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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17372 (and counting) posts since we started blogging 16 years ago. 656 of them this year alone and, so far, 61 this month (Sept. 17).

From This Moment On ...

September

Thu 19: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 19: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 19: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. THC with guests Kevin Eland, Dan Johnson, Jeremy McMurray, Ron Smith.

Fri 20: Lindsay Hannon’s Tom Waits for No Man @ Gala Theatre, Durham. 1:00pm. £8.00.
Fri 20: Rob Hall & Chick Lyall @ The Lit & Phil, Newcastle. 1:00pm. Free (donations). SOLD OUT!
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Leeway @ 1719, Hendon, Sunderland. 7:30pm. The Old Black Cat Jazz Club. CANCELLED!
Fri 20: Gaz Hughes Trio @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 21: Jason Isaacs @ Seaburn STACK, Seaburn. 1:00-2:45pm. Free.
Sat 21: Vieux Carré Hot Four @ The Beehive, Hartley Lane, Earsdon Whitley Bay NE25 0SZ. 4:30pm-6:30pm.
Sat 21: Baghdaddies @ Two by Two, Albion Row, Byker, Newcastle NE6 1RQ. 6:00pm.
Sat 21: Milne-Glendinning Band @ The Northumberland Club, Jesmond, Newcastle. 7:00pm. SOLD OUT!
Sat 21: Jude Murphy & Alan Law @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: Jason Isaacs @ St James’ STACK, Newcastle. 2:30-4:30pm. Free.
Sun 22: Dulcie May Moreno Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Richard Herdman @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 22: Remy CB Band @ Blues Underground, Nelson St., Newcastle. 8:30pm. Free. Remi, 2024 Newcastle Uni graduate, superb soul/blues voice!

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Paul Booth with the Paul Edis Trio @ The Black Bull, Blaydon. 8:00pm. £10.00. A Blaydon Jazz Club 40th anniversary concert! SOLD OUT!

Tue 24: Dulcie May Moreno Quartet @ Newcastle House Hotel, Rothbury. 7:30pm. £12.00. (£10.00. adv. from Tully’s of Rothbury). Coquetdale Jazz.
Tue 24: Sarah Gillespie @ The Cluny, Newcastle. 7:30pm (doors). £16.50. Duo performance with Chris Montague.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 25: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Middlesbrough Theatre. 7:30pm.

Tuesday, July 30, 2024

Album review: Kurt Rosenwinkel - The Next Step Band, Live at Smalls 1996 (Heartcore HCR28)

Kurt Rosenwinkel (guitar, piano on tk 6); Mark Turner (tenor sax); Ben Street (bass); Jeff Ballard (drums) + Brad Mehldau (piano on tk 3); ? (voice on tk 5)

Recorded live at Smalls Jazz Club in NYC back in 1996 the blurb describes it as an unforgettable performance that bears witness to the birth of a new musical era as Rosenwinkel and his ensemble deliver six dynamic compositions that would later shape the landscape of modern jazz.

Well they would say that wouldn't they? They, the writers, would be looking for alternative employment if they didn't. However, on this occasion I don't think anyone was holding a gun to their head. Judging by the applause the audience agreed with the appraisal. It is all that and more.

To my shame I've never heard Kurt Rosenwinkel live - I missed him at Sage Gateshead (as the Glasshouse was known in 2019) but Russell's review HERE suggests that his steps were keeping apace with jazz's ever-evolving advancement.

Rosenwinkel on this album proves he needs answer to no one just as he did on a 2012 duo album with Geri Allen reviewed earlier this year HERE.

Yes, he's certainly a fine guitarist but, he also plays mighty fine piano as proved on The Next Step. A rockolling, rollocking  opus that, in a larger venue, would have had the patrons of Smalls boogieing all night long. Mark Turner, needless to say, is as ever at the front of  le avante garde peloton yet even his most outré solos manage to keep within the bounds of sanity - just!

Whether soloing or driving the band Ballard is the man behind the wheel with Street the navigator negotiating the harmonic map. No 'Rhythm Changes' here.

Brad Mehldau pops in for a jam on Zhivago which adds an additional colour. Listen in colour seems to be one of the buzz-phrases of the moment. Anyone know what it means?

A Life Unfolds is perhaps my favourite track, it is also the most confusing. There is no voice listed on the info I received yet there is undoubtedly a wordless vocal on this track. Is it some electronic trickery (in 1996) or am I colourblind?

Whatever the answer this is still one of better historical issues and a must have for, well let's say, for anyone who appreciates good music of whatever shade. Lance

A Shifting Design; Use of Light; Zhivago; Alpha Mega; A Life Unfolds; The Next Step.

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