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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Tue 31: Jason Isaacs @ Seaburn STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Lapwing Trio @ Wallington (National Trust), Cambo, Morpeth NE61 4AR. 12 noon & 2:00pm. Admission to site £19.00.
Tue 31: Jason Isaacs @ St. James’ STACK, Newcastle. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Archie Brown & Friends @ Tyne Bar, Ouseburn, Newcastle. 4:00-8:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, March 17, 2012

Sound 12 Festival at The Sage – Some Jazzy Surprizes

I went to this event expecting lots of folk and classical music, given by students from the local universities, and indeed I enjoyed such items as African drumming and Joseph Suk’s Serenade for Strings, but I was delighted to find that some jazz was also on the menu, just to prepare me for the extravaganza to come next weekend. This came from Newcastle University Saxophone Quartet, who treated us to a set of music in chronological order from medieval times to the present day. This included a lively 1920’s style version of Gershwin’s Somebody Loves Me, with some very tasty playing from Soprano Sax; Ellington’s Don’t Get Around Much Any More; and Joni Mitchell’s Blue.

Then appeared two people I know from the folk music degree, doing superb blues. Matt Price, resplendent in pinstripe suit and black trilby, on slide guitar and acoustic guitar, with Natalie Fisher, who sang superb full-throated heartfelt blues. First came St James Infirmary, followed by Careless Love. Natalie explained how these songs had originated as English folk songs. She then sang the traditional folk song Geordie, but did it in a bluesy style to lyrical accompaniment on the acoustic guitar, which married the two styles really well. The unaccompanied song Bad, Bad Girl was good, if you get my meaning, and Natalie explained that this was a goodnight ballad, which is a song using the last words of someone who is about to be executed as a criminal, so that the ballad can be sold to raise money for the family left behind.

Then I visited the sound installation which was in the small Squires seminar room. This was looped sound, each identical section about 5 minutes long, which was neither jazzy nor musical, and probably not meant to be. But it did start me thinking about the nature of music. It had been labelled as an installation, so I listened to it without prejudice, and made up a story for myself about it, as it reminded me of aliens coming to our planet. But if it had been labelled as music, I would have dismissed it as nonsensical. At least it made me think.

Ann Alex

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