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Bebop Spoken There

Alan Broadbent: “I really enjoy working with some singers. It depends. Again, there has to be a give and take between the two of us. Otherwise, it’s just a job and I’m too old for that now.”(Jazz Times February 2015).

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Alan Broadbent: “As soon as I heard where Georgia [Mancio] was coming from, and the tradition in terms of songwriting and her appreciation of standards, it was basically the same as mine.” – (Jazzwise April 2017)

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Archives.

Today Wednesday March 29.

Afternoon.
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
TBA - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 7:30pm. No cover charge.
Levee Ramblers NOJB - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:30pm. £3.00.
Caro Emerald - Sage Gateshead. Doors 7pm. £51.06/£37.67/£24.19. VIP package £134.38.
Joe Stilgoe's Big Band Bonanza - Forum Theatre, Queensway, Billingham TS23 2LJ.7:30pm. £22. 01642 552663. w. Madeline Bell and Anthony Strong. A BBC Radio 2 'Friday Night is Music Night' concert.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, April 09, 2014

GIJF Day Two: AN AFTERTHOUGHT (I HAVE SEEN THE FUTURE!). JAZZATTACK Led by Paul Edis

(Review/photo by Jerry)
Reading Ann A’s comments on Jambone reminded me that I HAD intended to write a few words on some other youthful (and very useful) players, but then forgot. So may I set the record straight?
Saturday afternoon’s entertainment in the concourse kicked off with Jazzattack featuring some of the Sage’s youngest practitioners: the future of jazz in the region is safe with the likes of these young stars blowing up a storm and soloing like veterans!
After some nerves in the opening bars of Honeysuckle Rose, the band quickly got into their stride and began enjoying themselves. Smiles and applause all round at the end of the number! Some Miles Davis followed – So What? – with more good solos and a really good, full sound when playing “ensemble”. An Edis’ original was up next entitled Snazzy Dressaz (inspired, apparently, by the players’ sartorial elegance). Finally a favourite of mine, Watermelon Man, where the band got into a really good groove to end their all-too-brief gig on a high.
Everyone played without sheet music and almost everyone had a solo, which takes much “bottle” and they did it well, which takes much skill. Well done to all involved.
Jerry.

1 comment :

  1. Must admit I loved it, they must have brought the average jazz fans age down considerably!

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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