Bebop Spoken There

Warne Marsh: "At some point, you have to be prepared to create—to perform. It's vital, man, if we're talking about jazz, the original jazz, the performing art. It fulfils its meaning only when you play it live in front of an audience." DownBeat January 1983.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18191 (and counting) posts since we started blogging 17 years ago. 45 of them this year alone and, so far this month (Jan. 14), 45

From This Moment On ...

JANUARY 2026

Thu 15: Mark Toomey Quartet @ Dorman’s Club, Middlesbrough. 8:30pm. Free. Quartet + guest Paul Donnelly (guitar).

Fri 16: Giles Strong Quartet @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Darlington Big Band @ The Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 16: Leeds City Stompers @ Billy Bootleggers, Newcastle. 9:00pm. Free.

Sat 17: Homer’s Lane + John Garner & John Pope @ St John’s Church, Riding Mill. 2:00-4:00pm. Free. Gabriele Heller’s audio play + Garner & Pope.
Sat 17: Martyn Roper @ Billy Bootleggers, Newcastle. 5:00pm. Free. Roper’s ‘One Man Blues Band’.
Sat 17: Ray Stubbs R&B All Stars @ Billy Bootleggers, Newcastle. 7:00pm. Free.
Sat 17: Alexia Gardner Trio @ FIKA Art Gallery, Morpeth. 7:00pm (6:30pm doors). Gardner, Alan Law & Jude Murphy.

Sun 18: Louis Louis Louis @ The Cluny, Newcastle. 2:00pm (doors). £15.00. Swing, jump jive, rhythm & blues. Fundraiser for St Oswald’s Hospice.
Sun 18: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Trio + Rod Sinclair.
Sun 18: Glenn Miller Orchestra UK @ The Glasshouse, Gateshead. 3:00pm.
Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Herdman-Strong Quartet @ The Globe, Newcastle. 8:00pm.

Mon 19: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 20: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence, Paul Grainger, Joe Deans.

Wed 21: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, August 17, 2024

Album review: Wayne Shorter - Volume One (Blue Note)

Wayne Shorter (tenor/soprano sax); Danilo Perez (piano); John Patitucci (bass); Brian Blade (drums)

Wayne Shorter's last concert, recorded live at the Stockholm Jazz Festival in 2014 is, in retrospect, quite a poignant affair. It isn't an easy listen. Music that is meaningful rarely is the first time around. It takes repeated listenings to fully assimilate what you're hearing, to absorb the nuances, the subtleties of a creative art unfolding before your eyes and ears - particularly your ears.

If I'd been at the Stockholm Concert Hall on that evening I'd have joined in with the audience's applause although perhaps not as vociferously as I might have done had I been listening to Wayne back in the day with the Jazz Messengers.

However, unlike a concert where the moments are ephemeral, on record, those fleeting moments can be recaptured and, for better or for worse, relived. In this case the better far outweighs the worse. The more I listened, often replaying tracks, the more it grew upon me.

At this stage of his career the lung issues that he'd been battling with for a number of years were taking hold and his musical noesis entered into a less is more mode which is often not a bad place to be.

A year after this concert he finally came to terms with the realisation he could no longer play. So what did he do? He wrote an opera (as one does). Iphegenia, composed by Wayne Shorter and Esmeranza Spalding, was performed at the 2023 EFG London Jazz Festival and reviewed by guest reviewer A.J. Dehany HERE

The music on this album came about after Wayne had listened to recordings of various concerts he'd played in different countries. The booklet contains his written comments from gigs in Stuttgart, Poland, Melbourne, San Francisco, Juan Le Pins and, of course, Stockholm. This latter concert was the one he was most satisfied with. It's a monument to a great musician in fact it's a CELEBRATION! Lance

Disc one: Zero Gravity to the 15th Dimension; Smilin' Through; Zero Gravity to the 11th Dimension; Zero Gravity to the 12th Dimension; Zero Gravity - Unbound; Orbits; Edge of the World (End Title).

Disc two: Zero Gravity to the 90th Dimension; Lotus; She Moves Through the Fair 

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