Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18997 (and counting) posts since we started blogging 18 years ago. 861 of them this year alone and, so far this month (Oct. 13) 40.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 4:45pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 15: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 15: Leah Kirk: A Strange Affair @ Newcastle Arts Centre. 7:30pm. Free (donations). Leah Kirk (vocals); Alan Law (keyboards); Paul Grainger (double bass).
Thu 15: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. PJO w. guest Graham Hardy (trumpet).

Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Ancient Infinity Orchestra @ Cobalt Studios, Newcastle. 7:00pm.
Fri 16: Lindsay Hannon: Tom Waits for No Man @ Sunderland Minster. 7:30pm. £13.01. adv.; £15.00. on the door. Old Black Cat Jazz Club.
Fri 16: Milne Glendinning Band @ Repas 7 by Night, West St., Berwick. 8:00pm. Free.

Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!

Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Creakin’ Bones & the Sunday Dinners @ Tyne Bar, Newcastle. 4:00pm. Free. Jump jive.
Sun 18: Guisborough Big Band @ Redcar Rugby Club. 5:00-8:00pm. ‘Charity Big Band Birthday Bash’ in aid of Parkinson’s UK & Young Sounds UK. Free (donations on the door).
Sun 18: Martin Taylor @ The Glasshouse, Gateshead. 8:00pm. £23.30. Solo guitar.
Sun 18: Ben Crosland Quartet with Steve Waterman @ The Globe, Newcastle. 8:00pm.

Mon 19: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 19: Sue Ferris Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Saturday, December 26, 2009

Meet Danny Wilson and the Quest for the Holy Grail

The last time I saw "Meet Danny Wilson" I was 13 years old which, believe you me, was a long time ago.
Since then, it has become a personal quest - my own 'Holy Grail' - to see it again and to own it on video or DVD.
No joy - the film never showed in either medium, didn't even turn up on TCM.
Eventually I reluctantly gave up searching - mission impossible I thought. After all there were more important things to occupy the mind - then guess what? Santa Claus, prompted by some friends, handed it over to me today - at long last the old movie was out on DVD.
After expressing much joy and many thank-you's I suddenly became frightened. After all this time what if I was disappointed? The critics in the intervening years had shown it no mercy - many saying it was almost as bad as "The Kissing Bandit" which was very bad indeed. Sinatra's career was in the doldrums at the time (1951), he was broke, he was the popular whipping boy of the 'musical' press.
Yet, having made such an impression on me - admitedly at an impressionable age - I felt it must have something otherwise why would I have carried this memory for all those years?
I plucked up courage and played it. From the opening black and white shot of Brooklyn Bridge over the titles I felt a warm glow as the memories came flooding back. Amazingly I could even remember some of the dialogue!
Like the scene in the police cell when Frank (Danny Wilson) asks a guitar player in the next cell what he's in for.
"I hit one of them bebop guys in the goatee" replies the guitarist.
"Where's your guitar?" asks Frank.
"That's what I hit him with" says the guitarist. He then plays the blues on harmonica with Sinatra singing a rare blues chorus.
It was the songs, I guess, that did it. He was moving from the crooner days to the swinging Capital/Reprise era still with a foot in both camps.
"I've Got A Crush on You", "She's Funny That Way", "All of Me", "When You're Smiling", "You're a Sweetheart", "How Deep is the Ocean", "Old Black Magic" and a duet with Shelley Winters on "A Good Man is Hard To Find". Is there another Sinatra film with a better selection?
The truth is, as a film, it's a black and white B movie that, looked at through today's eyes, is as corny as they come.
I wasn't looking at it through today's eyes I doubt I ever will.
Perhaps I should make a copy for when this disc is worn out.
Thank you friends.
Lance.

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