Bebop Spoken There

John McLaughlin: ''It was then that Colltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18947 (and counting) posts since we started blogging 18 years ago. 811 of them this year alone and, so far this month (Sept. 28.) 90.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Tue 29: Tenderly: The Life & Times of Nat ‘King’ Cole @ Hepscott Parish Hall. 7:30pm. . £15.00., £12.00. (Early Bird advance ticket), £10.00. Off-Broadway production feat. Duane Forrest.
Tue 29: Red Kites Jazz @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 30: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 30: Darlington Big Band @ The Traveller's Rest, Cockerton, Darlington. 7:00pm. Free. For one week only the rehearsal night will be at the Traveller's Rest (open to the public).
Wed 30: Tenderly: The Life & Times of Nat ‘King’ Cole @ The Hearth, Horsley. 7:30pm. £15.00., £12.00. (Early Bird advance ticket), £10.00. Off-Broadway production feat. Duane Forrest.
Wed 30: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 30: New Ways of Moving in the Counterworlds + Juliana Day & Manon McCoy + Helen Anahita Wilson @ The Glasshouse, Gateshead. 8:00pm. A BBC Introducing-Newcastle Festival of Jazz & Improvised Music event.

October

Thu 01: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 01: Rivkala @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 01: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 01: Hot Club de Heaton @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 01: The Scenic Route @ Dorman’s Club, Middlesbrough. 8:30pm. Free.

Fri 02: Alison Gill + Markrokosmos @ The Lit & Phil, Newcastle. 1:00pm. Newcastle Festival of Jazz & Improvised Music (NFOJAIM).
Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 02: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Gilby & Hunter + Andy Champion @ The Lit & Phil, Newcastle. 6:00pm. NFOJAIM.
Fri 02: Abbie Finn Quartet @ Saltburn Community Hall. 7:30pm. The Abbie Finn Trio augmented by Dean Stockdale (piano).
Fri 02: Alexia Gardner Trio @ Warkworth Memorial Hall. 7:30pm. £15.00.
Fri 02: Zoe Rahman Trio @ The Lit & Phil, Newcastle. 8:00pm. NFOJAIM. SOLD OUT!

Sat 03: New Orleans Ragtime Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club. Gavin Lee & co.
Sat 03: Anemone Quartet + Jeepe Zeeburg @ The Lit & Phil, Newcastle. 1:00pm. NFOJAIM.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Caravan. Enrol at: learning@jazz.coop.
Sat 03: Struggle Buggy @ The Peacock, Sunderland. 6:00pm. Free. Excellent blues band.
Sat 03: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.50 (inc. bf). Two sets: 7:30-8:15pm & 8:45-9:30pm. ‘Swing Band Dance Night’.
Sat 03: Olie Brice Quartet + Alexander Hawkins + Harper Trio @ The Lit & Phil, Newcastle. 7:00pm. NFOJAIM.
Sat 03: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 04: Tees Bay Swing Band @ Heugh Battery, Hartlepool. 11:00am-12 noon & 1:00-2:00pm.
Sun 04: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 04: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Bill Watson (trumpet).
Sun 04: Sax Choir w. Rachel Musson @ The Globe, Newcastle. 2:00pm. Free.
Sun 04: Rivkala + Ceitidh Mac + Thatcher & Knowles @ The Globe, Newcastle. 2:30pm. A NFOJAIM event.
Sun 04: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free. RESCHEDULED from September 27.
Sun 04: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 04: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. £3.00.

Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Thursday, December 31, 2009

CrescENDo

I bought the first issue of Crescendo in July 1962 and for many years I was a regular reader - I even contributed an article to the April 1970 edition - then it disappeared for a while before returning on a subscription only basis which is when I jumped ship.
Looking at that first edition with Woody Herman on the cover I noted the editorial described it as 'For musicians and would be musicians.'
Perhaps this was both its strength and its weakness. Not enough fan appeal.
Also in that inaugral issue were articles on Basie, Peterson, Jack Parnell, George Chisholm and Nelson Riddle.
Les Evans' reed clinic provided valuable hints for sax/clarinet players as well as including serial numbers for the different makes thus allowing you to put a date on an instrument.
Ocasionally a score would be printed - Horace Silver's "Filthy McNasty" is one that springs to mind. Just what every musician needed, you might think.
I recall, around the time it made the first of several re-appearances, I worked in a music shop that stocked the revamped Crescendo. A prominent local musician came in to the store to buy some reeds.
"It's back!" I said excitedly, thinking I was going to make this guy's day.
"What's back?"
"Crescendo - its back on sale again."
"Really?" he replied as he held a Rico number 4 alto reed up to the light examining it closely for any irregularity of texture - or whatever is it was that we sax players used to look for - I never quite knew. Now they are sold in sealed packs so that rigmarole no longer takes place.
I showed him an article by possibly Cannonball Adderley or Phil Woods.
No interest whatsoever.
The moral of the story being - don't depend on musicians to buy magazines (or to support other musicians' gigs come to that).
Still it is sad to see it go as it covered ground the other jazz mags with the exception of Down Beat didn't.
RIP.
Lance.
at

1 comment :

Roly said...

I used to get the Crescendo for quite a few years. As you say Lance, very much a 'technical tips' type of magazine. There used to be a regular article by guitarist Ike Isaacs - a harmonic master who was apparently greatly admired by Joe Pass and our own Martin Taylor. I remember reading, with detached curiosity, Leslie Evans' amazing technical dissertations on sax embouchure, reeds, mouthpieces, lay etc etc. It was a unique magazine with it's own specialised readership I suppose. Talking of Leslie Evans, I am reminded of his brother George, a legendary player and arranger, who lived and played locally later in his life. I found this link below which may be of interest to younger players and jazz fans who may not know of him and his great achievements.
Roly
http://www.jazzprofessional.com/profiles/George%20Evans.htm

Friday, January 01, 2010 3:16:00 pm

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