Bebop Spoken There

Gary Bartz: ''Music is nature's gift to man. It's the only religion. We're living in a terrible era, but what a beautiful thing music is. Look how it brings us together like religion is supposed to; and with no language barriers.'' (Jazzwise September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18897 (and counting) posts since we started blogging 18 years ago. 761 of them this year alone and, so far this month (Sept. 11.) 40.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Sun 13: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 13: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 13: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 13: King Bees @ Shape Patisserie, Darlington. 3:00pm. Free. Duo (Michael Littlefield & Scott Taylor). A Rhythm & Blues Fringe event. Blues excellence.
Sun 13: Alligator Gumbo @ The Cluny. 5:00pm. £17.15.; £11.43; £5.72.
Sun 13: Eternal Triangle + Andy Champion @ The Globe, Newcastle. 8:00pm. JNE.

Mon 14: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence, Paul Grainger, Bailey Rudd.

Wed 16: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 17: Front Porch Blues @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 17: Miles 100 @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00. Jack Courtney (trumpet); Sue Ferris (tenor sax); Tom Atkinson (guitar); Alan Law (piano); Deon Krishnan (bass); Jeff Armstrong (drums). A night of Miles Davis.
Thu 17: Amphitrio @ Pilgrim, Newcastle. 7:30pm. £7.00. Andrei Petrache (piano); Mike Alex (double bass); Philip Goron (drums).

Fri 18: Danny Lownes’ Hot Club @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Mark Williams Trio @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club.
Fri 18: Emma Fisk’s Hot Club du Nord @ St Cuthbert’s Centre, Crook. 7:30pm. £10.00., £5.00. student.
Fri 18: Rivkala + Beccy Sloan @ Pilgrim, Newcastle. 7:30pm (doors). £10.00.

Sat 19: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal. All welcome.
Sat 19: Sing Jazz! workshop @ The Globe, Newcastle. 2:00-5:00pm. £27.50. Tutor: Alexia Gardner: Nina Simone. Enrol at: learning@jazz.coop.
Sat 19: Ray Stubbs’ R&B All Stars @ Billy Bootleggers, Newcastle. 7:00pm. Free.

Thursday, August 01, 2024

Press release: Tommy Smith performs in sax and art spectacular at the Edinburgh Fringe

Credit Tommy Smith

Tommy Smith performs in sax and art spectacular at the Edinburgh Fringe

Saxophonist Tommy Smith reunites with the internationally acclaimed artist Maria Rud in their Luminescence show at St Giles's Cathedral in Edinburgh from Thursday 15th to Saturday 17th August.

Marking the Cathedral's 900th anniversary, Luminescence is part of the Edinburgh Festival Fringe and will see Smith and Rud conversing in their respective artforms, with Rud's painted images projected onto the magnificent stained-glass window on the East Wall inside the church.

“We’ll begin each performance with no preconceptions of the direction the narrative will take,” says Smith. “Maria and I are both aware of aspects of the Cathedral’s history and of the legend of St Giles himself, but we won’t have them in mind during the performance. I'll start to play and Maria will respond by painting whatever the sounds I make suggest to her.”

Smith and Rud have now worked together several times. The artist painted live in response to the Scottish National Jazz Orchestra’s Where Rivers Meet online celebration of saxophone pioneers Albert Ayler, Anthony Braxton, Ornette Coleman and Dewey Redman, which Smith directed and featured in. They have also performed Luminescence in St Giles’ Cathedral previously, including a run of dates last August, when The Scotsman described their performance as “one of the most spectacular experiences of the Fringe”.

Smith, who has played solo in cathedrals and churches across the UK, is full of enthusiasm for St Giles' acoustics and feels that solo saxophone is the perfect instrument for the space. 

“I’ve played solo concerts where I've concentrated on mostly well-known melodies but Luminescence, being completely spontaneous, is different," he says. "Although I’m playing solo, I’m composing in the moment and I can see that Maria's reacting to me, and I'm reacting to her rhythmically."

St Giles’ Cathedral has been at the centre of events throughout history, including the Scottish Reformation in the sixteenth century. As well as being a working church, it is an important centre for civic services and in September 2022 it was the scene of Queen Elizabeth’s lying in state before her funeral in London.

“As a boy growing up in Edinburgh, I was always aware of St Giles’, although mostly from a distance,” says Smith. “It’s a big, awesome space inside, with wonderful architecture and an amazing stillness. We find inspiration from just being there, so it's a new experience every time for us.”

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