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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, August 25, 2012

Jeff Barnhart and Friends, Customs House, South Shields Friday August 24

Jeff Barnhart (piano); Anne Barnhart (flute); Mike Durham (trumpet) Derek Fleck (clarinet and tenor sax) Ollie Rillands (drums)
(Review by Ann Alex).
This was a thoroughly entertaining, enjoyable and educational gig.  I say educational because Barnhart gave us lots of information  about the  rag-time aspects of jazz,  and   interesting stories about such characters  as Fats  Waller.  When the rest of the musicians later took to the stage, I realised that  there wasn’t a sheet of written music to be seen.  You really need to know your instrument and your jazz to perform in this way, so well done everyone!
It   all  started  with the irresistible Maple Leaf Rag from 1899, closely followed by Black and White Rag.  Our  feet  were  still  tapping as Barnhart expressed admiration for the grand piano that  the  establishment  had  provided.  At  some  venues,  he  explained,  you just get a PSO, that is a ‘piano shaped object’. This is typical of the man’s wit.  The Entertainer was played as a blues with many variations, then  Twelth  Street  Rag  (1908)  slowly  at  first,  building  in speed, based on only three notes, as Barnhart pointed  out.   Next  came  the  same  tune as it would have been played by Fats Waller 35 years later, with a quick chorus of a song, commenting on the tune itself. All played in the  lively style of tuneful  right hand  and a left hand keeping a constant rhythmic thrust.  At this point Chopin   entered the scene with his Nocturne Opus 9 No. 2, played in the Fats Waller style.  Enter Jeff’s wife   Anne, no mean flautist, with a flowing tune, Water From an Ancient Well.  Other numbers played included   I Got Rhythm (flute and Piano swopping 4’s); At Twilight; and The Joint is Jumpin’.
The friends appeared for the second half, one of them being Mike Durham’s red, white, yellow and blue silk tie, which added lots of colour to the proceedings.  This half was the more usual jazz set-up of tunes with many good solos and also the occasional sung chorus;  the musical ‘feel’ was of the classic jazz.of the 1920s and '30s.  We heard standards such as I’ve Got my Fingers Crossed; Ain’t Misbehavin; Louisiana Fairytale; It’s a Sin to Tell a Lie (dedicated to all politicians, we were told); Yellow Dog Blues (just the piano); Some Day Sweetheart; My Very Good Friend The Milkman (sung by Mike); Shake it and Break it (with wonderfully effective drums).  The well-deserved encore was a romantically witty song When Did You Leave Heaven.  A good evening’s entertainment.      
Ann Alex.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance