Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, December 16, 2010

HOW IT WAS FOR ME? – FURTHER FORAYS OF A TRAINEE JAZZ SINGER

On Monday and Wednesday of this week, the Jazz Singing class from The Sage gave performances at the Jazz Cafe, for family and friends.
Great fun, and good companionship from my fellow singers – we were all in this together, worrying about forgetting words or singing in the wrong key at the wrong speed. However, it all turned out well and leader, Lindsay Hannon, praised our efforts.
About 12 of us sang on Monday and 7 on Wednesday, covering our repertoire of I’ve Got Rhythm; Song for my Father; I’m Beginning to see the Light; Sweet Georgia Brown; and Like Someone in Love, plus songs from previous terms for those of us who’d been around longer.
I can write only of my own experience, but I must say that more than half the pleasure of gigs like this is hearing the way that other singers interpret the songs we’ve all learned. I opted to sing I’ve Got Rhythm; Imagination; and Them There Eyes. I was brave enough to have no words with me, so Lindsay’s training must have increased my confidence. I did have a sheet showing the key, speed and arrangement for each song, which was a great help. Then of course Lance tells me that jazz singers need only a nod of the head and the band will somehow know the arrangement. Thank you Lance, perhaps in the future...
I tried some simple scat for the second chorus of I’ve Got Rhythm, and also a jokey line of words, which no-one reacted to, so I’ll not try the joke again. You learn on the job. Imagination went well and the band praised it, which chuffed me no end. I stumbled over a line in Them There Eyes, which no one appeared to notice at all, as the rest of the song seemed fine.
I write this not to praise myself, but to show that jazz singing classes work to increase both enjoyment and confidence. Before the classes, this time last year, I wouldn’t have had the faintest idea of how to work with a jazz band. And praise must go to the our band, The Blue Jazz Quintet, who have patiently worked with us for some of the sessions as well as accompanying us and doing stonkingly (good jazz word, that is) good instrumentals. So thanks to all who have contributed to what has been a great experience. But I still can’t put up a mike stand, is there an engineer in the house?
Ann Alex.

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