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Bebop Spoken There

James Carter: "We played around with 'Nuages' and FUNKED it up, basically." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday August 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, June 13, 2009

2+2= Infinity. Bridge Hotel, Newcastle.

Andy Champion (double bass), Graeme Wilson (baritone & tenor saxophone), Paul Hession (drums), Mike Hurley (keyboards). Jazz North East's second season of gigs presenting the best of free jazz and improvisation concluded with a meeting of two duos; Tyneside's own Andy Champion and honourary Geordie Graeme Wilson (hailing from north of the border) and free jazz percussion wizard Paul Hession (no stranger to Newcastle) and midlands based keyboards player Mike Hurley. The ''local boys'', Champion and Wilson, got things under way, displaying no little confidence with their illustrious counterparts listening intently at the bar. Wilson possesses a cast iron technique on baritone and, most impressively, searches for a figure, a rhythm, a texture at a slow tempo which, in less capable hands, could expose a paucity of ideas and invention. Champion, the first - call bassist on the north east jazz scene, enjoys a musical rapport with Wilson which has, no doubt, come about from their countless gigs together in other ensembles across the region. The bassist used the bow and mallets in response to Wilson's probings and offered the added dimension of loop pedal effects (used sparingly on this gig). West Coast cool is the image Wilson projects, yet, in full flow, he can produce an incendiary performance (more of which later). The second set featured Hession and Hurley. Hession is in the top division of UK free jazz drummers (Mark Sanders, Steve Noble, Tony Marsh et al). Hession guarantees a performance; from himself and those sharing the stand. Mike Hurley is a new name to most on Tyneside. A duo of drums and keyboards begged the question - would it work ? Hurley revealed a debt to Debussy allied to a Keith Tippett - like attack with a bottom end hammering recalling Cecil Taylor. In full flow the duo captured the thrilling essence of the music; sometimes fleeting, shifting, lost in the ether. The set took an unexpected turn - Hurley had exhausted the keyboard; battered into submission it was retired for the evening. Hurley's work done it was down to Hession to deliver a drum masterclass to conclude the set. The third set, scheduled to be a quartet, was played as a trio. Hession's encouraging, urgent performance offered the (unexpected) opportunity to Champion and Wilson to stretch - out and deliver a blistering set. This was free jazz at its best. The third season of Jazz North East's ''On the Outside'' gigs is almost upon us. The Side Cafe on Friday 3rd July sees Tom - Mix riding into town. See you there (stetson optional). Russell

1 comment :

Lance said...

Does the "Society for The Prevention Of Cruelty To Pianos" know about this guy?
If the piano was an animal he'd be fined and banned for life.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance