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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Wednesday September 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Alexys de Alfaro - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

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CANCELLED

Archipelago + Freese Trio - Bobik's, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. Tel: 0191 284 0490. 7:30pm. £5.00.

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Levee Ramblers NOJB w. Jim McBriarty (clarinet) & Bob Wade (trumpet) - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm. £3.00.

Blues/Folk

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, March 02, 2012

PG3 plus guests @ Jazz Café (Thursday 1 March)

Peter Gilligan (pno), Paul Grainger (bs), Daniel Reed (dms) plus Dai Pritchard (alto sax), Marizio Minardi (sop. sax, piano), Richard Henry (bass tmb), Lindsay Hannon (vcl), Adrian Lukis (vcl), ?(vcl), ??(vcl)
Alan Law once began an item on this blog (about Lennart Anderson dropping into the Jazz Café and blowing up a storm) with the words “hope you don’t mind me breaking convention, but I need to review my own gig!!!, but its not about me!”.  I suspect that Alan’s writing is of a higher quality (as is his playing) but I’m driven by similar feelings to do the same.
Last night at the Café, Gilligan was displaying a deft touch during a first set of soft, tender ballads with sensitive support from drummer Dan Reid (whose playing seems to unveil ever more depth and colour each time he sits behind the kit).  During the break the company and musicians of the RSC arrived and the roof came off during the next set.  The thespians in the audience were up for a good time and everyone who took the stand responded.
Richard Henry (Back to Basie Orchestra/ Carla Bley/ Julian Joseph big bands) and Marizio Minardi (Brandon Allen/Quentin Collins) weaved magic over How Insensitive Dai Pritchard (formerly Loose Tubes, currently Pasadena Roof Orchestra) unleashed his funky side over Summertime and Cantaloupe Island.  The personnel changed – and tunes came – thick and fast, all anchored by Pete Gilligan's solid playing.  At one point the three horns together delivered a very spirited All the Things You Are (I seem to recall) in which their lines were so together it sounded like one musician.  
Lindsay Hannon arrived at around 11 (“I just called in for five minutes on my way home”) and sang – amongst others – My Funny Valentine.  During Marizio’s solo Richard and Pete picked up on rhythmic changes in each others playing and the rhythm section followed into a couple of choruses on a ska beat before returning to the original feel for Lindsay’s last chorus.  A number of singers from the assembled company (sorry my hands were full of double bass so I couldn’t note names) sang lovely versions of a number of standards, including a great swinging/shuffle around God Bless the Child.  
Later Adrian Lukis sang Satin Doll with a delivery that Rex Harrison would have been proud of.
If I’ve forgotten anything or anyone, please accept my apologies. It was a blistering, lively, exciting night that ended with an appropriate finale that involved the entire audience dancing whilst the horns, Lindsay (whose five minutes had extended to about four and a half hours) and the rhythm section, traded on a funk jam.  Some days I just feel very lucky to be in the right place at the right time – and this was one of them.
Photos by Kaveh.
Paul Grainger.

1 comment :

Lance said...

Kav's photo absolutely captures the atmosphere. The photo of Dietrich looking down just rounds it off - wish I'd been there.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance