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Bebop Spoken There

Frank Zappa: "There was so much acid during the '60s that it was very easy for large numbers of people to think they had seen God as soon as the Beatles went boom, boom, boom, you know?." - (DownBeat May 18, 1978). – (DownBeat May 18, 1978).

Ryan Keberle: “Don't be easy on yourself when it comes to playing with perfect intonation. All other instruments will be playing with close-to-perfect intonation; the same should be expected of trombonists.'” – (DownBeat April 2018)

Today Friday March 23


Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.


Jiannis Pavlidis Trio - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 9:00pm. £8.00. (£6.00. advance).

Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Five Men No Dog - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. 8:00pm (doors 7:00pm). A ‘jar on the bar’ admission event.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, August 17, 2016

CD Review: Barney Kessel - Live At the Jazz Mill 1954

Barney Kessel (guitar); Pete Jolly (piano); Gene Stoffali (bass); Art Kile (drums).
(Review by Maurice J. Summerfield).
In 1954 Barney Kessel was only 31 years old yet he had already had been, in the late 1940’s, the featured guitarist in the Artie Shaw, Charlie Barnet and Benny Goodman bands.  In 1947 he was a member of Charlie Parker’s All Stars and, in 1952 -1953, toured the world with Norman Granz’s JATP package both as a soloist and as an integral part of the Oscar Peterson Trio.  
Kessel also featured as sideman/soloist on dozens of jazz recordings produced by Norman Granz including groups as disparate as those led by Lester Young, Benny Carter, Charlie Parker, Billie Holiday, Ella Fitzgerald, Anita O’Day, Kid Ory, Art Tatum, Oscar Peterson, Ben Webster, Harry Edison, Buddy De Franco, Buddy Rich and many other jazz greats.
Leonard Feather wrote in Downbeat, that Barney Kessel is as lyrical a guitarist as we have in jazz today, and is also a rhythmic natural who can outswing any man in the house.
This 62 years old, newly discovered, recording confirms that Feather was 100% correct. Taped by a, then 21-year old, jazz fan Jack Miller, the tracks have been selected from those recorded by Miller during Kessel’s ten-night residency at the ‘Jazz Mill’ club in Phoenix, Arizona backed by the Pete Jolly Trio.
The quality of the recording is surprisingly good.   Released 12 years after the great jazz musician’s death, this CD (also available on vinyl) shows Kessel at his swinging best and as such is a must for jazz guitar lovers.  Songs featured on the recording are Strike up the Band, How About You, Get Happy, Stardust, Seven come Eleven, Rose Room, Somebody Loves Me and Embraceable You.  Pete Jolly fans will also be delighted at the discovery of this early recording. 
Kessel is at the height of his powers here and one which I heartily recommend. My only small complaint is the CD, at 42.03 minutes, is a bit short by today’s norm although  vinyl fans might not complain!.
Maurice J. Summerfield.

1 comment :

Russell said...

A new release, great! Off to JG Windows to see if they've got a vinyl copy!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: I look forward to hearing from you.