Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Friday, February 01, 2013

CD Review: The Ken Hatfield Sextet - For Langston

Ken Hatfield (guitar, composer, arranger); Hilary Gardner (vocals); Jamie Baum (alto flute);  Hans Glawischnig (bass); Jeff Hirshfield (drums); Steven Kroon (percussion) Langston Hughes (1902-1967 lyrics).
(Review by Ann Alex)
Phew! This review has been done just in time for what would have been Langston Hughes birthday, which is February 1.  So what, you ask?  Well the CD is a celebration of Hughes’ poetry. His writing was part of what is known in the USA as the Harlem Renaissance, sometimes known as ‘Jazz Poetry’, verse evoking blues forms, easy to listen to, yet full of rich observations about love, life and politics.
Hatfield, the composer, has gathered superb musicians for this project, including Hilary Gardner, a skilled soprano using her voice as a jazz singer should, and Jamie Baum on alto flute, making an interesting change from the usual saxes and trumpets of the front line.
Tracks include an instrumental, Overture, with a distinctly urban sound, yet quirky as well; an amusing blues I Don’t Believe in Titles; (I quote)
        Do not call me doctor if I get a Phd
        Just keep on calling me sweetie, ‘cos that is good to me
        I don’t believe in titles when it comes to love’
This track has a good bass solo and a definite 1920’s blues feel.
Then there’s Lonely Nocturne, which is about coming home with no-one to welcome you, which manages to be sad yet playful; In Time of Silver Rain the flute imitates raindrops; Silent One, with a Latin beat and percussion solo of gently ringing cymbals; political songs, one about a dead soldier and another concerning youthful revolutionaries who have no doubts; Convent/Silence, an unusual song with soft continuous cymbals which cleverly give the effect of quietness and space.  The final track is a suitable ending, The Bells Toll Kindly, about dying to the sound of bells and remembering love, but not at all morbid. The general mood of the CD is optimistic, with lots of forward-moving tunes, and many short solos on flute and guitar.  Another disc I’m glad to have in my collection.
The Ken Hatfield Sextet: For Langston is released on February1, 2013 by Arthur Circle Music.
Ann Alex.

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