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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

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Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, March 27, 2012

Gateshead International Jazz Festival – Jam Session @ Central Bar. Saturday March 24.

Round midnight Gateshead’s Central Bar hosted the Gateshead International Jazz Festival’s late night jam session. The house band – Lindsay Hannon Plus – warmed-up with a few numbers before the first of the sitters-in was invited to get up and have a blow. Veteran Dave Weisser had brought along his flugelhorn, Andy Lee was keen as mustard to blow alto, then flute and Jazz Café resident bass player Paul Grainger took a spell in the engine room.Vocalist Lindsay Hannon kept things moving along (Joni Mitchell’s The Hissing of Summer Lawns a highlight) until the Beats and Pieces big band arrived hotfoot from their late-night festival gig across the road at the Sage.. A packed room kept the bar ticking over as the musicians opened cases, found a reed to their liking before being welcomed to the stand by Hannon and co. Hannon’s first rate piano player Alan Law swung it ferociously , bassist John Pope and drummer Mark Robertson worked like Trojans and were pleased to welcome the newcomers (a chance to visit the bar!). The boys from the big band (Royal Northern College of Music alumni) took it in turn - first keyboards man Patrick Hurley, bassist Harrison Wood and drummer Finlay Panter then numerous horn players had a blow. A good night. Twenty four hours earlier (ie. 3:00am-ish Friday) as the first of the two jam sessions was winding down in walked violinist Olivia Moore (a new name on the Tyneside jazz scene and a real talent). Watch this space for a review of Olivia’s CD.
Russell

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance