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Bebop Spoken There

Dave Puddy: "Eventually we paid our entrance money [to Eel Pie Island] and fought our way to one of the many bars where we could buy our Newcastle Brown and retire to the back of the heaving dancefloor. There must have been lights somewhere, but my memory remains of being in some dark cavernous wonderland." - (Just Jazz July 2020)

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)


The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".


11,612 (and counting) posts since we started blogging just over 12 years ago. 747 of them this year alone and, so far, 11 this month (July 3).


As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.
Born This Day
Louis Armstrong and Steve Andrews.

Sunday, December 05, 2010

Jazz Café and Old Man Crombie Just keep Rolling (and Rocking) along

Peter Gilligan (pno); Mark Williams (gtr); Claire Kelly (vcl); Ray Burns (hca/acc); Paul Grainger (bs); Elaine Binney (vln).
The wintry weather continued and it wasn't surprising that the Jazz Café was low on customers and performers when I arrived. The archaic sounds of Ken Colyer filled the air. Keith Crombie explained that they had a visitor from New Orleans and he wanted to make them feel at home.
Peter and Mark eventually made the effort and the piano/guitar duo played some boppy variations on Straight No Chaser and Anthropology. Perhaps as a tribute to Dave Brubeck's 90th Peter managed to work Take Five into the number.
On Wave, Ray Burns - resplendant in a tweed suit topped by a deer-stalker hat - blew chromatic harp and sounded good.
Claire Kelly sang Sweet Georgia Brown in F# without a safety net and followed up with West Coast Blues.
Paul Grainger arrived in time for Solar and How Insensitive - which ended up in a Jimi Hendrix burn with Mark well and truly on fire - insensitive it most certainly was - a real blast furnace!
Elaine joined Claire for Satin Doll that had some doodly accordion from Ray and really nice violin work from Elaine.
Claire and Mark did a rather special version of I've Grown Accustomed to her Face that really hit the spot.
Sadly, I had to leave at this point - not for the Bridge as per but for the Metro. The current weather conditions making my bus connection uncertain.

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