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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Michael James: "...if Ellis [Herb] has merits they are definitely not these [fantastic fire and drive]". - (Review of Herb Ellis Meets Jimmy Giuffre (LP). Jazz Monthly May 1960).

Archives

Today Monday October 16

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
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Evening.

Glowrogues - Ernest, 1 Boyd Street, Newcastle NE2 1AP. Tel: 0191 260 5216. 8:00pm. £5.00. Jazz, funk, hip-hop seven-piece band featuring musicians from Birmingham & Manchester including members of Beats & Pieces Big Band. Sam Healey (alto), Aaron Diaz (trumpet & electronics), Richard Foote (trombone), Ben Watte (keyboards), Dan Brew (guitar), Jamie Brewster (bass) & Jim Molyneux (drums).

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, September 11, 2014

Improvisers’ Workshop @ Jazz Café. September 9

(Review by Russell).
The Jazz Café’s monthly improv workshop has quickly established itself on the local scene. September’s event attracted familiar faces and one or two newcomers. Led by John Pope (double bass) and percussionist Wes Stephenson, the numerous participants worked in a series of duos, trios, quartets and larger ensembles.
Alpine kazoo cast aside inhibition to join Pope and Stephenson and before long alto, soprano and flute threw caution to the wind and their collective improv hat into the ring. 
Pianist Alan Law walked in and formed a lyrical ‘triette’, no, a ‘triage’ someone said to much laughter, with Pope and Karen Rann (soprano). Pope and Jeff Smith (flute) paired-up, so too Nigel (‘small toys’ and voice) and a ukulele. Stephenson vacated the drum chair to focus his attention on a bottle of Price Bishop, leaving the way clear for Christian Alderson to pick-up the sticks and interact with erstwhile musical partner Paul Taylor (piano). Alderson’s ‘extended technique’ included playing the hitherto unnoticed wall-mounted radiator. 
Last month’s welcome contributor – pocket trumpet man Andrew – arrived and in no time struck a musical conversation with Colin (alto), Rann and Smith. Ian Forbes popped his head round the door, took one look, and, being Forbesy, promptly left.
Davide sat front row, later to announce himself as a drummer – his thunderous approach added an extra dimension. ‘Shakey’ Ann Alex belatedly got in on the action (shakey eggs, flute, hand-clap and dunked biscuit). The finale featured everyone including the late arrival bass clarinetist lurking at the door. October’s session is on Tuesday 14 (8:00pm).  
Russell.

3 comments :

  1. Russell, I'd love to be able to play the flute, what I played was the tin whistle, the flute is held sideways on. I don't remember the biscuit! I thought this event was as much drama as music, very interesting.
    Ann Alex

    ReplyDelete
  2. Hi Ann

    Flute? Tin whistle?

    Russell The Unobservant

    ReplyDelete
  3. The description of me as Christian's "erstwhile" musical partner is fortunately inaccurate. Although it's ages since The Long Lonesome Go have played live, we are still an active unit, albeit currently sporadically and mainly in the practice room. We will eventually reconvene on stage. Watch this space: https://soundcloud.com/the-long-lonesome-go

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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