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Bebop Spoken There

Art Blakey: "You [Bobby Watson] don't want to play too long, because you don't know they're clapping because they're glad you finished!" - (JazzTimes, Nov. 2019)..

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15867 (and counting) posts since we started blogging 15 years ago. 874 of them this year alone and, so far, 72 this month (Sept. 25).

From This Moment On ...

September

Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Alice Grace Quartet @ King's Hall, Newcastle University. 1:15pm. Free.
Thu 28: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm. All welcome.
Thu 28: Faye MacCalman + Snape/Sankey @ Cobalt Studios, Newcastle. 7:00pm.
Thu 28: Zoe Rahman @ Jesmond United Reformed Church, Jesmond, Newcastle. 7:30pm. A Newcastle Festival of Jazz & Improvised Music event.
Thu 28: '58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Speakeasy @ Queen's Hall, Hexham. 7:30pm. £15.00. A Southpaw Dance Company presentation. Dance, audio-visuals, Count Basie, Benny Goodman, swing dancers etc.
Thu 28: Mick Cantwell Band @ Harbour View, Sunderland. 8:00pm. Free. Ace blues band.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.

Sat 30: John Pope Quintet + Late Girl + Shapeshifters @ Bobik's, Jesmond, Newcastle.
Sat 30: Papa G's Troves @ Prohibition Bar, Newcastle. 8:00pm. A 'Jar on the Bar' gig.

OCTOBER

Sun 01: Smokin' Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 01: Dulcie May Moreno sings Portrait of Sheila @ Central Bar, Gateshead. 2:00pm. £10.00. Moreno sings Sheila Jordan with Giles Strong, Mick Shoulder & John Bradford.
Sun 01: Middlesbrough Jazz & Blues Orchestra @ Saltburn Community Hall. 2:00pm.
Sun 01: The Easy Rollers @ Prohibition Bar, Newcastle. 7:00pm. £13.70., £11.55.
Sun 01: Brand/Roberts/Champion/Sanders @ Blank Studios, Newcastle. 8:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sun 01: Papa G's Troves @ The Globe, Newcastle. 8:00pm.

Mon 02: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 02: FILM: Wattstax; 50th Anniversary @ Forum Cinema, Hexham. 8:00pm.

Tue 03: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. House trio: Michael Young (piano); Paul Grainger (double bass); Paul Wight (drums).

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 04: Paul Skerritt @ Vespa Italian Bar & Steakhouse, Primrose Hill, Jarrow. From 7:00pm. To book a table - 0191 483 3355.
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Tuesday, August 21, 2012

CD Review ‘Division Musick’ - English Duos for Viol and Lute Played by Pellingman’s Saraband

Susanna Pell (viols) Jake Heringman (Lutes)
(Review by Ann Alex).
You’ll be wondering why on earth Lance is letting me review this recently issued CD on a jazz blog, so I will quote from the CD insert: The art of dividing upon a ground bass or playing divisions was the Elizabethan and seventeenth century equivalent of our modern jazz tradition.  In other words, this is what all you jazz instrumentalists would have been playing if you’d lived about four hundred years ago.  The ground was a repeated chord progression over which the musicians improvised (divisions); or sometimes they would play variations on a popular tune of the day.  Sounds familiar, doesn’t it?

The actual sound is rather different from a jazz sound as there’s no brass or woodwind, but the lute is guitar-like and the bass viol sounds rather like our double bass.  Viols are fretted string instruments which are played with an old fashioned curved bow.  They come in treble, tenor and bass varieties and are difficult to play, as I found out for myself when I tried one on a recent music holiday.
Seven of the 18 tracks are simply entitled Division or A Ground and are technically interesting pieces of music beginning with the main theme followed by increasingly complex variations, often leaving the listener wondering just how many notes can actually be fitted in.  I got the same feeling as when listening to jazz solos, surprised by what the musicians could come up with.  Other tracks are improvisations on tunes of the day, such as John Come Kiss Me Now; Robin Is To The Greenwood Gone; Go From My Window; and of course Greensleeves. The improvisations are played as written down in the original manuscripts, for the sake of authenticity I suppose, but it is believed that there was lots of music played on the spot which was never written down, and so is lost to us now.  The composers mentioned are people such as Davis Mell (1604-1662); the wonderfully named Gottfried Finger (1655-1730) and John Dowland (1563-1626).  The CD is very good if heard as background music but it really deserves to be listened to with attention to the skilled playing as the two instruments weave around each other, call and respond, or become wistful.  I wonder what those composers mentioned would make of the jazz scene today?   
Ann Alex.   

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