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Bebop Spoken There

Alan Barnes: "Normally you can cobble a set together with five guys on the back of an envelope over the first pint and it's just fine. Livestreaming isn't like that." - (Jazzwise July 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,381 (and counting) posts since we started blogging 13 years ago. 799 of them this year alone and, so far, 73 this month (June 20).

From This Moment On

JUNE

Thu 24: Vieux Carré Jazzmen @ The Holystone, North Tyneside 1:00pm).

Thu 24: Maine Street Jazzmen @ Sunniside Social Club, Gateshead (8:30pm).

Fri 25: Hot Club du Nord @ St Mary's Parish Hall, Barnard Castle. 7:00pm. Tickets: £15.00. + bf. A Barnard Castle Rotary Club event. POSTPONED!

Fri 25: Archipelago + Faith Brackenbury @ Gosforth Civic Theatre, Newcastle (8:00pm). £10.00. & £8.00. Echoes to the Sky album launch. A GCT Jazz Club-Jazz North East co-promotion.

Fri 25 Alter Ego @ Traveller's Rest, Cockerton, Darlington (8:00pm). POSTPONED!

Sat 26: Tyne Valley Big Band @ The Sele, Hexham (3:45pm).

Sun 27: Vieux Carré Hot Four @ Spanish City, Whitley Bay (12 noon).

Sun 27: Noel Dennis Trio @ The Globe, Newcastle (8:00pm). £10.00. Advance booking essential: . A Jazz Co-op-Jazz North East co-promotion.

Tue 29: Dean Stockdale Trio @ The Lubetkin Theatre, East Durham College, Peterlee (1:00pm). Tickets £6.00. + bf from: www.ticketsource.co.uk

Saturday, August 25, 2012

Jeff Barnhart and Friends, Customs House, South Shields Friday August 24

Jeff Barnhart (piano); Anne Barnhart (flute); Mike Durham (trumpet) Derek Fleck (clarinet and tenor sax) Ollie Rillands (drums)
(Review by Ann Alex).
This was a thoroughly entertaining, enjoyable and educational gig.  I say educational because Barnhart gave us lots of information  about the  rag-time aspects of jazz,  and   interesting stories about such characters  as Fats  Waller.  When the rest of the musicians later took to the stage, I realised that  there wasn’t a sheet of written music to be seen.  You really need to know your instrument and your jazz to perform in this way, so well done everyone!
It   all  started  with the irresistible Maple Leaf Rag from 1899, closely followed by Black and White Rag.  Our  feet  were  still  tapping as Barnhart expressed admiration for the grand piano that  the  establishment  had  provided.  At  some  venues,  he  explained,  you just get a PSO, that is a ‘piano shaped object’. This is typical of the man’s wit.  The Entertainer was played as a blues with many variations, then  Twelth  Street  Rag  (1908)  slowly  at  first,  building  in speed, based on only three notes, as Barnhart pointed  out.   Next  came  the  same  tune as it would have been played by Fats Waller 35 years later, with a quick chorus of a song, commenting on the tune itself. All played in the  lively style of tuneful  right hand  and a left hand keeping a constant rhythmic thrust.  At this point Chopin   entered the scene with his Nocturne Opus 9 No. 2, played in the Fats Waller style.  Enter Jeff’s wife   Anne, no mean flautist, with a flowing tune, Water From an Ancient Well.  Other numbers played included   I Got Rhythm (flute and Piano swopping 4’s); At Twilight; and The Joint is Jumpin’.
The friends appeared for the second half, one of them being Mike Durham’s red, white, yellow and blue silk tie, which added lots of colour to the proceedings.  This half was the more usual jazz set-up of tunes with many good solos and also the occasional sung chorus;  the musical ‘feel’ was of the classic jazz.of the 1920s and '30s.  We heard standards such as I’ve Got my Fingers Crossed; Ain’t Misbehavin; Louisiana Fairytale; It’s a Sin to Tell a Lie (dedicated to all politicians, we were told); Yellow Dog Blues (just the piano); Some Day Sweetheart; My Very Good Friend The Milkman (sung by Mike); Shake it and Break it (with wonderfully effective drums).  The well-deserved encore was a romantically witty song When Did You Leave Heaven.  A good evening’s entertainment.      
Ann Alex.

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