CD Review: Roger Beaujolais Italian Trio - Barba Lunga

Roger Beaujolais (vibes); Alessandro Pivi (drums); Giacomo Dominici (acoustic/electric bass).

(Review by Lance.)

One of those fondly remembered bands of yesteryear was the Red Norvo Trio: Norvo (vibes); Tal Farlow (guitar); Charles Mingus (bass). Even without a drummer, they out-swung MJQ by a country freeway.

Step forward 60/70 years and we have the Roger Beaujolais Italian Trio. They're walking the same side of the street as Norvo did but with drums as opposed to guitar and a contemporary approach that loses nothing in the way of swing.

I first heard Beaujolais at The Cluny a good few years back, I think a callow youth called Russell was also there...

Black Swan Jam Session (in the Mezzanine Café) - March 19

Jeremy McMurray (piano); John Pope (drums); Dave McKeague (drums) + Steve Summers (alto/tenor saxes); Graham Easthope (soprano/tenor saxes); Jordan Alfonso (alto sax); Elliott Todd (trumpet); David 'Showtime' Gray (trombone); Paddy ? (clarinet).

(Review/PHOTOS by Lance).

Three cracking gigs in a row and if I'd been able to slot in Blaydon, Bishop Auckland and the Lit & Phil it would have been six!

I'm going to buck protocol and relive last night by starting at the finish. All the major players are on stage - this could have been JATP at Hartford, Connecticut back in the 1950s except it was 2019 in Newcastle. The fortnightly Jam at the Black Swan Arts Centre taking place, for this week only, in the Mezzanine Café. Accessible via a series of signposted twists and turns - by comparision the maze at Hampton Court pales into insignificance - the question debated by the contenders is as to whether the grand finale should be Cherokee or Caravan? 

Miriam Ast and Victor Gutiérrez, Secret Songs European Tour @ Lit and Phil – March 15.

Miriam Ast (voice); Victor Gutiérrez (piano).

(Review/photos 

by Brian E)

German songstress Miriam Ast and Madrileño piano virtuoso Victor Gutiérrez certainly didn’t take the ‘A’ train for this leg of their Secret Songs European tour. Having previously taken in Prague, Mainz, Cologne and Leeds, the next stops are to be Hampstead in London, Freinsheim in the Rhineland, then Madrid and Palencia in Spain.  

After their train broke down between Retford and Doncaster, they eventually reached York just in time to catch an (also delayed) TransPennine Express to get to Central Station 10 minutes after their concert was due to start. Fortunately, Paul Edis was not just host but a first-rate stand-in and entertained the patient audience with Rodgers and Hammerstein’s Surrey with a Fringe on Top and (yes) Billy Strayhorn’s famous Harlem number.

Durham City Jazz Festival tickets now on sale.

Details.

Tenement Jazz Band @ Prohibition Bar, Newcastle - March 18

Patrick 'Paddy' Darley (trombone); Charles 'Chuck' Dearness (trumpet); Lachlan Fotheringham (clarinet/soprano); Simon Toner (bass); John Youngs (banjo/vocals).

(Review by Lance).

Sunday night I was truckin' on down 5th Avenue - or was it Central Avenue? Last night the action had moved to Basin St. or was it State St., that great street? No, it was Pink Lane, the new home of the Prohibition Bar and the setting for some great Dixieland/New Orleans - call it what you will - jazz by the Edinburgh based Tenement Jazz Band. If you think that the music of yesteryear and the year before that is only played by doddery old men with wavering vibratos then think again. Like our local equivalent, The House of the Black Gardenia, this is a relatively young band who've certainly picked up the essence of the old masters of jazz.

Blaydon Jazz Club Fundraiser - March 17

Noel Dennis Quartet: Noel Dennis (trumpet, flugelhorn); Paul Edis (piano); Andy Champion (bass); Russ Morgan (drums)

(Review by Russell/PHOTOS courtesy of Jerry E)

Thirty-five years of countless memorable jazz nights at Blaydon Jazz Club and Sunday evening's triple bill has to be right up there with the best of them. A full house comprising hardcore regulars and many new faces suggested it was going to be something special, Three bands - the future stars of the Early Bird Band, Alice Grace wowing the Black Bull audience and the amazing Noel Dennis up from Teesside - gave full value for money performances.

