Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18395 (and counting) posts since we started blogging 18 years ago. 259 of them this year alone and, so far this month (Mar. 30 ), 69

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: King Bees @ Billy Bootleggers, Newcastle. 7:00pm (doors). Free. Chicago blues.

Friday, August 01, 2025

Prohibition - the end of an era (July 31)

Alan Law (piano); Paul Grainger (double bass); Mark Robertson (drums) + all comers (almost certainly not in order of appearance): Pete Tanton (trumpet, flugelhorn, vocals); Neil Hopper (double bass, bass guitar); Jude Murphy (double bass, vocals); Fiona Finden (curved soprano sax); Stu Finden (tenor sax); Patrick Cromb (vocals); Debra Milne (vocals); David Gray (trombone, flugelhorn); Esther Coombes (alto sax, clarinet); Carmen Silk (vocals); Jenni Winter (piano); Julija Jacenaite (vocals); Shayo Oshodi (vocals); Becky Tuck (vocals); Kit Haigh (guitar); Steve Glendinning (guitar) + numerous others (names escaped, names unknown) 

It was December 5, 1933. Prohibition was at an end. Wait a minute! It was July 31, 2025. Prohibition would soon be at an end. Mitch Mitchell's joint down on Pink Lane was soon to close its doors one last time. Mitch kindly invited BSH to attend an invitation-only farewell party, an invitation graciously accepted.

First to arrive at six o'clock and one of the last to leave sometime after midnight, BSH bagged a ringside table. It wasn't a night for note-taking, it was a night to enjoy and, hopefully, remember. As Prohibition Bar was about to shut up shop for good, it was only right and proper to consume one or three (hic!) bottles of the house beer - Prohibition Ale 33 Pale Ale.*

The house trio for the evening - Alan Law, Paul Grainger and Mark Robertson - with trumpet ace Pete Tanton fronting the opening numbers, Pete, singing There'll never be another you, got things off to a flying start. The Harry Warren-Mack Gordon number would be reprised later in the evening...

From here on in it was non-stop jazz, jazz, jazz and David Bowie and Liza Minnelli and...Yes, Ziggy Stardust performed (brilliantly) by Jude Murphy (as David Bowie), Kit Haigh (guitar), Neil Hopper (bass guitar) and mine host, Mitch Mitchell (drums). Quite a moment! Between times, faces old and new sat-in: the Findens (Stu and Fiona), Debra Milne (Caravan), the omnipresent Esther Coombes (reeds), long-time, no-see vocalist Patrick Cromb (a busy medic, is Patrick, he wasn't going to miss this farewell party!) and a scratch vocal troupe of local divas - Jude, Julija, Becky and Shayo. Great fun!

This being Prohibition Cabaret Bar, to give the joint its full name, the shutters couldn't come down one last time without an appearance from operatic artiste Carmen Silk (accompanied by pianist Jenni Winter). Life is a Cabaret, old chum, Come to the Cabaret sang Ms Silk. It stayed sung.

It was gone midnight, someone (exactly who is forgotten, hic!) assembled the troops for one last blow. When the Saints...go marching in, all horns blowing, Pete Tanton leading the parade out onto Pink Lane, all horns blowing and dancing. What would the slumbering neighbourhood make of the racket? We were beyond caring. The parade wound its way back indoors. And that was it...not quite! Speech! Speech! Proprietor M. Mitchell expressed his thanks to the countless numbers of musicians who had graced Prohibition Bar's stage over the last decade or so and to the establishment's many punters, some of whom he now regards as friends.                          
What is to become of 25-27 Pink Lane? We'll find out in  due course. Thanks to Mitch. Life is a cabaret, old chum. 

A final, short-run, individually numbered (1-100) batch of the house beer Prohibition Ale 33 (4%, Allendale Brewery) was being consumed as if Prohibition 1933 was about to come into effect. Several weeks ago your correspondent obtained one of the bottles - number 1/100. A collector's item. Russell             

1 comment :

NeilC said...

A joyous end to what is a very sad day , the loss of these smaller independent venues is really upsetting because they offer the chance for lesser known yet consummate musicians to air their passion and adroitness for their music of choice.

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