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Bebop Spoken There

Buddy Guy: "My mother said, 'You got flowers for me, give 'em to me now, because I'm not going to smell them when you put 'em on the casket'." - (DownBeat September 2018).

Marty Ashby: "I asked him what his gig was and he said 'I put the scores on the music stands'. I said, 'That's a gig?' And I realised there were four floors of guys like him, who supported some of the finest musicians in the world. But I was a jazz musician, and I was used to playing with some of the finest musicians in the world in front of the New York Public Library for tips. That's when I realised that jazz didn't have the same support system as classical music. - (DownBeat September 2018).

Today Tuesday August 14

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, September 22, 2014

Jazz North East & Splinter @ the Bridge present The Dors. Sunday Sept. 22

Christophe de Bezenac (sax & electronics); Chris Sharkey (guitar); Eve Risser (keyboards & vocals); Yuko Oshima (drums); Paul Miller (audiovisual projections).
(Review by Steve H/photo courtesy of Ken Drew.)
A jazz hating friend of mine has just visited New Orleans where he encountered the music in its birth place and seemed to thoroughly enjoy the experience. I patronizingly informed him that the sort of Jazz he was listening to belonged  in a museum. Quite where Sunday night’s performance at The Bridge Hotel ‘belonged’ to was anybody’s guess.
The upstairs room was kitted out in such a way as to resemble a cross between Miss Haversham’s  dining room and a venue for an early Halloween party. The room was in darkness and suspended from the ceiling in various strategic places were white drapes which were used as multiple screens to display the  dazzling audiovisual  art of Paul Miller. The stage itself looked like a section of the control room at  the Cern Hadron Collider  littered  with   computers, keyboards and miles of cables. The band took the stage and proceeded to perform an unbroken set of manic electronic experimental music accompanied by a kaleidoscopic interactive light show. Keyboards, vocals, saxophone and guitar were all embedded in a constant computerized whirlpool of beats and sci fi effects. The brutal and ferocious drumming of Oshima was a particular highlight. Personally, I feel this type of music would be far more appropriate if staged at somewhere like The Tusk  festival (held next month at The Star and Shadow in Newcastle http://tuskfestival.com/). It was an exhilarating experience but I am not entirely convinced that I was attending a jazz gig. Do four musicians frantically improvising primarily with electricity constitute jazz no matter what the eventual output sounds like ? As a piece of modern performance art it was commendable but for those attending with no prior knowledge of what to expect it may have left them at best bemused and at worst misled. This gig really did push the boundaries even of this most eclectic  art form.  Perhaps if it had been billed as Frankensteinian Punk Jazz meets Kraftwerk Electronica no one could have complained if it didn’t quite transport them form Newcastle  to New Orleans 
Steve H.

2 comments :

Lance said...

Ah shit! I missed it!

Russell said...

Great review Steve. One thing rankles...your suggestion that New Orleans jazz resides in museums. No it doesn't, it is alive and well, played all over the world from Preservation Hall to the Oxbridge Hotel in Stockton on Tees (the New Orleans Preservation Jazz Band, Thursday nights). Is swing dead? Nope - you should have been at Hoochie Coochie on Sunday. Is bop dead? Nope - Jazz Café last Friday. Is free jazz dead. Nope - it just smells funny. Jazz Lives!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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