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Bebop Spoken There

Benny Golson: "Art is a lifetime commitment." - (DownBeat August 2018.)

George Wein: "The musicians backstage at the Newport Festival said she [Marian McPartland] is more advanced in her harmonic structure than all the other piano players put together." - (DownBeat August 2018.)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

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If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Today Sunday July 22

Afternoon

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1pm. Free.

Music by the Sea Jamboree - Jackson's Wharf, The Highlight, Hartlepool TS24 0XN. 4pm. Free. Hosted by the Mick Donnelly Academy of Music.

More Jam - The Globe, Railway Street, Newcastle NE4 7AD. 3:00pm. Free.

Auld Man’s Baccy - Tyne Bar, Maling St, Newcastle NE6 1LP. Tel: 0191 265 2550. 4:00pm. Free

Doggone Daddies - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DE. 3:00pm. New weekly jam session.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

Zöe Gilby Trio - Blackett St., Newcastle NE1 7BS. 3 x 30 min. sets (11:30am/1:45pm/4:30pm). Free.

Jazz - Spanish City Plaza, Whitley Bay NE26 1BG inc Rendezvous Jazz (11:00am); Riviera Quartet (2pm).

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Full Americana program.

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Evening

Lickety Split - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Left Hand Lewis - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, April 27, 2018

SSBB back to business @ The Millstone - April 26

(Review by Russell). 
Following Sunday’s fantastic Alice in Wonderland gig at Hoochie Coochie it was back to business at the Millstone. The Strictly Smokin’ Big Band’s monthly public rehearsal night took its usual form of running through a few charts (playing one of them twice) and, during a short interval, running to the bar to refill a glass. Three deps in and one short in the trumpet section, it was definitely a case of back to business.

Not Just a Date (comp Ole Frimer) sang Alice Grace with a rare baritone saxophone solo by Laurie Rangecroft, and our superstar vocalist, heard to great effect this evening (the PA, for once, helping not hindering the band’s vocalists), stayed on her feet to sing Jeepers Creepers accompanied by a fired-up Graham Don. Mr D had forgotten his sustain pedal and his sterling efforts impressed fellow bandmates…praise indeed!

F’reez was in the building. Back from wherever our man got down to business singing two numbers either side of an instrumental arrangement of Beautiful Love…take one. Being a rehearsal night the idea of a second take isn’t that unusual. This first run through featured the trombone of Mark Ferris. F’reez’s second number – Oasis’ Wonderwall – closed the first set. Many big bands play the chart-topping number and the SSBB isn’t any different.
Second set, Beautiful Love take two. And at its conclusion MD Michael Lamb declared this second effort to be ‘marginally better.’ MDs can be hard taskmasters! Sunday’s show-stopper, well, one of many, got another airing as Alice Grace sang Mean to Me with Paul Gowland chipping in on tenor. Hearing it again for the second time in five days made the trip to the Millstone worth the effort, and, to top it, Graham Don and Alice Grace held the audience spellbound with a magnificent opening to Lush Life, the band poised, Jamie Toms’ tenor solo the icing on the cake. The band’s reeds section is one of soloists – the tenors of Gowland and Toms, and the altos and flutes of Steve Summers and Keith Robinson with the former, Summers, adding clarinet to an arresting arrangement of Caravan.
Oh, mustn’t forget the occasional ‘bottom end’ contributions of Mr L Rangecroft.

It Had to be You sang F’reez. The Strictly Smokin’ Big Band’s rehearsal night was all but done. All except Stan Kenton’s arrangement of Harold Arlen’s Between the Devil and the Deep Blue Sea. At its conclusion, the depleted trumpet section – Pete Tanton cried off late in the day – hit the high Cs. The obvious conclusion was that the depping Alastair Lord hit the heights, but no, MD Lamb was at pains to point out that the credit should go to Billy Bradshaw. Duly noted.

Michael Lamb thanked all for coming along on the evening, thanked the three top class deps, and, in an unintentionally comic moment, thanked trombonist Keiran Parnaby for driving all the way from Cardiff. The band, unimpressed, quick as a flash, as one, said: He doesn’t live there, you know!  
Russell.     
Strictly Smokin’ Big Band: Michael Lamb MD, Billy Bradshaw, Alastair Lord trumpets; Mark Ferris, Keiran Parnaby, Chris Gray, John Flood trombones; Jamie Toms, Paul Gowland, Steve Summers, Keith Robinson, Laurie Rangecroft reeds; Pawel Jedrzejewski guitar; Graham Don piano; Michael Whent bass; Guy Swinton drums; Alice Grace, F’reez vocals

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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