Bebop Spoken There

John Donegan: ''What you take in through your ears can come out through your fingers.'' (Notes to Which Direction October, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,041 (and counting) posts since we started blogging 18 years ago. 905 of them this year alone and, so far this month (Oct. 26) 84.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 27: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. guest Julija Jacenaite.
Tue 27: Eva Fox & the Sound Hounds @ Newcastle Arts Centre. 7:30pm. Free (donations).

Wed 28: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 29: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 29: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 29: Radio Pensacola Band @ The Blacksmith’s Arms, Hartlepool. 8:00pm. Featuring guest Jan Spencelayh.
Thu 29: Simon Taylor Band @ Newcastle Arts Centre. 7:30pm. £8.00.
Thu 29: King Bees @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Superb Chicago blues band.

Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 30: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 31: Saltburn Big Band + Durham Alumni Big Band @ Saltburn Community Hall. 7:30pm.
Sat 31: East Coast Swing Band @ Cramlington Village Club, Park View, Cramlington NE23 6QJ. 7:30pm. £10.00. (from venue).

November

Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Donna Hewitt (tenor sax, clarinet)
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Sarah Heneghan Trio @ The Globe, Newcastle. 8:00pm.

Mon 02: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Wednesday, February 13, 2013

Composer/Producer/Conductor Ryan Truesdell's Groundbreaking Project CENTENNIAL: Newly Discovered Works of Gil Evans Wins Best Instrumental Arrangement GRAMMY Award for the Late Gil Evans

Renowned composer/producer/conductor RYAN TRUESDELL's highly acclaimed CD CENTENNIAL: Newly Discovered Works of Gil Evans (ArtistShare) has won a posthumous Grammy Award for Gil Evans in the category of Best Instrumental Arrangement (How About You) in the 55th annual GRAMMY Awards. This arrangement of How About You was written in 1947 for the Claude Thornhill Orchestra and is Gil Evans' first GRAMMY win for arranging.  Evans had 11 prior nominations and two wins.
     Truesdell, who accepted the award on behalf of Evans, says: "I'm so thrilled for Gil's music to receive this great honour  Thanks to everyone who made it possible to bring this never-before recorded music into the spotlight: the Evans family - Anita, Miles and Noah - who gave me access to his archives, the amazing musicians, engineer James Farber, and of course the many ArtistShare participants who helped to make this project a reality.  Mainly, I'd like to thank Gil for creating this unique sound and voice that he had in his music."
CENTENNIAL, which brings to light new music from jazz luminary Gil Evans, has been widely heralded as one of the most important CDs of the year. It earned one of France's highest honors: LES COUPS DE COEUR from the Académie Charles Cros, and accolades as "one of the most significant releases of 2012." - JazzTimes. "An extraordinary album." - Nate Chinen, New York Times. "Truesdell deserves our gratitude for throwing light on scores unearthed from the archivesŠ One of the jazz releases of the year." - Clive Davis, Sunday Times of London. "Editor's Pick: Recording of the Month: 5-stars." - Tom Conrad, Stereophile. "As majestic and richly textured as you would expect." - Patrick Jarenwattananon, NPR A Blog Supreme.  "Record of the Month" - Jazz Magazine (France).  "10 out of 10 stars. If you don't like this, you don't like music." - Liam McManus, PopMatters.
Released by ArtistShare® on May 13, 2012 (www.GilEvansProject.com) and recorded by the Grammy award-winning engineer James Farber, CENTENNIAL features thirty-five top musicians, including Lewis Nash, Donny McCaslin, Steve Wilson, Frank Kimbrough, Greg Gisbert, and Marshall Gilkes performing previously unheard works written by Evans throughout his decades-long career.    
Prior to CENTENNIAL, Truesdell was best known for co-producing Maria Schneider's Sky Blue in 2007 and her 2004 Grammy award-winning Concert in the Garden.  He is the first person outside of the Evans family to be granted full access to the musical archives. "I saw thousands of pages of manuscript, and each new box offered up a score or sketch of one of Gil's pieces that I've admired for years." 
Truesdell, one of the foremost Evans scholars, began to grasp the significance of the material he was uncovering when he realized many of the manuscripts were unfamiliar to him.  Schneider, former assistant and protégé of Evans', says of Truesdell's discovery, "It's like finding the impossible: imagine you buy an old house and discover a box of lost Beethoven manuscripts in the attic-scores that have never been heard before. That's exactly what's happened here. It's been something that I've wished for, for decades now-something that so many of us have wanted and it's here, it's incredible; it's an amazing opportunity to hear this music uncovered."
CENTENNIAL is Available on iTunes (
iTunes.com/GilEvans100) and at www.GilEvansProject.com
www.RyanTruesdell.com

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