Total Pageviews

Bebop Spoken There

Lionel Loueke: "A mistake is just for the moment - make it the best mistake it can be, and that's it" - (JazzTimes, April 2019).

Archive

Today Friday April 26

Afternoon

Jazz

Vieux CarrĂ© Jazzmen - The Black Bull, Frosterley DL3 2SL. Tel: 01388 527784. Coach trip dep Tyneside 10:30am. Tickets: £15.00. Info: 0191 252 9429.

Rendezvous Jazz - Monkseaton Arms, Front St., Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Noel Dennis Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

The City Trio - Stack, Pilgrim Street, Newcastle NE1 6QE. Tel: 0191 216 1415. 5:00-7:00pm. Free. Alice Grace, Jennifer Davies, Ben Helm.

Evening.

Swing Bridge - Scott's, Forum Cinema, Market Place, Hexham NE46 1XF. Tel: 01434 601144. 6:20-7:15pm. Free. Gig in the cafe.

James Birkett & Emma Fisk - The Old Low Light, Clifford's Fort, North Shields Fish Quay NE30 1JA. Tel: 0191 257 4506. 7:00pm. £10.00. Advance booking required.

Baghdaddies - Ponteland Beer Festival, Ponteland Leisure Centre, Callerton Lane, Ponteland NE20 9EG. Baghdaddies 7:15pm (doors 6:00pm). £12.00.

Pepperland - Theatre Royal, Grey Street, Newcastle NE1 6BR. Tel: 08448 112121. 7:30pm. £19.00. Mark Morris Dance Group's 50th anniversary celebration of The Beatles' Sgt. Pepper's Lonely Hearts Club Band album. MD Ethan Iverson leads seven-piece NYC band. First night of two.

The Ronnie Scott’s Story: 60th Anniversary Concert - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 8:00pm. £27.70. & £18.50. Support set by Jambone on concourse (7:00pm).

Sue Ferris Quintet - Traveller’s Rest, West Auckland Road, Cockerton, Darlington DL3 9ER. Tel: 01325 468177. 8:00pm (doors 7:30pm). £8.00. Note new, earlier start time.

Blues/Soul/Funk

45 Spread - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, April 23, 2018

Alice in (Hoochie Coochie) Wonderland @ Hoochie Coochie - April 22

 (Review by Russell)
On a beautiful spring Sunday afternoon they tumbled expectantly into the fantasy world of Hoochie Coochie to hear the story of Alice. Our adopted Geordie superstar would soon be singing her heart out to ecstatic applause. Proprietor WT had taken care of business - prime seats reserved for BSH right in front of the band. And what a band! The Strictly Smokin’ had departed the HC stage, sound check done. One figure sat alone studying the charts in front of him. Bassist Michael Whent wasn’t available on the day and depping for him was one N. Harland. Oh, that’ll do nicely!

Mad Hatters and March Hares, a Cheshire Cat, they were out in their glad rags drinking cocktails, a bottle of London Pride. At the appointed time MD Michael Lamb opened the pad at #16D – Ol’ Man River. Blistering, absolutely blistering, cue huge applause at this Hoochie Coochie Mad Hatter’s tea party. This the first tune of the first of three sets…Alice would soon be joining the party.
A Night in Tunisia, Ray Chester’s arrangement of Autumn Leaves featuring Pawel Jedrzejewski (a fine big band guitarist, volume levels just right) and David Barnes on trombone developing his own fine solo, Mr Chester’s archive at Sage Gateshead comes into its own on an occasion such as this.
Tom Kubis’ storming arrangement of Alexander’s Big Time Band tore the roof off the place with our US ex-pat trumpeter Pete Tanton blowing hard, so hard, as MD Lamb offered Keith Robinson, alto, an impromptu solo opportunity. KR nodded and proceeded to do some more damage to the bricks and mortar of no. 54 Pilgrim Street. And there’s more to tell…as Robinson stood up to solo all hell broke loose as an inadvertently knocked music stand caused a domino effect collapse in the reeds’ section. Members of the audience took to their knees to retrieve stands, instruments, sheet music,  the whole shebang. And here’s the thing…the band played on and Robinson didn’t miss a beat. A memorable moment, marked by tumultuous applause! All this and we weren’t quite at the end of an eventful first set. The set closer – Four Brothers – featured the saxophones; Stan Getz, Zoot Sims, Herbie Steward and Serge Chaloff. Alright, on this gig Messrs Toms, Gowland, Summers and the destructive Robinson (only kidding Keith!) played the parts of the famous Herd. You’d have to go a long way to find a better section, exemplary is the word. So much excitement and to think this was just the first set!

