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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Thursday May 23

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Elina Duni + Trio FCT - Black Swan, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. £10.00. & £8.00.

Tees Hot Club w. Richie Emmerson (tenor sax); Donna Hewitt (alto sax); Dave Archbold (keys) - Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, March 05, 2012

Portico Quartet/Matthew Halsall Trio @ The Sage

Portico Quartet: Jack Wyllie (soprano and tenor saxophone), Duncan Bellamy (drums), Milo Fitzpatrick (double bass), and Keir Vine (Hang and percussion). 
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Matthew Halsall Trio: Matthew Halsall (trumpet, effects); Taz Modi (keys, effects); Luke Flowers (drums, percussion, effects.)
Hall Two was well attended - all three tiers were occupied.. The crowd showed their appreciation for both bands with Woo-Hoos and whistles as well as the traditional double forté application of right hand against left at a tempo approaching Allegro. These guys were going down well so why didn't I go along with the flow?
Perhaps I was worried about the electricity bill - with so many devices on stage it surely over loaded the National Grid. Maybe it was because I like to hear a trumpet solo that contains the occasional semi-quaver or two. Possibly it was because I prefer the music to be master of the electronics rather than vice-versa. More likely it's because I'm of an age where musical values rate higher than loops and synths and variable whatsits.
Both bands did what they do do well 'cept they didn't do it for me.
Right place - wrong time I guess.
Lance.

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