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Bebop Spoken There

Kathyrn Williams: “I got into Miles Davis when I was a teenager. But I’m nowhere near as knowledgeable as Anthony [Kerr]: he is an encyclopedia of jazz, with a real in-depth, academic knowledge. I’m just a fan.” – (Jazz Journal December 2017).

Christian McBride: "He [Horace Silver] was the whole package" – (Downbeat September 2014).

Today Thursday January 18

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

‘The Death Beat - 1920s’ US immigration policy’ - City Library, New Bridge St, Newcastle NE1 8AX. 6:00pm. Free. Novelist Fiona Veitch Smith talks about her research into the period and its resonance with today’s political landscape. The Death Beat is Veitch Smith’s third novel in her series Poppy Denby Investigates.

Jambone - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. 7:00pm. Free but ticketed.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE. Tel: 0191 488 8068. 8:30pm. Free.

Tees Hot Club w. Kevin Eland (trumpet); Jeremy McMurray (keys); Danny Allan (sax). - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, February 27, 2013

Graeme Wilson Quartet @ The Cluny. February 26

Graeme Wilson (tenor saxophone), Paul Edis (keyboards), Andy Champion (double bass) & Adam Sinclair (drums)
(Review by Russell)
The Graeme Wilson Quartet’s debut gig at the Central Bar in October of last year was such a success that it was just a matter of time until there was another outing. Wilson’s talents as a composer made the band an ideal choice for a Schmazz @ the Cluny gig. A  set list of tunes familiar to those who take every opportunity to hear Wilson made for a memorable night down in the Ouseburn. 
Street of Furs, Pontoon (a commission from the Harbour Association of Mull), Searchlight Nevada, one winner after another. The latter number was, perhaps, the first set highlight. Imagine John Coltrane driving through the night to his next engagement. Tyner, Jones and Garrison his companions. Imagine Trane getting lost in the desert. This was majestic tenor playing from Wilson, his band mates Paul Edis (keyboards), Andy Champion (double bass) and drummer Adam Sinclair (hear that hi-hat!) well up to the mark and then some!
Offissa Pupp - playful, funkin’ fun - offered a marked contrast to the Wilson/Trane intensity reverberating in our heads. The first set swung out with The New Wallaw, a Wilson composition inspired by a visit to a  shamefully neglected, crumbling Art Deco cinema in the south east Northumberland town of Blyth.
The second set proved to be just as good as the first. Remara (first heard on Tyneside in an arrangement by John Warren’s Splinter Group), The Sycamore, a ballad referencing Blyth’s lost picture palace, A Toe of Fudge, with constantly shifting rhythms expertly negotiated by the quartet and Pleasureland (Wilson mentions Arbroath, the audience laughs) brought us to the end. Well, not quite. The Schmazz crowd wanted more and they got it. Honolulus dazzled with brilliant playing all round. A cracking band deserving of wider recognition.     
Russell.       

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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