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Bebop Spoken There

Noah Preminger: "The U.S.A - the greatest country in the world - didn't lift a finger to help their 3ooo-plus citizens in Morocco. We were abandoned by our own government." - (DownBeat June 2020).

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Monday, March 05, 2012

Portico Quartet/Matthew Halsall Trio @ The Sage

Portico Quartet: Jack Wyllie (soprano and tenor saxophone), Duncan Bellamy (drums), Milo Fitzpatrick (double bass), and Keir Vine (Hang and percussion). 
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Matthew Halsall Trio: Matthew Halsall (trumpet, effects); Taz Modi (keys, effects); Luke Flowers (drums, percussion, effects.)
Hall Two was well attended - all three tiers were occupied.. The crowd showed their appreciation for both bands with Woo-Hoos and whistles as well as the traditional double forté application of right hand against left at a tempo approaching Allegro. These guys were going down well so why didn't I go along with the flow?
Perhaps I was worried about the electricity bill - with so many devices on stage it surely over loaded the National Grid. Maybe it was because I like to hear a trumpet solo that contains the occasional semi-quaver or two. Possibly it was because I prefer the music to be master of the electronics rather than vice-versa. More likely it's because I'm of an age where musical values rate higher than loops and synths and variable whatsits.
Both bands did what they do do well 'cept they didn't do it for me.
Right place - wrong time I guess.
Lance.

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