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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Sat 21: Vieux Carré Hot 4 @ Market Place, Darlington. 11:00am - 3:00pm. All star line-up!
Sat 21: Elkie Brooks @ Whitley Bay Playhouse. 7:30pm.
Sat 21: Jools Holland’s R & B Orchestra @ The Hippodrome, Darlington. 7:30pm.
Sat 21: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm. CANCELLED!
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Tuesday, August 07, 2012

CD Reviews: Gato Libre - Forever/ Natsuki Tamura and Satoko Fujii - Muku

Natsuki Tamura (tpt);  Satoko Fujii (acc); Kazuhiko Tsumura (gtr); Norikatsu Koreyasu (bs).
(Review by Lance.)
I can count on one finger the number of Japanese jazz CDs I've listened to over the years then, lo and behold, two come at once.
Forever, recorded September 2011 is a dirge-like collection of originals by Tamura. His style reminds me somewhat of the Polish trumpet player Tomasz Stanko. Long notes, probing phrases - licks they ain't - a complete absence of any form of rhythm but packed with what I guess you might describe as emotional content
.
Guitarist Tsumura has a few moments of beauty and Fujii, on accordion, produces some drone-like sounds behind the trumpet's searching lines. Bassist Koreyasu, who died shortly after this recording,  adds a feeling of atonality to his arco work. It's difficult to pigeon-hole. There's a feeling of freedom about it yet it doesn't stray too far from the bounds of convention - I wish it would, at least it would have kept me awake. A few quavers and semi-quavers thrown into the mix wouldn't have gone amiss either. 
I could listen to any one of the eight tracks, no problem, but en masse ? - Sorry.
----- 
Tamura and Fujii (Mrs Tamura) shed bass and guitar for the duo recording - Muku. Fujii swaps her accordion for piano and the results are considerably freer, enjoyable at times, but equally frustrating. Tamura blows lyrical phrases only for him to finish them with some strange noises whilst Fujii alternates tenderness with what I think of as forearm smash piano playing. 
In Paris, In February is the exception - it is quite delightful.
And in fact there are good things here but, for this reviewer, not enough of them.
Both CDs are released on Libra Records.
Lance.

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