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Bebop Spoken There

James Carter: "We played around with 'Nuages' and FUNKED it up, basically." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday August 20

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Joe Reid - Band Room, Music Studios, Newcastle University NE1 7RU. 12 noon. Free. Reid (drums) Postgraduate Recital. ‘Progressive Drumming & Polyrhythms of the Modern Drummer’.

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Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 12:00pm - 2:00pm. Free.

NOTE EARLIER TIME THIS WEEK ONLY.

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Will Earl - Band Room, Music Studios, Newcastle University NE1 7RU. 1:40pm. Free. Earl (drums) Postgraduate Recital. ‘Solo and groove: innovation in contemporary drumming practices’.

Evening

Jazz

Jam session - Black Swan Bar, Newcastle Arts Centre, 59 Westgate Rd., Newcastle NE1 7RU. Tel: 0191 222 9882. 8:00pm. Free. House trio: Giles Strong (guitar), Paul Grainger (double bass), Paul Wight (drums).

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:30pm. £4.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, August 24, 2012

Lickety Split @ Hoochie Coochie Thursday August 23.

Eddie Bellis (tmb); Kevin Eland (tpt); Alan Marshall (alt); John Hudson (ten); Bill Brittain (pno); Roy Willis (gtr); Mick Danby (bs); Paul Wight (dms); Steph and Ike (dancers).
(Review by Lance).
A slick, polished performance by a band that produces an overall sound suggestive of an even larger ensemble.

The program consisted of mainly bebop classics including; Blues Walk, Jordu, Filthy McNasty, St. Thomas, Well You Needn't and Sister Sadie amongst others. Stand out performance for me was Jim Martin's Curious George - a bebop tune based on the chord sequence of Georgia on my Mind.
Trumpeter Eland went sky-walking in that rarefied 'sphere beyond top C, Marshall and Hudson did Adolph Sax proud, Bellis' trombone playing has a nice smooth, dry sound, Brittain ruled the keys (and many of the arrangements), Willis chipped in with chordal accompaniments as well as some imaginative solos, on bass guitar Deputy Danby did the biz whilst Paul Wight kicked the whole shebang along nicely.
This wasn't all!
During the latter part of the second set two jazz dancers - Steph and Ike - took to the floor with style and grace responding to the moods and nuances taking place on the stand with an elegance that could almost have been choreographed! .
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance