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Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Friday, February 08, 2013

Collective @ Hoochie Coochie, February 7 - Second Set.

So now I have to follow Lance the Poet!  I too enjoyed the first set, not least because I’ve finally defined what is meant by ‘funk’, that interesting combination of rock and jazz.  I’d been listening to it for years and just didn’t know it. 
The second set had plenty of funk, and soul, gospel and blues for good measure.  The line-up was the same except that Al Saxon on sax disappeared and Hannah Rickard came on stage to entertain us mightily with strong stylish vocals, on songs such as Take Me To The River and Let The Good Times Roll.  And the good times did roll as the large audience of mainly young people clapped and shouted their approval, with dancing in front of the stage – I counted 12 dancers towards the end of the set.  The instrumentalists showed no signs of flagging, the guitar howled, the drums went the full measure, underpinned by the keys and the cool Katie on bass guitar.  Naturally the fans hollored for more and they got it when Al Saxon returned for a rocking, belting, blues. Just one minor quibble.  I wanted to be able to make out more of the announcements, but I could only do this when Al Saxon spoke in the first half.  I noticed he didn't try to eat the mic and talk at the same time.
A really enjoyable gig.

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