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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, December 14, 2009

Chomping @ The Cherry Tree. Jim Birkett Trio with Sue Ferris.

Jim Birkett (gtr), Sue Ferris (ten/flt), Neil Harland (bs), Rob Walker (dms).
Delightful, the word that springs to mind. Refreshing is another.
No furrowed brows required tonight this is good, honest, straight down the middle jazz and no cheating - as a certain Mr Basie was once quoted as saying when asked to define his kind of music - it's mine too.
The band sans Sue opened up with, to quote Jim, "Stomping at the Cherry Tree" or should it have been "Chomping at the Cherry Tree" because, as I have said before, the food is very chompworthy.
Sue came on and blew "All of Me" shades of Lester or Zoot and the perfect accoutrement to Scottish Smoked Salmon with Shallots, Capers, Sour Cream and Lemon Rye Bread. I'm not sure if Sue influenced my tastebuds or the Scottish Salmon coloured my eardrums - either way they worked well together.
"Don't Get Around Much Anymore" - not true in my case - had some very masculine tenor from Sue and I hope she will treat that as a compliment and not an overtly sexist remark. What I mean is the sound was big and booting as befits the song.
Paradoxically, on "Killing Me Softly With His Song", played on flute the feeling was totally feminine - OMG! Lance, when you're in a hole stop digging! Just shut up and eat your main course.
Let's talk turkey.
Roast turkey breast or should I say chest? Chipolata sausage, Winter Vegetables, Cranberries and Red Wine Sauce. In its own sweet way as palatable as "All The Things You Are". Jim had some flowing lines that dovetailed around Sue in a most fugue like fashion.
Interval time.
All of the tables appeared to be taken and the diners were generous with their applause. On the next table a guy was making a pass at his girlfriend by which I mean he was name-dropping Joe Pass then looking in the direction of Jim Birkett - knowledgeable crowd tonight.
Ron - the man who Barbicaned Rollins - was in, along with good lady and son. We chatted about Gunther Schuller's conclusion that Rollin's "Blue 7" from his "Saxophone Colossus" album was the perfect jazz solo - maybe.
Now Sue Ferris would be the last person to compare herself to Sonny Rollins - she's prettier for a start - but there were times during her solo on "On the Sunnyside of the Street" when I felt it would be impossible to select a better combination of notes.
Being Xmas, the obligatory seasonal tunes were played. "Xmas Song" and "Santa Claus is Coming to Town" being the chosen ones.
Now Xmas songs are much maligned among musicians but generally speaking they are darn good tunes that with different words would be year round standards.
The final "Wee Small Hours" delivered on flute was positively poetic and bore comparision to the Mulled Fruits and Ginger Ice Cream that I finished off with - both hit the spot.
A couple remarked as they left, "This place has a buzz about it."
I think she's right.
Lance.
PS: Not forgetting 'Mister Perfect' on bass and the sensitive drumming of Rob Walker - he too had an almost melodic solo on "Sunnyside of the Street".

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