Topping the bill was one of the underrated trumpet players of his generation. Noel Dennis chose to pursue a career in academe yet had he elected to make a go of it on the London scene he would have established himself as one of the great 'names' on the national stage. Working with Dennis on this fundraising evening were three fellow musicians who can only be described as 'first call' calibre - pianist Paul Edis, bassist Andy Champion and drummer Russ Morgan. Beautiful Love with Dennis on flugelhorn opened the set. The Teessider is a Geneva Instruments' artist and his sound and performance at the Black Bull were a wonderful endorsement of the company's fine brass instruments. Love for Sale illustrated our trumpeter's quicksilver lyricism with immaculate support from his bandmates. Miles Davis is a hero of our trumpeter and the transition from late fifties Blue in Green to Pharaoh's Dance from Bitches Brew a decade later confirmed Dennis as a master performer. It had been a wonderful hour or so of jazz and the quartet went out on a killer blues in F. 

Calling All Guitars

Guitar aficionado Maurice Summerfield has drawn my attention to this Vancouver based jazz guitar blog which he feels will be of interest to all jazz guitar enthusiasts - particularly as this latest issue has a feature on Barney Kessel.

Lance.
jazzguitarTODAY.

Lickety Split @ The Globe Jazz Bar, Newcastle - March 17

Eddie Bellis (trombone); Callum Mellis (trumpet/flugel); Alan Marshall (alto sax); Jeremy McMurray (piano); Alan Rudd (bass guitar); Bradley Johnston (guitar); Paul Wight (drums).

(Review/PHOTOS by Lance)

It was fortunate in one sense that Paul Gowland was absent from the line-up as, otherwise, the band would have outnumbered the audience. Understandable as a three-band fundraiser up the road at Blaydon proved to be too strong an alternative attraction.

This was an unfortunate clash of dates as Lickety Split are a band well worth hearing. Their take on the West Coast jazz of the 1950s mixed with a less clinical approach results in a fine swinging ensemble.

King Bees @ Bar Loco, Newcastle - Mar 16

Michael Littlefield (guitar, vocals); Scott Taylor (harmonica, guitar, vocals); Dominic Hornsby (piano, guitar, vocals); Simon Hedley (double bass); Giles Holt ((drums) 

(Review by Russell)

Wherever King Bees go their audience follows. Having recently ended a successful monthly residency at Billy Bootleggers the Newcastle based blues band is shortly to begin an exciting new residency elsewhere in town.* This Saturday evening saw a return to the uber cool Bar Loco located no more than a Frank Brennan no-nonsense clearance over the old East Stand at St James' Park (Frank who? Ask your dad!).

Juke for openers, a kind of ritual instrumental loosener for King Bees. Ace harp frontman Scott Taylor shared the vocals with Michael Littlefield and, occasionally, pianist Dom Hornsby;  variously I Don't Know (Taylor), Cuckoo (Littlefield), Just a Feeling and Heart Hearted Woman (Taylor) with Hornsby insisting I'm in Love with you, baby. A typical night with the best blues band in town. Hearing the same material time and again doesn't dull the appetite, on the contrary, it's a compare and contrast exercise - these guys really are upholding Tyneside's rich history of rhythm and blues.

Preview: Lickety Split @ The Globe - March 17

(Preview by Lance/ photo from 2018 Mouth of the Tyne Festival)

Tomorrow is the all too familiar example of waiting for one and three coming along or, in this case, two. 

My heart tells me I should be going to Blaydon to show solidarity for the club's fundraising gig - so eloquently put by Russell in the previous post. However, closer to home, Lickety Split (not to be confused with the deejay session at Hoochie next Friday) are playing a gig for the Jazz Coop at The Globe and my loyalties are divided. The Blaydon gig looks to be drawing a crowd so my suggestion is for those who don't want to motor (or bus) west they could do a lot worse than to get their kicks at 11 Railway St. (NE4 7AD).