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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14438 (and counting) posts since we started blogging 14 years ago. 716 of them this year alone and, so far, 13 this month (August 6).

From This Moment On ...

August

Wed 10: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 10: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Wed 10: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 10: 4B @ The Exchange, North Shields. 7:00pm.
Wed 10: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 11: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 11: Baghdaddies @ Cumberland Arms, Newcastle. Time TBC.
Thu 11: Indigo Jazz Voices: Little Big Band Special @ The Globe, Newcastle. 7:45pm. POSTPONED!
Thu 11: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests Donna Hewitt (sax) Josh Bentham (sax) Garry Hadfield (keys).

Fri 12: Ben Gilbert Trio @ Bishop Auckland Town Hall. 1:00pm.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 12: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.

Sun 14: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 14: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm.
Sun 14: Vieux Carré Jazzmen @ West Park, South Shields. 2:00pm.
Sun 14: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 14: Anth Purdy @ Blues & Bourbon, Newcastle. 4:00pm. Free.
Sun 14: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Sun 14: Sunday Night Am Jam Special @ The Globe, Newcastle. 7:30pm. Note start time.

Mon 15: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 15: Stu Collingwood Organ Trio @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Tuesday, August 21, 2012

CD Review ‘Division Musick’ - English Duos for Viol and Lute Played by Pellingman’s Saraband

Susanna Pell (viols) Jake Heringman (Lutes)
(Review by Ann Alex).
You’ll be wondering why on earth Lance is letting me review this recently issued CD on a jazz blog, so I will quote from the CD insert: The art of dividing upon a ground bass or playing divisions was the Elizabethan and seventeenth century equivalent of our modern jazz tradition.  In other words, this is what all you jazz instrumentalists would have been playing if you’d lived about four hundred years ago.  The ground was a repeated chord progression over which the musicians improvised (divisions); or sometimes they would play variations on a popular tune of the day.  Sounds familiar, doesn’t it?

The actual sound is rather different from a jazz sound as there’s no brass or woodwind, but the lute is guitar-like and the bass viol sounds rather like our double bass.  Viols are fretted string instruments which are played with an old fashioned curved bow.  They come in treble, tenor and bass varieties and are difficult to play, as I found out for myself when I tried one on a recent music holiday.
Seven of the 18 tracks are simply entitled Division or A Ground and are technically interesting pieces of music beginning with the main theme followed by increasingly complex variations, often leaving the listener wondering just how many notes can actually be fitted in.  I got the same feeling as when listening to jazz solos, surprised by what the musicians could come up with.  Other tracks are improvisations on tunes of the day, such as John Come Kiss Me Now; Robin Is To The Greenwood Gone; Go From My Window; and of course Greensleeves. The improvisations are played as written down in the original manuscripts, for the sake of authenticity I suppose, but it is believed that there was lots of music played on the spot which was never written down, and so is lost to us now.  The composers mentioned are people such as Davis Mell (1604-1662); the wonderfully named Gottfried Finger (1655-1730) and John Dowland (1563-1626).  The CD is very good if heard as background music but it really deserves to be listened to with attention to the skilled playing as the two instruments weave around each other, call and respond, or become wistful.  I wonder what those composers mentioned would make of the jazz scene today?   
Ann Alex.   

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