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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday September 16

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, March 09, 2012

Vole @ The Bridge Hotel, Newcastle. Thursday 8th March

Roland Ramanan (trumpet), Roberto Sassi (guitar), Alex Hawkins (keyboards) & Tom Greenhalgh (drums).
Jazz North East’s latest On the Outside gig at Newcastle’s Bridge Hotel featured the quartet Vole. A large gathering – young and old – listened intently to every last note.  
Trumpeter Roland Ramanan, a tall, imposing figure, possessed a full, fat tone yet he chose to play sparingly, not one to over-play. Guitar and drums…now they played -  they really did play. Guitarist Roberto Sassi (a wunderkind) harnessed the raw power of drummer Tom Greenhalgh (another wunderkind), frequently at frightening speed, to unleash an infinite variety of lines all the while utilising pedals to great effect. The intricate broken beats invited keyboards virtuoso Alex Hawkins to the party. Furious, at times humorous interplay between guitar, drums and keyboards saw Ramanan in a state of contentment and when the trio had said its piece he stepped up to make his mark with an incisive contribution. Hawkins cut loose, taking no prisoners on Tim’s Frosties, drawing huge applause as the first set drew to a close. 
An interval beer in hand (the locally brewed Ouseburn Porter), sales of CDs were brisk to say the least. On resumption of the music Slow Burn was just that – a slow burner. At its climax it just about set the place alight. Staggering playing from the quartet put this gig firmly in contention for Gig of the Year (with ten months to go!). Infinite variations on riffs, lines, textures and tempi were exemplified on Vole Infinite the eponymous (apposite) track from the soon-to-be-released new CD Vole Infinite. Pre-release copies available at the gig sold out – recommendation in itself.
Russell                                   

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance