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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17805 (and counting) posts since we started blogging 17 years ago. 126 of them this year alone and, so far, 51 this month (Feb.16).

From This Moment On ...

February 2025

Sun 23: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Mark Williams Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 23: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 23: Mississippi MacDonald @ Georgian Theatre, Stockton. 3:00pm. Blues.
Sun 23: Mu Quintet @ The Globe, Newcastle. 8:00pm. CANCELLED!
Sun 23: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Tue 25: ?

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Jamie McCredie @ The Globe, Newcastle. 8:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free. THIS WEEK ONLY JAMES BIRKETT (guitar)!
Fri 28: Luis Verde Quartet @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Knats @ Lubber Fiend, Newcastle. 7:30pm. £11.50. (inc bf.). Album launch gig. Support act TBC.
Fri 28: Black is the Color of My Voice @ The Gala, Durham. 7:30pm. Apphia Campbell’s one-woman show inspired by the life of Nina Simone, performed by Florence Odumosu.
Fri 28: Great North Big Band Jazz Festival: Musicians Unlimited @ Park View Community Centre, Chester-le-Street. 8:00pm. £10.00. (Weekend ticket £20.00., available on the door). Day 1/3. Musicians Unlimited in concert.
Fri 28: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

MARCH 2025

Sat 01: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 11:00am. £15.00. Day 2/3.
Sat 01: TJ Johnson Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Steve Glendinning. Get your funk on! Enrol at: learning@jazz.coop.
Sat 01: Shunyata Improvisation Group @ The Watch House, Cullercoats. 2:00-3:30pm. Free.
Sat 01: Ray Stubbs R&B All Stars @ Billy Bootleggers. Ouseburn, Newcastle. 4:00pm. Free.
Sat 01: Lapwing Jazz Trio @ Three Sheets to the Wind, Alnwick. 5:15pm or 5:45pm (times tbc). Part of the Alnwick Story Festival's music fringe programme: Free.
Sat 01: Struggle Buggy @ The Peacock, Sunderland. 6:00pm. Blues band.
Sat 01: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 01: Joseph O’Brien: The Ultimate Tribute to Frank Sinatra @ Fire Station, Sunderland. 7:30pm. O’Brien & seven piece band (inc. Wendy Kirkland, Jim Corry & Pat Sprakes).
Sat 01: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 01: Jack & Jay’s Vintage Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, December 16, 2010

HOW IT WAS FOR ME? – FURTHER FORAYS OF A TRAINEE JAZZ SINGER

On Monday and Wednesday of this week, the Jazz Singing class from The Sage gave performances at the Jazz Cafe, for family and friends.
Great fun, and good companionship from my fellow singers – we were all in this together, worrying about forgetting words or singing in the wrong key at the wrong speed. However, it all turned out well and leader, Lindsay Hannon, praised our efforts.
About 12 of us sang on Monday and 7 on Wednesday, covering our repertoire of I’ve Got Rhythm; Song for my Father; I’m Beginning to see the Light; Sweet Georgia Brown; and Like Someone in Love, plus songs from previous terms for those of us who’d been around longer.
I can write only of my own experience, but I must say that more than half the pleasure of gigs like this is hearing the way that other singers interpret the songs we’ve all learned. I opted to sing I’ve Got Rhythm; Imagination; and Them There Eyes. I was brave enough to have no words with me, so Lindsay’s training must have increased my confidence. I did have a sheet showing the key, speed and arrangement for each song, which was a great help. Then of course Lance tells me that jazz singers need only a nod of the head and the band will somehow know the arrangement. Thank you Lance, perhaps in the future...
I tried some simple scat for the second chorus of I’ve Got Rhythm, and also a jokey line of words, which no-one reacted to, so I’ll not try the joke again. You learn on the job. Imagination went well and the band praised it, which chuffed me no end. I stumbled over a line in Them There Eyes, which no one appeared to notice at all, as the rest of the song seemed fine.
I write this not to praise myself, but to show that jazz singing classes work to increase both enjoyment and confidence. Before the classes, this time last year, I wouldn’t have had the faintest idea of how to work with a jazz band. And praise must go to the our band, The Blue Jazz Quintet, who have patiently worked with us for some of the sessions as well as accompanying us and doing stonkingly (good jazz word, that is) good instrumentals. So thanks to all who have contributed to what has been a great experience. But I still can’t put up a mike stand, is there an engineer in the house?
Ann Alex.

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