Some had their dancing shoes on – it’s almost de riguer on a SSBB Sunday afternoon at Hoochie Coochie. Twirling cocktails, a nicely chilled wine, a bottle of London Pride, the bar appeared to be doing good business. Band leader Michael Lamb juggles a million and one things on a day like this; marshalling the band, finding time to take a solo himself, and, this afternoon, arranging a Facebook live streaming of the performance. Phones lit up and there we were, taking Hoochie Coochie to the world!

Alice arrived. Wow! A knock-’em-dead dress, heels, a real Puttin’ on the Ritz entrance! A lazy, lag-behind-the beat rendition featuring a becalmed Keith Robinson on alto. The dancers were up for it, soft shoe flats and spats, it’s 2018, they’re dancing to a big band, who said big bands were a thing of yesteryear? To say Alice Grace won enthusiastic applause doesn’t tell the half of it. Ecstatic, yes that’s it, ecstatic. And that was how it would prove to be for the rest of the afternoon. Paul Gowland on tenor accompanied our superstar vocalist on How High the Moon? as she flew high, higher than the moon. Awaiting the gentle descent of Ms Grace from stratospheric heights, the Strictly Smokin’ boys took the opportunity to pluck a tune from the Thad Jones/Mel Lewis’ pad. Groove Merchant, a bona fide jazz tune if ever there was one, once again highlighted the superb saxophone section. All seated, the reeds cannot help but impress. Exceptional stuff with the bonus of Jamie Tom’s superb tenor solo for good measure.

Toms featured again, along with Keith Robinson, alto, on Maynard Ferguson’s Knarf. The SSBB is a ‘must hear’ band anytime but this Hoochie Coochie date was all about Alice Grace. And here she was again with three numbers to close out the second of three sets. I’m Beginning to See the Light, Ella’s early career success A Tisket, A Tasket (Alice oozing confidence as she sang to all parts, the room in the palm of her hand) and Get Happy. Happy? Delirious, more like. Bring on set three!

And, before we knew it, set number three was upon us. Opus One got them up dancing, a Caravan rolled into and out of Hoochie Coochie with Alice back on the stand, and there she would stay for a    simply marvellous version of You Turned the Tables on Me. Our ‘jazz artist’ as one promoter rightly described Alice Grace said she had been so looking forward to singing Mean to Me with her Strictly Smokin’ boys. Yet more spine-tingling stuff. Could we have a fourth set, a fifth? Alice and the boys declared Alright, Okay, You Win as Ms Grace, eyes sparkling, sang her heart out. Wow wee!!!

A final number – Honeysuckle Rose from our superstar vocalist belatedly introduced the SSBB’s depping bass player. Neil Harland led off on Fats Waller’s late twenties number. It should be noted that NH didn’t miss a trick all afternoon, a class player is Neil. Pete Tanton played it muted as Alice scatted like nobody’s business. The Strictly Smokin’ Big Band doesn’t do other than triumphant and this Hoochie Coochie concert rates as one of their best ever performances with, of course, Alice in Wonderland. 
Russell 
Strictly Smokin’ Big Band: Michael Lamb MD, Pete Tanton, Gordon Marshall, Stuart McLean-Fowler trumpets; David Barnes, Mark Ferris, Chris Kurgi-Smith, John Flood trombones; Jamie Toms, Paul Gowland, Steve Summers, Keith Robinson, Laurie Rangecroft reeds; Pawel Jedrzejewski guitar; Graham Don piano; Neil Harland bass; Guy Swinton drums; Alice Grace vocals                             

2 comments :

Patti said...

This was one of those nights ....... the venue, the crowd, the general ambience, and the music! Oh my, what a blast off - right from the first notes of Ole Man River, the opening number. The band played like a dream - they couldn't have been tighter or swingier - and Alice was amazing. Michael really does do a fantastic job in his leader role - there's quite a choreography involved in the way he snakes his way down to the front, weaving his way through the trombones, then the saxes at the front, to direct the closing notes of each number. He's with the trumpets at the back, so it's quite a smooth achievement, especially when combined with his playing! This was one unforgettable night! What a band ......

Strictly Smokin' said...

Thank you Russell & Patti... it was a super night - fantastic atmosphere. One to remember, for sure! 😀đŸŽș

Blog Archive

Subscribe!