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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17733 (and counting) posts since we started blogging 17 years ago. 53 of them this year alone and, so far, 53 this month (Jan. 20).

From This Moment On ...

January 2025

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Red Kites Jazz @ Parish Hall, St Barnabas’ Church, Rowlands Gill. 7:30pm. £10.00. BYOB (tea & coffee available), raffle. Proceeds to St Barnabas’ Church. Performance feat. Shayo (vocals).
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: ???

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Thu 30: Matters Unknown (aka Jonathan Enser, Nubiyan Twist) + support TBA @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £12.22 (gig & food); £9:04 (gig only).
Thu 30: Soznak @ The Mill Tavern, Hebburn. 8:00pm. Free.
Thu 30: Struggle Buggy @ Harbour View, Roker, Sunderland. 8:00pm. Free. Rhythm & blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, August 08, 2024

Album review: Chet Baker - Late Night Jazz (Elemental Records)

Chet Baker (trumpet, wordless vocal on How High the Moon); Philip Catherine/Nicola Stilo (guitar); Egil Kapstad (piano); Terge Venaas (bass)

Yet another unearthed Chet Baker 'treasure'. This one recorded in Paris in 1988, only months before the trumpet player's mysterious death. Initially recorded as a 'dream project' by Norwegian poet Jan Erik Vold who envisioned a collaboration blending jazz with poetic expression. However, for this album the poetry has been omitted and we have to settle for the music.

A selection of well known standards with three alternate takes, three originals by Kapstad and a traditional Norwegian folk song make up the sixteen tracks. Italian guitarist Stilo only plays on the first five tracks before the band stopped for a break and he did a runner with Chet's mouthpiece. Fortunately, or unfortunately depending on your point of view, he was apprehended and the session continued with Catherine on guitar. No explanation was ever given.

Baker plays as well as his fading technique allowed: cutting his coat according to his cloth which had always been his modus operandi and, if that failed he could always sing. There's only one 'vocal' here, a gentle wordless take on How High the Moon.

Of the two guitarists, both are light-fingered albeit in different interpretations of the term with some agile solos from Catherine although when piano and guitar combine in a drummerless rhythm section the end result often tends to be rather plodding.

If you are a Baker completist you'll want this, warts and all. Others may want to have a taste first. Although the new 2-LP & Digipack CD are not due out until October 18 it seems to have been doing the rounds on YouTube for sometime so check it out HERE. Lance         

Skylark; If You Could See me Now; The Bird From Kapingamarangi; How High the Moon; Makin' Whoopee; The Ballad of Buttersmile; Body and Soul; Alice in Wonderland; Blåmann, Blåmann; Children's Waltz; Love For Sale; My Foolish Heart; I Want a Little Girl; Body and Soul (alt. take); If You Could See me Now (alt. take); Makin' Whoopee (alt. take)

2 comments :

ALAN GILES said...

Not the most generous of reviews (e..g. the sarcastic "treasure"). Given the appalling circumstances of his life, especially as the 1980s wore on, I always found the calmness in his playing incredible. He had a tremendous sense of beauty in his tone and delivery. God knows what occasioned the extraordinary theft of his mouthpiece - a joke that went wrong, perhaps? - they had worked together often at the start of the decade (several LPs issued on the Circle label recorded at the Subway Club out of Germany). Unlike this reviewer I am glad it was restored to him. I shall be buying the CD, and I am not expecting to hear Dizzy or Roy Eldridge. Perhaps,if the reviewer thinks he could do better, he should get himself a trumpet and a trio and show us what he can do?. Not that easy with just trumpet, guitar and bass. Chet had made several Steeplechase LPs with Doug Raney at the end of the 1970s and they were great.

Lance said...

Alan, thank you for your comment. Like yourself, I too am a great admirer of the work of Chet Baker from all periods of his tragic life including his latter years. Indeed, for me, much of his later work had a more emotional appeal than some of his earlier work. In particular the London sessions recorded over six nights at the Canteen in 1983 which are a couple of my favourite albums. As such, I was doubly disappointed that, in my opinion, Late Night Jazz didn't quite cut it for me. I hope you get more out of it. I wasn't expecting to hear Dizzy or Roy but I was hoping to hear the latterday Chet whose sound could tear at your heartstrings like few others.
As regards getting a trumpet to see if I can do better .... If that criteria were to be applied then the so-called pundits in music, sports, politics - you name it - would be made redundant overnight. Having said that, I appreciate your observations and you are welcome to join our reviewing team (gigs, albums, whatever) let me know via email: lanceliddle@gmail.com.

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