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Bebop Spoken There

Lakecia Benjamin: "From my early days with Clark Terry, he told me 'they see you before they hear you'... I'm just not from that school of thought where I'm gonna wear my jeans and T-shirt on stage and that's going to be respectable." - (Jazzwise, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15056 (and counting) posts since we started blogging 15 years ago. 75 of them this year alone and, so far, 75 this month (Jan. 25).

From This Moment On ...

January

Sat 28: Tyneside Improvisers Workshop @ Ye Olde Cross, Ryton. 2:00-4:00pm. All welcome.
Sat 28: Secular Sounds in a Sacred Place @ Holy Cross Church, Ryton. 4:30-7:00pm. £10.00. Continuous performance featuring: Christian Alderson, Faye MacCalman, Sally Pilkington, John Pope. Event preceded by a Tyneside Improvisers Workshop (2:00pm, see above).
Sat 28: Entartete Musik @ The Globe, Newcastle. 7:30pm. A Brundibár Arts Festival event.

Sun 29: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.

Sat 28: Revolutionaires @ Brandling Villa, South Gosforth, Newcastle. 9:00pm. Rhythm & blues band.

Sun 29: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 29: 4B @ The Exchange, North Shields. 3:00pm.
Sun 29: Revolutionaires @ Greens, Low Row, Sunderland. 6:00pm. Rhythm & blues band with a horn section (inc. Pete Tanton).
Sun 29: Hypnotic Brass Band @ Cluny, Newcastle. 7:00pm (doors). £20.00.
Sun 29: Jam No.12 @ Fabio's, Saddler St., Durham. 8:00pm. Free. Durham University Jazz Society jam session. All welcome (students & non-students).
Sun 29: Origin @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Saturday, August 04, 2012

Strictly Smokin’ 7-Piece at the ‘Jazz Cafe’, Sage Concourse, Friday August 3

Michael Lamb (trumpet and MD); Alex Leathard (Trombone); Claude Werner (tenor sax); Dave Francis (drums); Jon Proud (bass); Gav Smith (piano); Ruth Lambert (vocals)
(Review by Ann Alex).
And they were straight in, no messing around, with Ruth singing Nice Work if you can Get It, and the band certainly did more than nice work, with skilled arrangements, interesting solos and trading of fours.  The sound was what I think of as ‘New York’, especially from the horns, but that may be just to my ears. 
Bye Bye Blackbird gave us a great sax solo from Claude, exciting but never too far from the melody. A harmonically strong arrangement of Lulu’s Back in Town had  distinctive chords from the horns between lines of the song; Skylark featured lovely flowing horns and effective muted trombone.  Next up was So What with, drums driving along sax and bass.  I noticed Claude chewing on a giant piece of chewing gum, then realised that he was coolly preparing a reed, without missing a note.  Stompin’ at the Savoy culminated with horns and piano swopping fours, followed by Our Delight, a tune which delights me as it seems to start in the middle – goodness knows what the technical term for that is.  The tunes continued to pour out and I wanted to dance.
Everyone had their share of solos and all impressed. The horns didn’t appear to be miked up yet all three sounded good - a combination of their ability and The Sage’s acoustics
Ruth sang more in the second half, well-sung standards, every word crystal clear.  You’d be so Nice to Come Home To; Embraceable You; How Long Has This Been Going On; Our Love is Here to Stay; The Lady is a Tramp; Get Happy. The performance ended with Do Nothing till You Hear from Me.  This song started a discussion on our table about what the words actually mean (answers on a postcard or at least in the comments box), and I guess the song also had the audience wishing to hear more from Ruth.
This gig had its own special atmosphere, what with the punters from the classical music concert coming out at half time, some clapping Ruth, others looking a bit puzzled, and the gentleman who sat next to me and told me about when he played piano for Peggy Lee.  An interesting and enjoyable evening.
Ann Alex   

2 comments :

Liz said...

Re Do nothing 'till you hear from me...I think the clue is in those last words...."and you never will". He is saying he is never going to end it, so it's up to her, either listen to gossip or put up with his philandering!!
Liz

Ann Alex said...

Liz, Yes, that's men for you, or at least some men!
Ann Alex

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