Total Pageviews

Bebop Spoken There

JD Allen: "...art in itself is now a luxury that you need a lot of finances to do." - (DownBeat October 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,822 (and counting) posts since we started blogging 13 years ago. 1239 of them this year alone and, so far, 66 this month (Oct. 18).

From This Moment On ...

October

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: NUJO Jazz Jam @ Bar Loco, Newcastle. 7:00pm. Newcastle University Jazz Orchestra.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Friday, February 01, 2013

CD Review: Lisa Forkish - Bridges.

Lisa Forkish – vocals; Patrick Anseth – guitar; Paul Eastburn – bass; Carrie Jahde – drums; Cava Menzies – piano; Jon Schroder – cello; Aaron Saul – alto sax; Sarah Vela – backing vocals.
(Review by Debra).
Lisa Forkish is a young American vocalist based in Oakland, California. In her second album, Bridges, she has written and arranged 8 of the 12 tracks, largely exploring the theme of love, won and lost. ‘Unravelling’, a slow ballad, is the outstanding song, with a slow, soulful, heartfelt delivery, overlaid with delicate harmonies, and supported by sympathetic backing from guitar, double bass and drums. 
In songs such as ‘Cold Light of Day’ and ‘City of Bridges’ there is a Folk/Country feel, which becomes Rock-ier in the cover of Stephen Still’s ‘For What It’s Worth’. Forkish’s social conscience is evident  in ‘Solidarity’ (runner-up in Berklee’s Songwriting For Social Change contest – how American is that?), a well arranged song with an anthemic quality, which ends with a choral acapella.
The jazziest number is the self-penned ‘Fools in Love’, with slapping brushes and walking double bass, where Forkish relaxes with a bluesy vocal and some stylish scatting. However, in ‘No More Blues’  the seductive Latin lilt of Jobim is sacrificed for an almost marching style staccato rhythm, and the chance to swing is overlooked in ‘I Could Have Danced All Night’, although the rhythmic arrangement provides the backdrop for some tasty solos and interchanges from drums, bass guitar and sax. The repertoire in this album certainly bridges a number of musical styles, and showcases Forkish’s voice and her ability to compose and arrange, but I’m not convinced that this sister can swing; her future success probably lies somewhere along the route taken by Karen Carpenter and KD Lang..
Debra.

No comments :

Blog Archive