Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, December 14, 2009

Chomping @ The Cherry Tree. Jim Birkett Trio with Sue Ferris.

Jim Birkett (gtr), Sue Ferris (ten/flt), Neil Harland (bs), Rob Walker (dms).
Delightful, the word that springs to mind. Refreshing is another.
No furrowed brows required tonight this is good, honest, straight down the middle jazz and no cheating - as a certain Mr Basie was once quoted as saying when asked to define his kind of music - it's mine too.
The band sans Sue opened up with, to quote Jim, "Stomping at the Cherry Tree" or should it have been "Chomping at the Cherry Tree" because, as I have said before, the food is very chompworthy.
Sue came on and blew "All of Me" shades of Lester or Zoot and the perfect accoutrement to Scottish Smoked Salmon with Shallots, Capers, Sour Cream and Lemon Rye Bread. I'm not sure if Sue influenced my tastebuds or the Scottish Salmon coloured my eardrums - either way they worked well together.
"Don't Get Around Much Anymore" - not true in my case - had some very masculine tenor from Sue and I hope she will treat that as a compliment and not an overtly sexist remark. What I mean is the sound was big and booting as befits the song.
Paradoxically, on "Killing Me Softly With His Song", played on flute the feeling was totally feminine - OMG! Lance, when you're in a hole stop digging! Just shut up and eat your main course.
Let's talk turkey.
Roast turkey breast or should I say chest? Chipolata sausage, Winter Vegetables, Cranberries and Red Wine Sauce. In its own sweet way as palatable as "All The Things You Are". Jim had some flowing lines that dovetailed around Sue in a most fugue like fashion.
Interval time.
All of the tables appeared to be taken and the diners were generous with their applause. On the next table a guy was making a pass at his girlfriend by which I mean he was name-dropping Joe Pass then looking in the direction of Jim Birkett - knowledgeable crowd tonight.
Ron - the man who Barbicaned Rollins - was in, along with good lady and son. We chatted about Gunther Schuller's conclusion that Rollin's "Blue 7" from his "Saxophone Colossus" album was the perfect jazz solo - maybe.
Now Sue Ferris would be the last person to compare herself to Sonny Rollins - she's prettier for a start - but there were times during her solo on "On the Sunnyside of the Street" when I felt it would be impossible to select a better combination of notes.
Being Xmas, the obligatory seasonal tunes were played. "Xmas Song" and "Santa Claus is Coming to Town" being the chosen ones.
Now Xmas songs are much maligned among musicians but generally speaking they are darn good tunes that with different words would be year round standards.
The final "Wee Small Hours" delivered on flute was positively poetic and bore comparision to the Mulled Fruits and Ginger Ice Cream that I finished off with - both hit the spot.
A couple remarked as they left, "This place has a buzz about it."
I think she's right.
Lance.
PS: Not forgetting 'Mister Perfect' on bass and the sensitive drumming of Rob Walker - he too had an almost melodic solo on "Sunnyside of the Street".

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