Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18754 (and counting) posts since we started blogging 18 years ago. 618 of them this year alone and, so far this month (July 28) 82

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Wed 29: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Abbie Finn Trio @ Music Dept., Durham University. 9:15pm. A Durham Fringe Festival event

Thu 30: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 30: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 30: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes. .

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Red Kites Jazz @ Land of Oak & Iron, Winlaton. 6:00-9:00pm. Free.
Fri 31: Milne Glendinning Band @ Repas 7 by Night, Berwick. 8:00-9:00pm. £6.00. A Berwick Fringe Festival event. £6.00 (£6.00 wristband access to all Fringe events).

August

Sat 01: Jazz Weekend workshop @ The Globe, Newcastle. 9:30am. £95.00. Tutors: Nel Begley & Paul Edis: Enrol at: learning@jazz.coop. Day 1/2.
Sat 01: Jim Wright’s Rhythm Deluxe @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 01: Tees Bay Swing Band @ Saltburn Bandstand. 2:30-4:30pm. Free.
Sat 01: Milne Glendinning Band @ Leonard’s Coffee House, Durham. 6:20pm. £7.00. A Durham Fringe Festival. 1/2.
Sat 01: Paul Skerritt Swing Trio @ The Vault, Darlington. 8:00pm. Free.
Sat 01: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 01: The Swing Commanders @ The Amphitheatre, Stockton. 9:00-10:30pm. Free. Stockton International Riverside Festival.

Sun 02: Jazz Weekend workshop @ The Globe, Newcastle. 9:30am. £95.00. Tutors: Nel Begley & Paul Edis: Enrol at: learning@jazz.coop. Day 2/2.
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 02: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Sue Ferris.
Sun 02: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 02: Milne Glendinning Band @ Leonard’s Coffee House, Durham. 6:20pm. £7.00. A Durham Fringe Festival event. 2/2.
Sun 02: Nel Begley & Paul Edis @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00.

Mon 03: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 03: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free.

Tuesday, March 08, 2011

IT’S INTERNATIONAL WOMEN’S DAY TODAY

Women Jazz Singers, yes, we don’t have to go very far locally to hear really talented female singers such as Zoe Gilby (she’s Champion!.. geddit?); Ruth Lambert, who performs regularly with the Customs House Big Band; Lindsay Hannon, who teaches at the Sage, from whence emerged Gaby, Claire and lots of others- please don’t be offended if I haven’t mentioned you, people should get themselves along to the Jazz Cafe sessions on Sunday afternoons to hear some of these people, to say nothing about the exciting women instrumentalists who are on the scene, but they would deserve to have a separate piece written about them. I think readers will have caught my drift by now. Yes, women singers have made a tremendous contribution to Jazz, and we all know the names of the Greats from the past, such as Ella and Billie. I’d just like to mention one of my personal favourites. This singer was already dead before I learned about her, when I attended Chris Yates Jazz Appreciation classes in Newcastle. I’m referring to Anita O’Day (1919-2006), who was born Anita Belle Colton, and packed lots into her lifetime, such as surviving heroin addiction, difficult personal relationships, and performances all over the world, including Ronnie Scott’s and, I'm told by our editor, Newcastle City Hall (see poster). She spent the Depression years as a marathon dancer, and learnt drumming. That must be how she acquired stamina and a great sense of rhythm. Anita sang with the bands of Stan Kenton and Gene Krupa as well working with musicians such as Barney Kessel and the studio orchestras of Billy May and Buddy Bregman. She comfortably bridged the Big Band Swing and Bebop eras. She is not so much of a household name as other singers and I’m not sure why this is. She’s very much a Jazz singer, without much influence of Blues or Gospel. One of her best performances was at the Newport Jazz Festival of 1958, featured in the film ‘Jazz on a Summer’s Day’. She does Sweet Georgia Brown and Tea for Two. See it for yourself on YouTube or on DVD. Ann Alex

5 comments :

Lance said...

I wonder why it is that these days women jazz singers seem to outnumber the men by about a hundred to one?

Unknown said...

Jazz seems to be much slower than other types of music at embracing equality. The average classical orchestra will have a far higher proportion of women than a big band or jazz group.

After 100 years of jazz, female instrumentalists are still very rare and I think that jazz musicians (and audiences) are responsible for that.

Fran said...

I enjoyed your piece on women jazz singers for Women’s Day.
Fran Hardcastle.
(LondonJazz/Basho Records)

Liz said...

A well written piece, thanks Ann
Liz

Ann Alex said...

Thanks to Fran and Liz for the kind comments.
Lance, it may be because women tend to be associated with love songs more than men are.
Blue, the lack of women instrumentalists is the same as in rock music, but there are now lots of female instrumentalists in folk music. As for equality I feel very well treated as an audience member, and I've mainly been with women for my singing, and don't know what it's like to be a woman instrumentalist. I don't think I'd cut the mustard with my penny whistle, with either men or women!

Blog Archive