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Bebop Spoken There

Barry Harris (in 1981): "There is not one place in the world that you can find more jazz musicians from than Detroit." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Newcastle Jazz Festival - Tyne Bank Brewery, Walker Road, Newcastle NE6 2AB. Tel: 0191 265 2828. £15.00. All day event, line-up:

Zoë Gilby & Andy Champion (1:30pm)

Alan Law Trio (2:40pm)

Mark Williams Trio (3:50pm)

Emma Fisk & James Birkett (5:00pm)

(Evening)

Alexander Bone (6:15pm)

Strictly Smokin’ Big Band (7:45pm).

Blues/Funk/Soul

King Snake - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, March 05, 2012

Portico Quartet/Matthew Halsall Trio @ The Sage

Portico Quartet: Jack Wyllie (soprano and tenor saxophone), Duncan Bellamy (drums), Milo Fitzpatrick (double bass), and Keir Vine (Hang and percussion). 
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Matthew Halsall Trio: Matthew Halsall (trumpet, effects); Taz Modi (keys, effects); Luke Flowers (drums, percussion, effects.)
Hall Two was well attended - all three tiers were occupied.. The crowd showed their appreciation for both bands with Woo-Hoos and whistles as well as the traditional double forté application of right hand against left at a tempo approaching Allegro. These guys were going down well so why didn't I go along with the flow?
Perhaps I was worried about the electricity bill - with so many devices on stage it surely over loaded the National Grid. Maybe it was because I like to hear a trumpet solo that contains the occasional semi-quaver or two. Possibly it was because I prefer the music to be master of the electronics rather than vice-versa. More likely it's because I'm of an age where musical values rate higher than loops and synths and variable whatsits.
Both bands did what they do do well 'cept they didn't do it for me.
Right place - wrong time I guess.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance