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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday July 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. (See above).

Streets of Brass - Durham city centre. DH1. 11:00am-5:00pm. Free. A Durham Brass Festival event.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Rajasthan Heritage Brass Band - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 2:00pm. Free. A Summer Sessions in the Courtyard event.

Blues/Funk/Soul

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. King Bees 1:30-2:15pm. Free. Jumpin’ Hot Club stage.

Memphis Cruisers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Scottish Swing Orchestra & Festival Broadway Chorus: West End Meets Wharton - Wharton Park, Durham DH1 4FJ. 6:00-8:00pm. Free. A Durham Brass Festival event. Details.

John Garner & Paul Edis + Nathan Lawson - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Garner (violin) & Edis (piano) play Bill Evans & original material. Support set from Nathan Lawson (guitar). Blaydon Jazz Club.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, December 11, 2009

Calling Signals & Raymond MacDonald/David Stackenas @ The Bridge Hotel. December 10th.

Raymond MacDonald (alto & soprano saxophones, whistling) & David Stackenas (guitars). Guitarist David Stackenas had a teaching/performance engagement at Newcastle University during the week and he stayed on to play a short set with Raymond MacDonald in the upstairs room of the Bridge Hotel. Stackenas plays acoustic guitars, often prepared, sometimes table - top. He has a prodigious technique combined with a robust approach (with or without a plectrum) which, at times, threatens the very survival of the instrument.
His style and technique have, to this listener's ears, certain elements of the country blues picker. MacDonald (recently on Tyneside to participate in the annual On the Outside Festival) listened to Stackenas, searching for an opening. His sound palette ranges from the reflective to all -out blowing, full of gutteral gestures and spittle (the Scot's occasional whistling served as a marked contrast to that which had gone before).
A good set. Calling Signals: Frode Gjerstad (clarinets & alto saxophone), Jon Corbett (trumpet, valve trombone & conch shell), Nick Stephens (double bass) & Paal Nilssen - Love (drums) A long - established quartet, albeit with one or two changes in personnel, Calling Signals come with quite some pedigree in the world of free jazz/improv. Norwegians Frode Gjerstad and Paal Nilssen-Love have helped establish a 'free' scene in their homeland and over the years have played with a 'who's who' of the music.
British double bassist Nick Stephens worked with legendary drummer, the late John Stevens, as indeed did Gjerstad. Stephen's compatriot Jon Corbett cut a figure resembling that of a trad trumpeter down at the Dog & Duck; north east readers will be able to picture Peter Wright (of the Vieux Carre) other readers will know of National Treasure Digby Fairweather - well Corbett sounded nothing like either of them!
Corbett's best work was in tandem with Nilssen-Love; the trumpeter firing volley after volley of notes as Nilssen-Love played with absolute authority behind the kit.
Tynesiders have been fortunate this year to hear, variously, drummers Paul Lovens, Mark Saunders, Gunter Sommer and now the outstanding Paal Nilssen-Love. Nick Stephens demonstrated his credentials in this exalted company and Gjerstad was particularly effective on alto, his clarinet playing was less inventive although this allowed Nilssen-Love space to fill with sticks and brushes, hitting an additional battery of things both metal and wood.
After the gig MacDonald said how much he had enjoyed playing the room. The Bridge beer offering on the night was exceptional; Big Lamp, a great micro brewery, supplied a seasonal beer called Embers (5.5 abv), it was quite simply, perfect.
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance