying glass?
Lance.

1 comment :

Lance said...

It is reported that this LP, in the space of a few days, has become Gearbox's best selling album and a second pressing may be imminent.
Justifiably so.

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