Bebop Spoken There

Gary Bartz: ''Music is nature's gift to man. It's the only religion. We're living in a terrible era, but what a beautiful thing music is. Look how it brings us together like religion is supposed to; and with no language barriers.'' (Jazzwise September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18897 (and counting) posts since we started blogging 18 years ago. 761 of them this year alone and, so far this month (Sept. 11.) 40.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Wed 16: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 17: Front Porch Blues @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 17: Amphitrio @ Pilgrim, Newcastle. 7:30pm. £7.00. Andrei Petrache (piano); Mike Alex (double bass); Philip Goron (drums).
Thu 17: Miles 100 @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00. Jack Courtney (trumpet); Sue Ferris (tenor sax); Tom Atkinson (guitar); Alan Law (piano); Deon Krishnan (bass); Jeff Armstrong (drums). A night of Miles Davis.
Thu 24: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free. .

Fri 18: Danny Lownes’ Hot Club @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Mark Williams Trio @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club.
Fri 18: Emma Fisk’s Hot Club du Nord @ St Cuthbert’s Centre, Crook. 7:30pm. £10.00., £5.00. student.
Fri 18: Rivkala + Beccy Sloan @ Pilgrim, Newcastle. 7:30pm (doors). £10.00.

Sat 19: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal. All welcome.
Sat 19: Sing Jazz! workshop @ The Globe, Newcastle. 2:00-5:00pm. £27.50. Tutor: Alexia Gardner: Nina Simone. Enrol at: learning@jazz.coop.
Sat 19: Ray Stubbs’ R&B All Stars @ Billy Bootleggers, Newcastle. 7:00pm. Free.

Sat 19: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal. All welcome.

Sun 20: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 20: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 20: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.

Mon 21: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 21: Lewis Watson Quartet @ The Black Bull, Blaydon. 8:00pm. Coltrane centenary.

Tue 22: ???

Wed 23: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 23: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 23: Lewis Watson Quartet @ The Lit & Phil, Newcastle. 7:30pm. A John Coltrane Centenary Concert (b. 23. 09. 1926). SOLD OUT!
Wed 23: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thursday, December 16, 2010

HOW IT WAS FOR ME? – FURTHER FORAYS OF A TRAINEE JAZZ SINGER

On Monday and Wednesday of this week, the Jazz Singing class from The Sage gave performances at the Jazz Cafe, for family and friends.
Great fun, and good companionship from my fellow singers – we were all in this together, worrying about forgetting words or singing in the wrong key at the wrong speed. However, it all turned out well and leader, Lindsay Hannon, praised our efforts.
About 12 of us sang on Monday and 7 on Wednesday, covering our repertoire of I’ve Got Rhythm; Song for my Father; I’m Beginning to see the Light; Sweet Georgia Brown; and Like Someone in Love, plus songs from previous terms for those of us who’d been around longer.
I can write only of my own experience, but I must say that more than half the pleasure of gigs like this is hearing the way that other singers interpret the songs we’ve all learned. I opted to sing I’ve Got Rhythm; Imagination; and Them There Eyes. I was brave enough to have no words with me, so Lindsay’s training must have increased my confidence. I did have a sheet showing the key, speed and arrangement for each song, which was a great help. Then of course Lance tells me that jazz singers need only a nod of the head and the band will somehow know the arrangement. Thank you Lance, perhaps in the future...
I tried some simple scat for the second chorus of I’ve Got Rhythm, and also a jokey line of words, which no-one reacted to, so I’ll not try the joke again. You learn on the job. Imagination went well and the band praised it, which chuffed me no end. I stumbled over a line in Them There Eyes, which no one appeared to notice at all, as the rest of the song seemed fine.
I write this not to praise myself, but to show that jazz singing classes work to increase both enjoyment and confidence. Before the classes, this time last year, I wouldn’t have had the faintest idea of how to work with a jazz band. And praise must go to the our band, The Blue Jazz Quintet, who have patiently worked with us for some of the sessions as well as accompanying us and doing stonkingly (good jazz word, that is) good instrumentals. So thanks to all who have contributed to what has been a great experience. But I still can’t put up a mike stand, is there an engineer in the house?
Ann Alex.

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