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Bebop Spoken There

Frank Zappa: "There was so much acid during the '60s that it was very easy for large numbers of people to think they had seen God as soon as the Beatles went boom, boom, boom, you know?." - (DownBeat May 18, 1978). – (DownBeat May 18, 1978).

Ryan Keberle: “Don't be easy on yourself when it comes to playing with perfect intonation. All other instruments will be playing with close-to-perfect intonation; the same should be expected of trombonists.'” – (DownBeat April 2018)

Today Friday March 23


Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.


Jiannis Pavlidis Trio - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 9:00pm. £8.00. (£6.00. advance).

Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Five Men No Dog - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. 8:00pm (doors 7:00pm). A ‘jar on the bar’ admission event.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, February 27, 2013

Graeme Wilson Quartet @ The Cluny. February 26

Graeme Wilson (tenor saxophone), Paul Edis (keyboards), Andy Champion (double bass) & Adam Sinclair (drums)
(Review by Russell)
The Graeme Wilson Quartet’s debut gig at the Central Bar in October of last year was such a success that it was just a matter of time until there was another outing. Wilson’s talents as a composer made the band an ideal choice for a Schmazz @ the Cluny gig. A  set list of tunes familiar to those who take every opportunity to hear Wilson made for a memorable night down in the Ouseburn. 
Street of Furs, Pontoon (a commission from the Harbour Association of Mull), Searchlight Nevada, one winner after another. The latter number was, perhaps, the first set highlight. Imagine John Coltrane driving through the night to his next engagement. Tyner, Jones and Garrison his companions. Imagine Trane getting lost in the desert. This was majestic tenor playing from Wilson, his band mates Paul Edis (keyboards), Andy Champion (double bass) and drummer Adam Sinclair (hear that hi-hat!) well up to the mark and then some!
Offissa Pupp - playful, funkin’ fun - offered a marked contrast to the Wilson/Trane intensity reverberating in our heads. The first set swung out with The New Wallaw, a Wilson composition inspired by a visit to a  shamefully neglected, crumbling Art Deco cinema in the south east Northumberland town of Blyth.
The second set proved to be just as good as the first. Remara (first heard on Tyneside in an arrangement by John Warren’s Splinter Group), The Sycamore, a ballad referencing Blyth’s lost picture palace, A Toe of Fudge, with constantly shifting rhythms expertly negotiated by the quartet and Pleasureland (Wilson mentions Arbroath, the audience laughs) brought us to the end. Well, not quite. The Schmazz crowd wanted more and they got it. Honolulus dazzled with brilliant playing all round. A cracking band deserving of wider recognition.     

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: I look forward to hearing from you.