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Bebop Spoken There

Trevor Mires: ''My mum is a Dean Martin fan: I'm not, so I would grab my skateboard and get out of the house whenever I heard "Everybody Loves Somebody, Sometime." ". (Jazzwise, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17985(and counting) posts since we started blogging 17 years ago. 306 of them this year alone and, so far, 62 this month (April 26).

From This Moment On ...

April 2025.

Sun 27: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 27: Andrea Vicari Trio @ Central Bar, Gateshead. 2:00pm. Vicari (piano); Andy Champion (double bass); John Bradford (drums).
Sun 27: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 27: Vasilis Xenopoulos-Paul Edis Quartet @ Queen’s Hall, Hexham. 3:00pm. Xenopoulos, Edis, Paul Susans, Russ Morgan.
Sun 27: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 27: JustKing Jones @ Cluny 2, Newcastle. 7:00pm (doors). £17.50. JustKing Jones (alto sax, soprano sax); Jordan Williams (piano); Jason Clotter (bass); Malcolm Charles (drums). Ace NYC outfit!
Sun 27: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 27: Swing Manouche @ Warkworth Memorial Hall. 7:30pm. £15.00. Tickets from 01665 711388.
Sun 27: Vasilis Xenopoulos-Paul Edis Quartet @ The Globe, Newcastle. 8:00pm. Xenopoulos, Edis, Ken Marley, Russ Morgan.

Mon 28: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 29: ???

Wed 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 30: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 30: International Jazz Day @ The Globe, Newcastle. 7:30pm. £16.00.; £14.00. adv.. Feat. Guido Spannocchi, John Pope & Steve Hanley + Take it to the Bridge participants + Open Mic Night participants.

MAY 2025

Thu 01: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Member’s Contribution.
Thu 01: Alabaster de Plume @ Gosforth Civic Theatre, Newcastle. 7:30pm.
Thu 01: Living in Shadows + OUTRI @ The Globe, Newcastle. 8:00pm.
Thu 01: The Shayo Experiment @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Shayo Oshodi & Liam Oliver.
Thu 01: Tees Hot Club @ Dorman’s, Middlesbrough. 8:30pm. Free.

Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 02: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Anna Reay & Deon Krishnan @ STACK, Seaburn. 4:30-6:15pm. Free.
Fri 02: Nauta @ Central Bar, Gateshead. 7:00pm. £7.50. A ‘Nauta’s House’ gig featuring Nauta & guests Shayo Oshodi & David Gray.
Fri 02: Spilt Milk @ St James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 02: Dom Pipkin @ Cluny 2, Newcastle. 7:30pm (doors). Solo piano.
Fri 02: Abbie Finn Trio @ Saltburn Community Hall. 7:30pm. £12.00. + bf.

Sat 03: Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Steve Glendinning. Summer Samba Enrol at: learning@jazz.coop.
Sat 03: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Sat 03: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 03: Postmodern Jukebox @ The Glasshouse, Gateshead. 7:30pm.
Sat 03: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £3.00. + bf.
Sat 03: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 03: Ray Stubbs R&B All Stars @ The Black Bull, Blaydon. 8:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, August 21, 2012

CD Review ‘Division Musick’ - English Duos for Viol and Lute Played by Pellingman’s Saraband

Susanna Pell (viols) Jake Heringman (Lutes)
(Review by Ann Alex).
You’ll be wondering why on earth Lance is letting me review this recently issued CD on a jazz blog, so I will quote from the CD insert: The art of dividing upon a ground bass or playing divisions was the Elizabethan and seventeenth century equivalent of our modern jazz tradition.  In other words, this is what all you jazz instrumentalists would have been playing if you’d lived about four hundred years ago.  The ground was a repeated chord progression over which the musicians improvised (divisions); or sometimes they would play variations on a popular tune of the day.  Sounds familiar, doesn’t it?

The actual sound is rather different from a jazz sound as there’s no brass or woodwind, but the lute is guitar-like and the bass viol sounds rather like our double bass.  Viols are fretted string instruments which are played with an old fashioned curved bow.  They come in treble, tenor and bass varieties and are difficult to play, as I found out for myself when I tried one on a recent music holiday.
Seven of the 18 tracks are simply entitled Division or A Ground and are technically interesting pieces of music beginning with the main theme followed by increasingly complex variations, often leaving the listener wondering just how many notes can actually be fitted in.  I got the same feeling as when listening to jazz solos, surprised by what the musicians could come up with.  Other tracks are improvisations on tunes of the day, such as John Come Kiss Me Now; Robin Is To The Greenwood Gone; Go From My Window; and of course Greensleeves. The improvisations are played as written down in the original manuscripts, for the sake of authenticity I suppose, but it is believed that there was lots of music played on the spot which was never written down, and so is lost to us now.  The composers mentioned are people such as Davis Mell (1604-1662); the wonderfully named Gottfried Finger (1655-1730) and John Dowland (1563-1626).  The CD is very good if heard as background music but it really deserves to be listened to with attention to the skilled playing as the two instruments weave around each other, call and respond, or become wistful.  I wonder what those composers mentioned would make of the jazz scene today?   
Ann Alex.   

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