Bebop Spoken There

Dominick "Domo" Branch: ''Most people say drummers can't write, they're just time-keepers only beating on things. But I have a very musical brain.'' (DownBeat February, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18288 (and counting) posts since we started blogging 18 years ago. 142 of them this year alone and, so far this month (Feb. 14), 42

From This Moment On ...

February

Thu 19: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: George Shearing Jazz Moments.

Fri 20: Alex Clarke w. Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT! Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Squabble @ Warkworth Memorial Hall. 7:00pm. Steve Chambers (organ); Jude Murphy (double bass, vocals); Sid White (drums).
Fri 20: Jive Aces @ Queen’s Hall, Hexham. 7:00pm (6:30pm doors).
Fri 20: Alex Clarke w. Dean Stockdale Trio @ Sunderland Minster. 7:30pm. Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.

Sat 21: ???

Sun 22: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 22: Joe Steels Group @ Queen’s Hall, Hexham. 3:00pm. A Blue Patch album tour.
Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Harben Kay Quartet @ The Globe, Newcastle. 8:00pm.

Mon 23: Joe Steels Group @ Yamaha Music School, Blyth. 1:00pm. A Blue Patch album tour.
Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 24: Finn-Keeble Group @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00.
Tue 24: Liam Oliver & Shayo Oshodi @ The Black Swan, Newcastle. 7:30pm. Free.

Thu 26: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 26: Shalala @ The Globe, Newcastle. 8:00pm. £7.00 adv.
Thu 26: Mick Cantwell Band @ The Harbour View, Roker, Sunderland. 8:00pm. Blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, August 04, 2012

Strictly Smokin’ 7-Piece at the ‘Jazz Cafe’, Sage Concourse, Friday August 3

Michael Lamb (trumpet and MD); Alex Leathard (Trombone); Claude Werner (tenor sax); Dave Francis (drums); Jon Proud (bass); Gav Smith (piano); Ruth Lambert (vocals)
(Review by Ann Alex).
And they were straight in, no messing around, with Ruth singing Nice Work if you can Get It, and the band certainly did more than nice work, with skilled arrangements, interesting solos and trading of fours.  The sound was what I think of as ‘New York’, especially from the horns, but that may be just to my ears. 
Bye Bye Blackbird gave us a great sax solo from Claude, exciting but never too far from the melody. A harmonically strong arrangement of Lulu’s Back in Town had  distinctive chords from the horns between lines of the song; Skylark featured lovely flowing horns and effective muted trombone.  Next up was So What with, drums driving along sax and bass.  I noticed Claude chewing on a giant piece of chewing gum, then realised that he was coolly preparing a reed, without missing a note.  Stompin’ at the Savoy culminated with horns and piano swopping fours, followed by Our Delight, a tune which delights me as it seems to start in the middle – goodness knows what the technical term for that is.  The tunes continued to pour out and I wanted to dance.
Everyone had their share of solos and all impressed. The horns didn’t appear to be miked up yet all three sounded good - a combination of their ability and The Sage’s acoustics
Ruth sang more in the second half, well-sung standards, every word crystal clear.  You’d be so Nice to Come Home To; Embraceable You; How Long Has This Been Going On; Our Love is Here to Stay; The Lady is a Tramp; Get Happy. The performance ended with Do Nothing till You Hear from Me.  This song started a discussion on our table about what the words actually mean (answers on a postcard or at least in the comments box), and I guess the song also had the audience wishing to hear more from Ruth.
This gig had its own special atmosphere, what with the punters from the classical music concert coming out at half time, some clapping Ruth, others looking a bit puzzled, and the gentleman who sat next to me and told me about when he played piano for Peggy Lee.  An interesting and enjoyable evening.
Ann Alex   

2 comments :

Liz said...

Re Do nothing 'till you hear from me...I think the clue is in those last words...."and you never will". He is saying he is never going to end it, so it's up to her, either listen to gossip or put up with his philandering!!
Liz

Ann Alex said...

Liz, Yes, that's men for you, or at least some men!
Ann Alex

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