Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Monday, September 14, 2026

Ken Marley Trio play "Ken's Favourite Album" @ The Moor Club, Stockport - Sept. 13

Ken Marley (double bass); Andrzej Baranek (piano); Dave Walsh (drums).

A packed Moor Club audience was thrilled by a masterclass of jazz piano trio playing by the above musicians. The focus of the material was a live album recorded at the Village Vanguard in 2014 by Christian McBride, Christian Sands and Ulysses Owens Jr which Ken explained is his personal favourite recording. The trio transported the ambience and spirit of the legendary Greenwich Village basement club over to Stockport, recreating the form and energy of the original performances with each member adding their own personal stamp to the music. 

The opening number, a contemporary take on the nineteenth century anti-war spiritual Down By the Riverside featured a tightly arranged head, with gospel inflections and swinging expressive solos from Baranek and Marley. Walsh propelled the trio through an uptempo version of Wes Montgomery’s Fried Pies, notable for an exuberant and dazzling piano solo from Baranek. A lesser known JJ Johnson composition followed, Interlude, highlighted by an extended passage of energetic interchanges between bass and drums. The final number of the first set, a harmonically complex Christian Sands jazz waltz entitled Sand Dune,  successfully captured the feel and flavour of mid-1960s Herbie Hancock. 


The second set started with a breakneck version of Ray Noble’s Cherokee, particularly notable for its powerful locked in bass and brushwork from Marley and Walsh. Temporary relief was provided by a lyrical piano bridge in 3/4 before the trio launched into a series of explosive solos with further compelling exchanges between Marley and Walsh.  Lady of My Life transformed a modern pop ballad into a jazz tour de force of shifting textures with Walsh seamlessly switching from brushes to sticks to vary intensity and depth, providing a fertile platform for outstanding solos from Baranek and Marley. In tribute to the recent passing of Manchester based drummer Steve Gilbert, the trio performed a Ken Marley original ballad entitled Tender and the thoughtful and heartfelt extended drum solo from Walsh was a particular highlight of the evening.


All in all, a highly memorable gig full of contrasting styles and source material, delivered by the trio with unbounded energy, swing and dynamics, heightened by infectious musical interplay between each member. Catch them while you can! Paul Hartley


Down by the Riverside; Fried Pies; Interlude; Sand Dune; Cherokee; Lady of my Life; Tender; Down by the Riverside (reprise)

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