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Bebop Spoken There

Randy Brecker: "It's still a thrill for me today to stand out front of a big band as the soloist and hear all that sound going on behind you. It brings the best out of me" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, March 02, 2012

PG3 plus guests @ Jazz Café (Thursday 1 March)

Peter Gilligan (pno), Paul Grainger (bs), Daniel Reed (dms) plus Dai Pritchard (alto sax), Marizio Minardi (sop. sax, piano), Richard Henry (bass tmb), Lindsay Hannon (vcl), Adrian Lukis (vcl), ?(vcl), ??(vcl)
Alan Law once began an item on this blog (about Lennart Anderson dropping into the Jazz Café and blowing up a storm) with the words “hope you don’t mind me breaking convention, but I need to review my own gig!!!, but its not about me!”.  I suspect that Alan’s writing is of a higher quality (as is his playing) but I’m driven by similar feelings to do the same.
Last night at the Café, Gilligan was displaying a deft touch during a first set of soft, tender ballads with sensitive support from drummer Dan Reid (whose playing seems to unveil ever more depth and colour each time he sits behind the kit).  During the break the company and musicians of the RSC arrived and the roof came off during the next set.  The thespians in the audience were up for a good time and everyone who took the stand responded.
Richard Henry (Back to Basie Orchestra/ Carla Bley/ Julian Joseph big bands) and Marizio Minardi (Brandon Allen/Quentin Collins) weaved magic over How Insensitive Dai Pritchard (formerly Loose Tubes, currently Pasadena Roof Orchestra) unleashed his funky side over Summertime and Cantaloupe Island.  The personnel changed – and tunes came – thick and fast, all anchored by Pete Gilligan's solid playing.  At one point the three horns together delivered a very spirited All the Things You Are (I seem to recall) in which their lines were so together it sounded like one musician.  
Lindsay Hannon arrived at around 11 (“I just called in for five minutes on my way home”) and sang – amongst others – My Funny Valentine.  During Marizio’s solo Richard and Pete picked up on rhythmic changes in each others playing and the rhythm section followed into a couple of choruses on a ska beat before returning to the original feel for Lindsay’s last chorus.  A number of singers from the assembled company (sorry my hands were full of double bass so I couldn’t note names) sang lovely versions of a number of standards, including a great swinging/shuffle around God Bless the Child.  
Later Adrian Lukis sang Satin Doll with a delivery that Rex Harrison would have been proud of.
If I’ve forgotten anything or anyone, please accept my apologies. It was a blistering, lively, exciting night that ended with an appropriate finale that involved the entire audience dancing whilst the horns, Lindsay (whose five minutes had extended to about four and a half hours) and the rhythm section, traded on a funk jam.  Some days I just feel very lucky to be in the right place at the right time – and this was one of them.
Photos by Kaveh.
Paul Grainger.

1 comment :

Lance said...

Kav's photo absolutely captures the atmosphere. The photo of Dietrich looking down just rounds it off - wish I'd been there.

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