Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Mon 29: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest TBC.
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Tuesday, December 31, 2024

Album review: Sullivan Fortner - Southern Nights (Artwork Records)

Sullivan Fortner (piano); Peter Washington (bass); Marcus Gilmore (drums)
Going by this album, Fortner is probably one of the most original piano stylists currently gracing the scene.  

Recorded after a week's engagement at the Village Vanguard in NYC it seemed a natural progression for the trio to take their collaboration into the studio where they laid down nine diverse tracks.

Southern Nights: New Orleans' legend Allen Toussaint composed the title track and Fortner, who also has a Louisiana heritage, easily related to the mood.  His style is original and takes time to absorb. It's a bit like when, as a youngster, you have your first taste of beer, furtively smoke your first cigarette after school, or hear Monk for the first time. Things that take time to grow upon you.

By the time I'd reached Woody Shaw's Organ Grinder, unlike smoking, Fortner's playing, like Monk's, had most definitely grown on me!

In between, Cole Porter's I Love You had me still coming to terms with the music. One thing was certain, this was not your average pianist. Imagine if Keith Jarrett, Monk and Jelly Roll Morton had combined to form an unholy trinity...  Unusual voicings and the swing that was there but had eluded me was beginning to emerge. Gilmore solos and he too is quite individualistic.

9 Bar Tune does what it says on the tin. Going by the title it didn't take much thought to guess that this would be a Fortner original and it was. Again Gilmore pops his head above the parapets and fires off a few shots that do away with some of the infidels. Tres Palabras features an agile bass solo over a Spanish rhythm with some perky piano punctuations.

Waltz for Monk. Like the inevitability of Stanley meeting Livingstone or Darby meeting Joan so Fortner and Thelonious finally meet up via this Donald Brown composition. By this time I'm totally hooked and Sullivan Fortner is now my man!

Again, Never, a title I felt should have had a question mark and then an exclamation mark after each word viz: Again? Never!. However, that would have ran contrary to the mood of Bill Lee's composition which is a beautiful, explorative ballad.

Discovery swings gently, Fortner's unique harmonies a rich blend that results in the perfection so many pianists seek but don't always find. A discovery for me too.

Daahoud: Clifford Brown's classic is given the post-bop treatment that both the tune and the composer deserve. 

Organ Grinder. Nothing more to say. I'm converted from doubter to devotee. It hits the virtual streets in February but, already the online hucksters are taking pre-orders at 'special prices'. You know who they are, flush 'em out! Lance

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