Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, December 26, 2009

Meet Danny Wilson and the Quest for the Holy Grail

The last time I saw "Meet Danny Wilson" I was 13 years old which, believe you me, was a long time ago.
Since then, it has become a personal quest - my own 'Holy Grail' - to see it again and to own it on video or DVD.
No joy - the film never showed in either medium, didn't even turn up on TCM.
Eventually I reluctantly gave up searching - mission impossible I thought. After all there were more important things to occupy the mind - then guess what? Santa Claus, prompted by some friends, handed it over to me today - at long last the old movie was out on DVD.
After expressing much joy and many thank-you's I suddenly became frightened. After all this time what if I was disappointed? The critics in the intervening years had shown it no mercy - many saying it was almost as bad as "The Kissing Bandit" which was very bad indeed. Sinatra's career was in the doldrums at the time (1951), he was broke, he was the popular whipping boy of the 'musical' press.
Yet, having made such an impression on me - admitedly at an impressionable age - I felt it must have something otherwise why would I have carried this memory for all those years?
I plucked up courage and played it. From the opening black and white shot of Brooklyn Bridge over the titles I felt a warm glow as the memories came flooding back. Amazingly I could even remember some of the dialogue!
Like the scene in the police cell when Frank (Danny Wilson) asks a guitar player in the next cell what he's in for.
"I hit one of them bebop guys in the goatee" replies the guitarist.
"Where's your guitar?" asks Frank.
"That's what I hit him with" says the guitarist. He then plays the blues on harmonica with Sinatra singing a rare blues chorus.
It was the songs, I guess, that did it. He was moving from the crooner days to the swinging Capital/Reprise era still with a foot in both camps.
"I've Got A Crush on You", "She's Funny That Way", "All of Me", "When You're Smiling", "You're a Sweetheart", "How Deep is the Ocean", "Old Black Magic" and a duet with Shelley Winters on "A Good Man is Hard To Find". Is there another Sinatra film with a better selection?
The truth is, as a film, it's a black and white B movie that, looked at through today's eyes, is as corny as they come.
I wasn't looking at it through today's eyes I doubt I ever will.
Perhaps I should make a copy for when this disc is worn out.
Thank you friends.
Lance.

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