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Bebop Spoken There

Vadim Neselovskyi, Professor of Jazz Piano, Berklee College of Music: “Every pianist has to deal with a very complex left-hand part at some point. This is the essential pianistic experience – to split your brain into two halves and execute two very different tasks at the same time.” – (Down Beat September 2017).

Roscoe Mitchell: “To me, improvisation is trying to improve your skills so you can make these on-point compositional decisions. That takes practice.” – (Down Beat September 2017)

Archives

Today Monday September 25

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. New mainstream gig w. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
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Alastair Lord (trumpet) & Kris Thomsett (organ) - St. Nicholas Cathedral, St. Nicholas Square, Newcastle NE1 1PF. 1:05. Free (retiring collection).
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Evening.
?????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, April 06, 2014

GIJF – Day One Late Night Club @ the Jazz Café. April 4/5

(Review by Russell)
Gone midnight. The walk from Sage Gateshead across the Swing Bridge, up Side, along the ‘Diamond Strip’ (lacking in diamonds only) to Pink Lane is to see life in all its forms – the beggar, the party animal, the Balkan street musician, the inebriated, ‘exit/entry technicians’ (bouncers), boom box boy racers, fast food outlets, pigeons up for a feast. The Gateshead International Jazz Festival’s late night venue has moved around in recent years, this year the recently re-opened Jazz Café welcomed the nighthawks. 
A familiar face on the door, a familiar face at the bar, few people in. Hmm. Rivet Catcher out of stock, at our barman’s suggestion, Mordue’s Workie Ticket the dep. The Alan Law Trio (aka ALT) – Law (piano), John Pope (double bass) and drummer Jonathan Marriott – worked as the house trio taking a spell from time to time allowing others to sit in. And no shortage of sitters in. Pete Gilligan knocked seven bells out of the upright, Eric Stutt waited his turn and did a sterling job as did his fellow sticks man Jeff Armstrong. Bassist Pope excelled on Nature Boy (Pope the only one to work the entire session – extra rations for the man!) and upon the arrival of Sarah Travena (soprano) Law called for a blues in F. The applause for Ms T could be heard three blocks away. This is the stuff of jam  sessions! And more…Kath Lowdon, sitting near the fire exit, took the mic, remained seated and improvised a soulful vocal along the lines of …’I’m not gonna fight it’. Fantastic! An ‘I was there’ moment. 
The excitement-o-meter went off the scale as trombone dynamo David Gray got up. The bone man’s drummer friend – a new face – sat in. The name? Michael Mather. The guys went round and round on Sunny, jam session style. Gone two o’clock up stepped Lindsay Hannon. In a Sentimental Mood, Hannon style – class (glass in hand!). Travena seated at a table, chords displayed on her mobile phone in place of sheet music, played some more soprano, Gray’s slide slowed, careful not to deal a knockout blow to the seated punters. More, more! Hannon stayed on, what to play? Mercy, Mercy, Mercy. A plea from Pope to ‘play it properly’ (switching to five-string electric). So they did, solos all. Gone two thirty, lights up, time to go. The late night session at the Jazz Café resumes Saturday night into Sunday morning.       
Russell.      

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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