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Bebop Spoken There

Alan Barnes: "Normally you can cobble a set together with five guys on the back of an envelope over the first pint and it's just fine. Livestreaming isn't like that." - (Jazzwise July 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,381 (and counting) posts since we started blogging 13 years ago. 799 of them this year alone and, so far, 73 this month (June 20).

From This Moment On

JUNE

Thu 24: Vieux Carré Jazzmen @ The Holystone, North Tyneside 1:00pm).

Thu 24: Maine Street Jazzmen @ Sunniside Social Club, Gateshead (8:30pm).

Fri 25: Hot Club du Nord @ St Mary's Parish Hall, Barnard Castle. 7:00pm. Tickets: £15.00. + bf. A Barnard Castle Rotary Club event. POSTPONED!

Fri 25: Archipelago + Faith Brackenbury @ Gosforth Civic Theatre, Newcastle (8:00pm). £10.00. & £8.00. Echoes to the Sky album launch. A GCT Jazz Club-Jazz North East co-promotion.

Fri 25 Alter Ego @ Traveller's Rest, Cockerton, Darlington (8:00pm). POSTPONED!

Sat 26: Tyne Valley Big Band @ The Sele, Hexham (3:45pm).

Sun 27: Vieux Carré Hot Four @ Spanish City, Whitley Bay (12 noon).

Sun 27: Noel Dennis Trio @ The Globe, Newcastle (8:00pm). £10.00. Advance booking essential: . A Jazz Co-op-Jazz North East co-promotion.

Tue 29: Dean Stockdale Trio @ The Lubetkin Theatre, East Durham College, Peterlee (1:00pm). Tickets £6.00. + bf from: www.ticketsource.co.uk

Wednesday, August 01, 2012

CD Review: Spirits Up Above The Rahsaan Roland Kirk Anthology The Atlantic Years 1965-1976 Rahsaan Roland Kirk

(Review by Russell).
Spirits Up Above is a timely release. December 2012 marks the thirty fifth anniversary of the death of Rahsaan Roland Kirk. Rhino Records’ double CD surveys the Whistleman’s recorded output for the Atlantic record label over a thirteen year period up to the year before his untimely death. Studio cuts and in concert performances remind the listener of the constants in Kirk’s work; respect for the tradition (New Orleans to Ellington to Mingus to Coltrane), the church, the blues, swing, bop, excellent sidemen – especially the pianists. 

Key albums Here Comes the Whistleman, The Inflated Tear, Blacknuss, Volunteered Slavery and The Case of the Three-Sided Dream in Audio Color make for a cornucopia of riches. 
The selected sides serve as a good introduction to Kirk the instrumentalist; The Black and Crazy Blues, The Inflated Tear, Lovellevelliloqui, A Tribute to John Coltrane, Blacknuss and Portrait of Those Beautiful Ladies. To describe Kirk as a multi instrumentalist doesn’t tell half the story. On Something for Trane That Trane Could Have Said from the album Natural Black Inventions: Roots Strata Kirk plays tenor saxophone, manzello, stritch, clarinet, flute, Bb clarinet, Eb clarinet, pipes, harmonium, piccolo, bass drums, thundersheet, cymbal bells, music box, palms, timpani, gong and bird sounds! 
Swinging blues piano features across the twenty two tracks from first call players Lonnie Liston Smith, Jaki Byard, Ron Burton, Hank Jones (Do Nothin’ Till You Here From Me with old school tenor from Kirk) and Hilton Ruiz. Those fortunate to have heard Kirk live will tell you it was an unforgettable experience - Newcastle 1976 was one such occasion – and it is, perhaps, the in concert tracks on this new release that give the best indication of Kirk’s visceral stage presence and  performance. Kirk on vinyl is regularly on the turntable of this reviewer. Kirk on CD is the next best thing and Spirits Up Above on Rhino Records with liner notes by Kevin Le Gendre is released on Saturday 18th August. Heartily recommended.
Russell.                        

1 comment :

Lance said...

Russell, as one who is also fortunate to have heard
Roland Kirk live (in his pre Rahsaan days i.e. 1960s when he was unhampered by disability)I can concur that this man live was an incredible performer.
I heard him at one of the Durham colleges and, to this day, it is on my list of all time greatest concerts.

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